When I first started teaching undergraduates at Harvard, the grading system the university employed struck me as very odd. Even ambitious students at top colleges in the United States see it as their job to answer any essay question in the most thorough and reasonable way. They regurgitate the dominant view in scholarly literature in a competent manner. If they pull this off without making major errors, they fully expect to get an A. And with grade inflation rampant in the Ivy League, they usually do.
This attitude has had a significant influence on American public life. If you read an opinion piece in the New York Times or the Washington Post, its basic thesis is often utterly unsurprising. But writers will usually argue in support of their uninspired conclusion in a painstakingly logical manner, building their case by placing one square block atop the other. In American journalism, to be right – or, at any rate, to argue for the position that the right people consider to be reasonable at the time – is much more important than to be brilliant or entertaining.
This stands in stark contrast to the grading scheme – and the implicit value system – I learned as an undergraduate at Cambridge. There, my teachers explained to me that the earnest and methodical essays I initially submitted as an overseas student fresh off the boat (or, rather, fresh off the Ryanair flight) from Germany would, at best, qualify for a high 2:1. To contend for a first, I needed to learn to be ‘brilliant’.
The ingrained habit of proving that they are worthy of a first has shaped the style of many British journalists
Now, it’s basically impossible for any 20-year-old to give a series of brilliant responses to questions he or she has never seen before during a high-stakes three-hour exam – especially if these essays also have to be correct.

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