Arts Reviews

The good, bad and ugly in arts and exhbitions

Ignore the simplistic politics, Pride will make you laugh and cry

1984 and all that. Which side were you on? The side of Margaret Thatcher, her hairdo and person standing rigid against a rising tide of industrial activism and British declinism? Or the side of the miners, socking it to the Tory scum and their jackbooted adjutant, Johnny Law? There’s no doubting which side this new movie Pride is on. It’s about a curious episode in community relations when a group of gay people from London decided to fundraise and rabble-rouse on behalf of the striking miners in Wales. It starts with a shot of a red banner — ‘Thatcher Out!’ — hanging from a council-block window. And it ends with

Now for the really tricky question: can Only Connect survive BBC2?

For some of us, the biggest TV question of recent weeks hasn’t been how Newsnight is doing without Jeremy Paxman, British drama’s fightback against American competition or even the treatment of Diana Beard by the editors of The Great British Bake Off. Far more important is whether a small BBC4 quiz show can survive a move to BBC2 with its heroic defiance of almost all television fashions intact. Since 2008, Only Connect has been the obvious place to head after University Challenge on a Monday night. Host Victoria Coren Mitchell achieves a neat balance between mild self-satire and an unashamed pride in the show’s cleverness. (More oddly, she also pretends

Rod Liddle

Russell Brand is duller than even the grimmest political interview

I have just spent a few moments in bed with the popular comedian Russell Brand and I have to say that I enjoyed it hugely. We did not have full penetrative sex, sadly, and when I say ‘in bed with’ I mean it sort of figuratively, or vicariously. What happened is that I watched Russell’s latest address to the world, which he delivers regularly from his bedroom — complete with those by now familiar mangled, high-camp estuarial vowels, tortuously pretentious grammar and infantile, uninformed narcissistic political opinions. Russell sits on the bed and tells us about the state of the world, man, and how it’s all, like, shit, and this stuff

A Theatre Supper

I don’t know why it’s become important to me: the idea of a theatre supper at home? Maybe it’s a methodology for life that after decades of practice we can make it what we wish it to be: modest yet appetising, practical yet with an element of excitement pending? After so many supermarket visits made on foot or online, when the whole scene palls, and there are queues at the local eatery and we feel we are just jades pecking at the window… then our new-found theatre supper gives us a clue via an authentic half-bottle and Jansson’s Temptation. We might actually go to the theatre this time. Or not.

Left

Who is there left that you can talk to? Days go by. ‘Friendless, deserted’ (The Beggar’s Opera?) — left in the lurch (what lurch?) — you languish. Time to make plans to die? You box up some age-stained letters, set aside more stuff, but your heart’s not in it. Tomorrow will be soon enough. Another of your thoughtless friends falls off the perch. Those language-teachers, those sergeant-majors, those not-quite-wives — how old they must all be now! And those types at school: grumbling, frowning, living their boxed-up lives — Mr Cartwright-Brown would be a hundred and thirty-nine. All gone… Time to wait out our world’s decline? (Wait even longer and

Out of Reach

Think of a hand-slip, a spun summit bothered by mist, the whirr and thrum of dark metals, a stranded face minding a gap which widens, widens, leaves one candle to burn in silence, late summer wings to char on glass, unspoken words to spell their spells forwards, backwards — fine fruit to hang in armouries of thorn for the devil to spit on.

Strictly Come Dancing review: seriously, who are the 11 million people who enjoy this stuff?

There’s a Radio 4 programme, presented by the smug moraliser Marcus Brigstocke, called I’ve Never Seen Star Wars, which gets famous people to do things they’ve never done before, like watch Star Wars. I’m not famous, but before last night I’d never seen Strictly. The very idea of it bored me. I don’t like ballroom dancing, I don’t like sequins or kitsch or seventies nostalgia, I don’t like programmes starring celebrities I’ve never heard of doing silly things because they desperately need the money. I don’t get the semi-ironic personality cult around ‘Brucie’, a man without any obvious charm or talent, apart from being the only 20th-century light entertainer who’s

Pizza, choc-ice and Leonardos – the treasures of Turin

To most non-Italians Turin spells Fabbrica Italiana Automobili Torino (Fiat). But this subalpine city has a longer history than the internal combustion engine. It may be twinned with Detroit, but its cavalcade of equestrian monuments testifies to an older sort of horsepower — the sort harnessed by the condottieri of the House of Savoy to turn their little Duchy into a major player on the European stage and, for four brief years from 1861 to 1865, into the capital of the Kingdom of Italy. So while Detroit has the Detroit Institute of Arts, Turin has 55,000 sqm of royal museums, currently undergoing unification into a single complex called the ‘Polo

The Bloomsbury painters bore me

Virginia Woolf (1882–1941) claimed that nothing has really happened until it has been recorded, so this new exhibition at the NPG devoted to her life can only now be said to have happened — for here I am recording it. Of course it is a truism that an exhibition only exists while it is on. Afterwards it remains in (some of) the memories of those people who visited it, and in photographic records or a catalogue of the exhibits. Among the items that will linger in my memory of this show are the portrait by Julia Margaret Cameron of Sir John Herschel, mathematician and astronomer, looking like a distraught French

Radio 4 deserts the British bird. Shame on them!

