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Book Reviews

Our reviews of the latest in literature

The watery life of the capital

To write about London and its rivers is to enter a crowded literary field. Many aspects of watery life in the capital have been documented for public consumption over the past 150 years, from Hilaire Belloc’s lament for the river’s lost monasteries in The Historic Thames to Peter Ackroyd’s doorstop, London: A Biography. More recently, it is previously unremarked everyday stories which have found a home on many publishers’ lists. The practice of mudlarking especially of sifting objects from the river’s mud has held readers in thrall. Sometimes it sounds as though the Thames foreshore at low tide must be as busy as a King’s Cross platform during a pre-pandemic

The year of living decisively: The Turning Point, by Robert Douglas-Fairhurst, reviewed

We tend to think of turning points as single moments of change — Saul on the road to Damascus or Bob Dylan performing with an electric guitar. The change is identified as a discrete moment for which there is a distinct before and after. But this is not always the case and, as Robert Douglas-Fairhurst argues, a turning point can trace a wider arc and evolve over longer periods. These turning points are clear only in hindsight once the details have softened and the ripples outward have stilled. His latest book examines one such period in the career of Charles Dickens, surveying the artefacts of his life to track his

Darkness, desolation and disarray in Germany

In Geoffrey Household’s adrenalin-quickening 1939 thriller Rogue Male, a lone English adventurer takes a potshot at Hitler and then runs for cover. Few Germans were brave or reckless enough to resist the Führer. Once Hitler’s lunacy had become manifest, however, the dilemma for German patriots was painful: to love the Fatherland yet desire the downfall of Nazism. On 20 July 1944 a bomb went off in a briefcase at German GHQ in east Prussia but, extraordinarily, Hitler sustained only damaged eardrums and a pair of scorched trousers. The conspirators were hanged from meat hooks and, as a final gratuitous cruelty, their widows were sent bills for ‘execution costs’. The textbook

A dutiful exercise carried out in a rush

Like department stores, empires and encyclopaedias, the multi-volume narrative national history is an invention of the later 18th century. It reaches its apogee, promising to bring everything important within a single enclosure, in the 19th and early 20th century. After that, ambitious examples appear to be fighting against a general lack of enthusiasm. Most of these works are little read now, from David Hume’s 1750s The History of England all the way through to Winston Churchill’s idiosyncratic A History of the English-Speaking Peoples in the 1950s. The grand sweep has a tendency to define the significant in advance. Many of these histories can explain a sequence of legislation, such as

Sam Leith

Hermione Lee: Tom Stoppard, A Life

41 min listen

My guest on this week’s podcast is the biographer and critic Hermione Lee. Her biography of Tom Stoppard is newly out in paperback, and she tells me about the decade of work behind Sir Tom’s overnight success, his unexpected influences, and the challenge to a biographer of getting to the heart of this elusive genius.

Was Josiah Wedgwood really a radical?

No wonder Josiah Wedgwood, the 18th-century master potter, was a darling of the Victorians. From W.E. Gladstone to Samuel Smiles of Self-Help fame, they admired this industrious, inventive, uxorious and religious man as a harbinger of their own age. It surely helped that his story, if not exactly one of rags to riches, was certainly a tale of triumph over adversity. His biggest obstacle was one he did his best to conceal from a carefully constructed public image. Though Joshua Reynolds painted his portrait and George Stubbs did a family study showing Josiah, his wife Sarah and their seven children in the grounds of his country house, Etruria Hall, neither

The great disrupter: how William of Occam overturned medieval thought

Astonishing where an idea can lead you. You start with something that 800 years hence will sound like it’s being taught at kindergarten: fathers are fathers, not because they are filled with some ‘essence of fatherhood’, but because they have children. Fast-forward a few years, and the Pope is trying to have you killed. Not only have you run roughshod over his beloved eucharist (justified, till then, by some very dodgy Aristotelian logic-chopping); you’re also saying there’s no ‘essence of kinghood’, either. If kings are only kings because they have subjects, then, said William of Occam, ‘power should not be entrusted to anyone without the consent of all’. Heady stuff

The men of blood get their comeuppance in Revolutionary France

Colin Jones’s hour-by-hour reconstruction of the fall of Maximilien Robespierre, the French revolutionary most associated with the Terror, is inspired by Louis-Sébastien Mercier, who believed that only by getting ‘up close’ to the ‘infinitely small’ details would it be possible to understand the truth about a Revolution that was stranger than fiction. Mercier (1740-1815) was an early science fiction novelist, a journalist, politician and Parisian. He was not an eyewitness to the fall of Robespierre because he was in prison in 1794, one of 73 moderate members of the governing Convention who had been arrested and held as ‘Robespierre’s hostages’. The Convention was a representative body of 749 deputies, charged

The cosmopolitan spirit of the Middle East vanished with the Ottomans

One of the most depressing vignettes in Michael Vatikiotis’s agreeably meandering account of his cosmopolitan family’s experiences in the Near East is when he, a former journalist with a sharp eye for detail, visits El Wedy, close to the Nile south of Cairo, where just over a century ago his great-uncle Samuele Sornaga built a hugely successful ceramics works employing 200 people. The factory no longer exists. It was nationalised, privatised, closed, and is now a vast construction site. After being harassed and prevented from taking photographs, Vatikiotis discovers it’s being developed as a resort — not for general tourists, mind, but for the army, whose presence looms menacingly everywhere.

