Book Reviews

Our reviews of the latest in literature

One of the boys: From Scenes Like These, by Gordon M. Williams, reviewed

Although Gordon M. Williams died as recently as 2017, his heyday was the Wilson/Heath era of the late 1960s and 1970s. During that time he managed to appear on the inaugural Booker shortlist, dash off a ten-day potboiler, The Siege of Trenchard’s Farm, that would be filmed by Sam Peckinpah, and continue to file a series of ghost-written newspaper columns for the England football captain Bobby Moore. As these accomplishments might suggest, Williams was the kind of writer whom the modern publishing world no longer seems to rate. Essentially, he was a literary jack-of-all-trades, alternating straightforward hackwork with more elevated material as the mood took him, and eventually abandoning fiction

From apprentice to master playwright: Shakespeare learns his craft

Pub quiz masters with a taste for William Shakespeare are spoiled for choice when it comes to red letter years. The playwright’s birth and death, the building and burning down of the Globe, and the publication of the First Folio (1564, 1616, 1599, 1613, 1623) are all dates that sit dustily in the corners of many of our brains, ready to be summoned when trivia duty calls. But 1576? Not so much. Shakespeare was 12, ink-stained and anonymous at grammar school in Stratford-upon-Avon. Which only goes to show that untrammelled bardolatry isn’t good for theatre history, because even while tweenager William was memorising his Latin vocab a turning point in

Charles I at his absolutist worst

Sometime after the Long Parliament met in November 1640, a seamstress living in London called Katherine Chidley decided that she didn’t much like the way that a man was telling her how to do her Puritanism. So, taking advantage of the recent collapse in traditional censorship controls, she published a pamphlet, The Justification of the Independant Churches of Christ (1641), which challenged the writings of Thomas Edwards, a preacher, heresiographer and polemical hardman of English Presbyterianism. Over the course of 80 tightly printed pages, Chidley contended that Edwards’s religious vision was an authoritarian and sexist misreading of God’s plans for his people. Churches could gather as and where they pleased;

Masculinity in crisis – portrayed by Michael Douglas

There isn’t another actor alive whom I’d rather watch than Michael Douglas. Just as Pauline Kael once said that the thought of Cary Grant makes us smile, so the thought of Michael Douglas makes me grin, smirk, nod, wink, cackle, cheer – and walk a little taller, too. Even his anti-heroes are heroic in their truth to self. From the sly, ophidian sneer of his washed-up money man in A Perfect Murder to the salty, satanic leer of his trigger-happy cop in Basic Instinct, Douglas has embraced self-destruction, stared down absurdity and made plain what Nietzsche meant when he said that man is either a ‘laughing stock or a painful

Who’s deceiving whom?: The Art of the Lie, by Laura Shepherd-Robinson, reviewed

In this age of lies and delusions, the trickster may seem to be a peculiarly modern creature, but he or she is almost as old as literature itself. Long before phishing or fake news, stories about cunning foxes, Loki, Anansi the Spider-Man and Odysseus brought delight; Puck, Tom Ripley and Sarah Waters’s fingersmith Sue Trinder are some of their descendants. Encountering such a figure is always a joy, and in Laura Shepherd-Robinson’s latest novel, The Art of a Lie, there are two. Hannah Cole is a shopkeeper in 18th-century London, struggling to keep her confectionary business open. Her husband Jonas has been murdered, and we soon learn that not only

Sam Leith

Karin Slaughter: We Are All Guilty Here

36 min listen

Sam Leith’s guest in this week’s Book Club podcast is one of the most popular living thriller writers. Karin Slaughter has made her native Georgia her fictional territory, and she joins Sam as she launches a new series set in a whole new county, with the book We Are All Guilty Here. They talk ‘planning versus pantsing’, what it means to write violence against women as a woman and how becoming the showrunner for television compares to the sovereignty of the novelist.

Could the giant panda be real?

Nathalia Holt’s book begins irresistibly. The year is 1928. Two sons of Theodore Roosevelt called Ted and Kermit – yes I know we’re thinking it’s a Wes Anderson movie – have smoothed a map out on the table in front of them. Let’s imagine the setting is a bit like the Explorers’ Club in New York, with exotic anthropological curios on the walls – poisoned spears and wooden shields – and globes the size of beach balls lit up from within. The land they are examining is mainly coloured in greens, browns and greys. But running across the map, like the stripes of a tiger, are irregular white blotches. Each

Tim Franks goes in search of what it means to be Jewish

It’s hard to classify this thought-provoking book – part memoir, part philosophical exploration, but mostly a deeply researched family history. And what a history that is. Tim Franks, born in 1968, has been a BBC reporter for almost two decades, and now presents Newshour on the World Service. So he knows how to tell stories about other people. But the events here concern himself, and many of them are heartbreaking, as he searches for an answer to the question of what comprises identity and to what extent we are products of our ancestors. Franks is descended from rabbis, including one who played a part in keeping Bevis Marks, the oldest

