Peter Phillips

Was Elgar’s The Kingdom an attempt to write a religious Ring Cycle?

Plus: a preview of two strongly contrasting works by John Tavener that will premiere at the Proms

First night of The Proms, Royal Albert Hall Photo: Redferns/Getty 
issue 02 August 2014

To go from the second day of the England v. India Test match at Lord’s to the Albert Hall for the opening night of the Proms was to make a journey that a chosen few might find enviable. Nonetheless, different though the two activities are, there were some similarities. For example, the arena at the Albert Hall, where the Promenaders stand, fills up more or less to capacity before the seats around it attract a single occupant, these seats being taken at the last possible minute before the start of the concert. Exactly the same thing happens at Lord’s: the pavilion is filled while the rest of the ground remains empty until seconds before the start of play. The reason is that the Promenaders and the MCC members do not have numbered seats, and have to jockey for a good view of the performers, the regular public having a reserved space.

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