A strange coincidence on Saturday night to come back from the cinema, having seen a film about a woman fighting to save her job while suffering from depression and thoughts of putting an end to it all, only to switch on the radio and hear from people who have had suicidal thoughts themselves or who have suffered the peculiar, awful grief of losing someone to suicide. The film was affecting and sensitively done, but after listening to In Memoriam: Conversations on a Bench (Radio 4) I realised how different the impact of radio can be. It was not that the film had in any way glamorised depression, or turned us

Lloyd Evans

Bent bureaucrats, ‘fake dykes’ and bad bakers — this week’s theatre

Eye of a Needle, by newcomer Chris MacDonald, looks at homosexuality and asylum. Gays from the Third World, who’ve suppressed all evidence of their orientation at home, find they have to leap out of the closet once they reach the UK, and provide documentary proof of their hot-tub marathons and nitrate-fuelled rubdowns. Lots of comic potential there. We open with a boastful Ugandan describing his ten-in-a-bed shenanigans to a shy English civil servant, who transcribes his X-rated testimony with silent professionalism. The message is upbeat: good old Britain helps grateful refugees escape from tyranny and prejudice. Then everything curdles. We meet Natale, a Ugandan lesbian, who treats the application process

Mariinsky’s Les Troyens — a bad night for Berlioz and Edinburgh

I wonder whether grand opéra really takes war as seriously as this year’s Edinburgh Festival wanted it to. These vast works, written to exploit and reflect the power, resources and tastes of mid-19th-century Paris, tended to favour history and its battles for the scenic opportunities they afforded rather than for the lessons they taught. It was the cross-cultural love stories in the foreground that were the dramatic focus; whatever the context, the obligatory ballet always had to be shoehorned in. Berlioz provided a work that ostensibly fitted the formula with his Troyens, fashioned from Virgil’s Aeneid during the 1850s, painstakingly, obsessively and with minimal reward. It was rejected by the

Even near the front line, there were flowers on the ward

It’s the tub of bright red geraniums at the heart of the picture that startles. How did anyone have time (or energy) to water these bright, hopeful flowers amid the chaos of a field hospital in early 1915? ‘Tents with Stores and Flower Tub’ is one of ten paintings by Victor Tardieu in the Florence Nightingale Museum’s latest exhibition, dedicated to the pioneering work of the first world war nurses. Tardieu, a French artist who went to the front as an officer in an ambulance unit, created a vivid record of the makeshift camp in Bourbourg set up by volunteer nurses led by the indomitable Millicent, Duchess of Sutherland (portrayed

The Indian lady at the chemist

I trust her look the shadow round her eyes her level stare explaining paracetamol these ones are strong take them at night she looks straight at me she is not very tall either inside deeper than skin confidence blooms more fragile and more certain than the hug of a friend

Here’s why we should save the Wedgwood Museum

A public appeal has been launched to save the Wedgwood Museum pottery collection, which is being sold to pay off the ceramics firm’s pension bill. The museum entered administration in 2010 after the firm collapsed and its £134m pension debts were transferred to the museum trust. The Art Fund said it had raised about £13m to buy it, but that a further £2.7m was needed by 30 November in order to save the collection.  Here’s why we need to save this museum: We are fairly certain that the late Robert Maxwell never met the even later Josiah Wedgwood, but Cap’n Bob’s nefarious legacy is now being keenly felt by Wedgwood’s

The false paradise of Metroland | 29 August 2014

Gaily into Ruislip Gardens runs the red electric train… Near the end of the Metropolitan Line, where London dwindles into woods and meadows, stands a Tudor manor house, built within the moat of a motte-and-bailey castle. Now a quaint museum, charting the history of the farms that once surrounded it, this modest landmark shares its name with the local Tube station, Ruislip Manor. A century after they built it, the railway that runs through here still feels out of place. There are fields on one side, suburban semis on the other. Welcome to Metroland, the bizarre no-man’s-land between town and country, created by the Metropolitan Railway, which celebrates its 150th

Will we learn to love our ugly houses?

What are the root causes of Britain’s housing crisis? The Philosophers’ Mail – which has copied the format of MailOnline but I suspect is not aiming at quite the same demographic – recently offered an alternative to the usual explanations. That most people are opposed not to building more houses, but to building ugly houses, and that this accounts for most of what we dismiss as a nimbyism that prevents much-needed development. As they put it: ‘Most of the large housing developments built in the South East of England in the last 25 years share one common and (in this context) generally undiscussed feature: they are very ugly. Or, to be more

The enigma of Werner Herzog

Strange things happen to Werner Herzog — almost as strange as the things that happen in his haunting, hypnotic films. In 1971, while making a movie in Peru, he was bumped off a flight that subsequently crashed into the jungle. Years later, he made a moving film about that disaster’s sole survivor. In 2006, while filming an interview with the BBC in Los Angeles, he was shot in the belly by some nutter with a small calibre rifle. Most film-makers would have been turned to jelly by this terrifying interruption; Herzog simply laughed it off, cheerfully dropping his trousers to reveal a bleeding bullet wound, and a natty pair of