Rupert Christiansen

What would Balanchine say? New York City Ballet, at Sadler’s Wells, reviewed

Plus: the greatest strength of Birmingham Royal Ballet's Sleeping Beauty are the gorgeous sets and costumes

Naomi Corti and Adrian Danchig-Waring of New York City Ballet in Pam Tanowitz’s subtle, inventive ‘Gustave Le Gray No. 1’. Credit: Erin Baiano  
issue 16 March 2024

It’s been 16 years since New York City Ballet appeared in London, and its too-brief visit to Sadler’s Wells offered a welcome chance to encounter a previously unseen range of repertory and personnel. Perhaps the company can never be what it was when I first saw it as a youngster – its founder George Balanchine still in charge, the likes of Suzanne Farrell and Edward Villella in their prime – but one cannot live off misty memories and what has emerged now certainly has living, evolving force.

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