Arts Reviews

It was a provocative decision by the producers of Archive on 4, 50 Years On: Rivers of Blood (Nathan Gower and David Prest) to base their programme around a full exposition of Enoch Powell’s infamous 1968 speech on immigration, all 3,183 words of it, spoken by an actor (Ian McDiarmid) as if he were giving the speech in front of an audience. Why give further publicity to a speech that gave such offence at the time, and so dangerously expressed such inflammatory opinions? But the explosive reaction to the Radio 4 programme on social media, even before it went out on air, explains and justifies their decision. The speech, given

There is famously no door into the late-night diner of Edward Hopper’s ‘Nighthawks’. Its three silent patrons are trapped behind the plate-glass window — specimens of urban disaffection and isolation. In Richard Jones’s Lady Macbeth of Mtsensk it’s the windows that are so disquietingly absent. John Macfarlane’s designs propel the action of Shostakovich’s final opera through an endless enfilade of rooms. There are doors aplenty, and thresholds — of morality, sexuality and social status — are gleefully broached and breached, but each ultimately leads only to another domestic hell. If Hopper’s characters are goldfish in a glass bowl, then Jones’s are rats in a cage, and with the rat poison

Quiz by James Graham looks at the failed attempt in 2001 to swindle a million quid from an ITV game show. Jackpot winner Major Charles Ingram was thought to have been helped by strategic coughs emanating from Tecwen Whittock, a fellow contestant on Who Wants to Be a Millionaire? Graham, best known for his gripping political dramas, can’t muster any passion for this story or his characters. Ingram is a posh, weepy lummox. His wife, Diana, comes across as a blur of aloofness, cunning and banality. Whittock, who claimed to suffer from a persistent throat condition, is a clueless hobbit with a wonky Welsh accent. And Diana’s brother, tangentially involvedin

Custody is both social realism and a thriller and it’s terrific. It is smart, beautifully acted, never crass about the subject in hand (domestic abuse), and is one of those films that will have you totally gripped while you’ll also be longing for it to end, as it’s so unbearably tense. I swear my heart as good as stopped several times. It’s written and directed by Xavier Legrand, who handles both genres with supreme elegance. Or, to put it another way, it’s like a Ken Loach film that’s been hijacked by Stephen King, but seamlessly. (‘Mind if I have a go, Ken?’, ‘Be my guest, Steve’.) This is Legrand’s second

David Haig’s play Pressure looks at the Scottish meteorologist, James Stagg, who advised Eisenhower about the weather in the week before D-Day. The play works by detaching us from our foreknowledge of events. We’re aware that the landings went off smoothly on 6 June in fine conditions. However, D-Day was originally scheduled for 5 June, and for the preceding month southern England had basked in a prolonged sunny spell. According to Eisenhower’s American meteorologist, this was set to continue. But Stagg believed a storm was about to engulf the channel. Eisenhower trusted Stagg and postponed D-Day. The storm arrived, albeit tardily, which vindicated Stagg who then foresaw a brief period

Like a breath of fresh air Martha Kearney has arrived on Radio 4’s Today programme, taking over from Sarah Montague (who will now host the lunchtime news programme formerly presided over by Kearney). Her presenting style is just so different, less confrontational, more investigative, perhaps developed by her because at lunchtime the mood is different, less rushed, more ambulant. The tone on the World At One was always much more reflective than reactive, Kearney pondering events rather than racing through to the next interview, butting in, hustling, flustering her guests. On Monday morning’s Today, she interviewed the author of a book on ‘elastic thinking’. Leonard Mlodinow, a theoretical physicist who