Thomas W. Hodgkinson

Why do so many writers become dictators?

It’s all about control

  • From Spectator Life
Gabriele d'Annunzio (Alamy)

The list of writer-politicians goes back as far as Julius Caesar, who wrote a robust account of his campaigns. More recently, Boris Johnson has published fiction, as has former culture secretary Nadine Dorries, although neither to much acclaim. Inevitably, the names on this list tend to be either minor politicians or minor writers. Often both. 

In fact, if you’re in search of a major literary figure, who also made a significant contribution to the politics of their country, and even rose to be a ruler in their own right, there’s only one answer. That is the Italian author, soldier, womaniser, coke-addict and career egomaniac, Gabriele d’Annunzio, who briefly became dictator of his own tinpot state on the Adriatic coast. 

Novelists in particular are often raging egotists

That episode, which took place a century ago, forms the highlight of Engineers of Human Souls, a compelling new book by Simon Ings about the corrupting effect of power on literary talent.

Britain’s best politics newsletters

You get two free articles each week when you sign up to The Spectator’s emails.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in