Michael Tanner

Without harmful intent

Hänsel und Gretel<br /> Royal Albert Hall

issue 11 September 2010

Hänsel und Gretel
Royal Albert Hall

How frightening an opera is Humperdinck’s Hänsel und Gretel, or how frightening should it be? The answer to the first question, if one had only encountered Hänsel at the Prom performance which Glyndebourne brought to London last week, was ‘not at all’. It was given in a semi-staged version, but virtually nothing of Laurent Pelly’s distinctive production survived.

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