First love: The Inseparables, by Simone de Beauvoir, reviewed

‘Newly discovered novel’ can be a discouraging phrase. Sure, some writers leave works of extraordinary calibre lurking among their effects — Flann O’Brien’s The Third Policeman, say. Other books, though, would have done as well to stay lost. Did the world really need to set eyes on Harper Lee’s first draft of To Kill a Mockingbird in the form of Go Set a Watchman? Probably not, although you can see why a publisher wouldn’t quibble with one more title from such a famous name. Unpublished in Simone de Beauvoir’s lifetime, The Inseparables was written in 1954. The Second Sex (and her power- couple relationship with Jean-Paul Sartre) had made her

Like burst balloons after a party: the last paintings of John Hoyland

When the internationally acclaimed abstract painter John Hoyland died in 2011 at the age of 76, a large chunk of light, laughter and danger went out of the British art world. Hoyland, who was born in Sheffield and trained at the local art college before coming to London and the Royal Academy Schools, was a force to be reckoned with. Reaching maturity in the 1960s, his career was established by a solo exhibition at the Whitechapel Gallery in 1967, after which he divided his time for several years between London and New York. In the 1970s he settled back in London and Wiltshire, but travelled widely, often to the tropics.

A glimpse of lost London – before the yuppie invasion

In a 1923 book called Echo de Paris, the writer Laurence Houseman attempted to conjure up in a very slim, elegant volume the atmosphere and especially the conversation of an afternoon a quarter century earlier that he had spent in the company of the exiled Oscar Wilde. It was a conscious act of imaginative recreation, seeking to place the reader at the same boulevard table alongside the participants. As the author explained in his introduction: The scene, as regards its setting — the outside of a Paris restaurant — is true to history; and if, toward the end, a touch of drama has been introduced, the reader will understand that

A narrow escape in Britain’s most treacherous mountain range

Twenty-five years ago, my cousin Jock, a Scottish priest, rang in shock. Two priest friends, David and Norman, had been walking in the Cuillin in Skye. As Norman rounded a boulder, it dislodged and rolled him off the mountain. He screamed: ‘David, save me!’ They were his last words. The Cuillin — or Black Ridge — slice the island of Skye in two. On a map they are a Spaghetti Junction of deranged scribbles. Closer to, they rise up like the fangs of Mordor in dizzying spires with names such as ‘The Executioner’. ‘The Inaccessible Pinnacle’ is something like Orkney’s Old Man of Hoy, only rising not out of the

Hubris, blunders and lies characterised the war in Afghanistan from the start

And so the reckoning begins. As frantic Afghans wrestle with the agonising, life-and-death choice between staying in Kabul and risking execution by the Taliban or running the gauntlet of checkpoints around the airport in search of freedom overseas, it’s noises off in the West. Pundits and policy- makers pontificate, grizzled generals rue another foreign adventure ending in defeat and the media provide a live stream of grief and anguish. ‘I’m terrified,’ an Afghan friend and former colleague in the Ghani government WhatsApped me as Kabul fell. The Taliban had already killed two of his close colleagues and were searching for him. ‘I need to get out. Now it is time

Sam Leith

Michael Bracewell: Souvenir

31 min listen

Michael Bracewell’s new book Souvenir is a vivid and poetic evocation of London on the brink of the digital era – the neglected in-between times between 1979 and 1986. He joins me to talk about fine art and post-punk, T S Eliot and William Burroughs – and the dangerous lure of nostalgia.

Fascist, anti-Semite and dupe: the dark side of G.K. Chesterton

The Sins of G.K. Chesterton demands our attention because, as Richard Ingrams notes in his introduction, the literature on this author is (with a few notable exceptions) horribly flawed — littered with misconstruction, omissions of fact and interpretive errors designed to present him as ‘an innocent, uncomplicated man, blessed with almost permanent happiness and having no experience of suffering — hence an ideal candidate for canonisation’. That flourish, appearing in Ingrams’s third to last paragraph, was a bombshell to me, though I understand there exists a sizeable constituency pressing for Chesterton’s beatification, rebuffed in 2019 when Bishop Peter Doyle of Northampton condemned his anti-Semitism. Ingrams’s predecessors are guilty of trying

Charles Moore

Margaret Thatcher vs everyone else: the making of the 1985 Anglo-Irish Agreement

Diplomatic negotiations are rarely fully described by their participants in books, for two reasons. They are usually secret until much later, and their intricacies can be boring. Politicians often include brief accounts in their memoirs, but these seldom reveal much about the process as a whole because, as I discovered by interviewing scores of them for my biography of Margaret Thatcher, they cannot avoid focussing almost exclusivelyon what they did and said (or think they did and said). This book, however, overcomes the secrecy rule, because it is published nearly 40 years after the events described; and it overcomes the boredom problem because of the literary skill and intellectual grasp

Are the English exceptionally gullible?

The word ‘hoax’ did not catch on till the early 19th century. Before that one spoke of a hum, a frump, a prat or a bilk. But 18th-century Britain, even if not rife with talk of ‘hoaxes’, was full of incautious souls at risk of being bilked. James Graham, a Scottish quack, was able to charge infertile couples £50 a night to lounge in his Celestial Bed, which had a mattress lined with hair from stallions’ tails. The artist Ann Jemima Provis and her father, Thomas, caused embarrassment to the Royal Academy by conning its president, Benjamin West, into thinking they had stumbled on a rare manuscript that would allow