The Nobel Prize for Literature this year was awarded to the Norwegian novelist and playwright Jon Fosse (pictured). He has long been admired by anyone in the literary world keen to advertise their seriousness. The Canadian critic Randy Boyagoda, writing of Fosse’s Septology in the New York Times, said that he’d ‘come into awe and reverence myself for idiosyncratic forms of immense metaphysical fortitude’.
The technique is to bury statements of mystic vision or horror in piles of mostly tiny and uninteresting events
Fosse is published in Britain by Fitzcarraldo Editions, that elegant firm bringing all sorts of high-minded writers to our...
Comments
Don't miss out
Join the conversation with other Spectator readers. Subscribe to leave a comment.
UNLOCK ACCESSAlready a subscriber? Log in