Arts Reviews

Wyndham Lewis was a painter, poet, publisher and picker of fights. No target was too grand or too trivial: sentimental Victorians and the modern man of government; shark art dealers and the ‘atrocious’ Royal Academy; compilers of honours lists and editors of literary reviews; thin flapper girls and the fat ‘Belgian bumpkins’ of Peter Paul Rubens; men who read detective stories and women who liked bowl-of-apple paintings by second-rate Cézannes. People who lived in Putney. The poet Edith Sitwell, who sat for an unfinished portrait by Lewis, was one of his ‘most hoary, tried and reliable enemies…I do not think I should be exaggerating if I described myself as Miss

How do you follow a film like Shoah? The nine-hour Holocaust documentary, released in 1985 after 11 years of work and 350 hours of interviews — with survivors and perpetrators, saviours and collaborators, historians and bystanders — is considered one of the greatest films ever made. For decades, director Claude Lanzmann kept returning to the subject, raking over the same material, finding it impossible, maybe indecent, to move on. Of the five documentaries he has made since Shoah, four were substantial footnotes to the original, extended — and often extraordinary — out-takes from the acres of unused footage. But Lanzmann did have an answer to the question of what to

Is Evgeny Kissin, born in Moscow in 1971, the most famous concert pianist in the world? Probably not, if you stretch the definition of ‘concert pianist’ to encompass the circus antics of Lang Lang, the 34-year-old Chinese virtuoso who — in the words of a lesser-known but outstandingly gifted colleague — ‘can play well but chooses not to’. But you could certainly argue that Kissin has been the world’s most enigmatic great pianist since the death of Sviatoslav Richter in 1997 – though, unlike the promiscuously gay Richter, his overwhelming concern with privacy does not conceal any exotic secrets. He has recently married for the first time, but chooses not