Putin’s stranglehold on the Russian press

Since Vladimir Putin came to power in 2000, the Russian press has been slowly, methodically strangled, which has forced existential choices on newspaper and TV journalists. Twenty-one have been killed – beaten, poisoned or gunned down. Others, such as Andrei Soldatov and Irina Borogan, highly regarded investigative reporters, have been forced into exile. Yet others, like the ‘dear friends’ of this book’s title, have chosen a different path – to cleave ever closer to the regime. The authors tell the fascinating story of those choices and allow us a glimpse of why they were taken. In 2000, Soldatov and Borogan were employed by the political department of the newspaper Izvestiya,

The key to Giorgia Meloni’s resounding success

Giorgia Meloni has emerged as one of the most significant politicians in Europe since she became Italy’s first female prime minister in October 2022. I Am Giorgia, already a bestseller in Italy, is her account of how a short, fat, sullen, bullied girl – as she describes her young self – from a poor, single-parent family in Rome managed to do it. Her explanation is that she refused to play the victim, and found iron in her soul – even if, as she admits, she has never found happiness. It is an amazing story: how she transformed from an ugly duckling into the swan who is now a familiar figure

The race against Hitler to build the first nuclear bomb

Ettore Majorana vanished in March 1938. According to Frank Close in Destroyer of Worlds, the 31-year-old Sicilian physicist ‘probably understood more nuclear physics theory than anyone in the world’, and was hailed by Enrico Fermi as a ‘magician’, in the elevated company of Newton and Galileo. Majorana was also an ardent fascist; yet he was haunted by the destructive potential of his work on mapping the nucleus. His disappearance – perhaps a suicide; more likely a new, incognito life in South America – has been related to an anguished remark he made to a colleague: ‘Physics has taken a bad turn. We have all taken a bad turn.’ Majorana is

The Spectator presents: Living with a Politician

Exclusive to subscribers, watch our latest event Living with a Politician live.  Join Sarah Vine, (author of How Not to Be a Political Wife), with Michael Gove, Rachel Johnson (author of Rake’s Progress, her own odyssey as a political candidate) and Hugo Swire (whose wife Sasha wrote the bestselling Diary of an MP’s Wife) as they discuss the losses and laughter involved in being married to politics.

‘Too bohemian for Bournemouth’: the young Lawrence Durrell

These legendary lives need the clutter cleared away from them occasionally. Lawrence Durrell and his brother Gerald turned their family’s prewar escape to an untouched Corfu into a myth that supplied millions of fantasies. It still bore retelling and extravagant expansion recently, if the success of ITV’s series The Durrells is any sign. (One indication of that pleasant teatime diversion’s accuracy: the actor playing Larry, Josh O’Connor, is 6ft 2in. Larry himself was a whole foot shorter.) How Louisa Durrell, struggling with life in Britain after returning from India, went in a bundle with her children to a Greek island of cheap Venetian mansions, heat and innocent adventure is always

A season of strangeness: The Hounding, by Xenobe Purvis, reviewed

‘Summer was the season of strangeness,’ muses Temperance, the barmaid at Little Nettlebed’s only alehouse. ‘People behaved peculiarly then.’ Temperance’s aside anchors the dramatic irony at the heart of Xenobe Purvis’s debut novel The Hounding, set in an 18th-century Oxfordshire village in the grip of a drought. In the villagers’ eyes, through which much of the story is told, this strangeness starts with the Mansfield sisters, five orphaned girls leading a reclusive life on a farm across the river, in the sole care of their blind grandfather, John. The girls’ free manners, in flippant disregard of the era’s orthodoxies, fill onlookers with mistrust. To us, however, the sisters are simply

What a carve up! The British flair for disastrous partition

We think of the Raj as controlling only India and Pakistan, and its infamous breakup happening in August 1947. It’s a story told and filmed so often, and whose echoes reverberate today with such nuclear sabre-rattling that surely there is little left to add. And please nobody mention Edwina Mountbatten’s possible affair with Jawaharlal Nehru ever again. How could the British be so capable of running an empire but so hopeless when it came to dividing it? But there is a wider, and fascinating, history which has itself been partitioned off and ignored. We forget that more than a quarter of the world’s population was ruled by the Viceroy from

The wolf as symbol of European anxieties

On 19 December 2011, at around 3.30 a.m., a young wolf in the mountains of southern Slovenia trots away from his pack and never looks back. For the next 90 days or so, Slavc (after Slavnik, the mountain of his home) lopes onwards, hardly stopping, fording fast rivers and traversing high passes, until at last, having cut a horseshoe loop through Austria, he crosses into Italy and stops in the picturesque Alpine plateau of Lessinia. More than a decade later, Adam Weymouth follows in the same wolf’s padded footsteps. For Slavc, this is a journey into a landscape of confusing novelties, full of motorways and noise and anti-wolf country folk.

Sam Leith

Carl Zimmer: The Hidden History of the Life We Breathe

44 min listen

My guest on this week’s Book Club podcast is science writer Carl Zimmer, whose new book Air-Borne: The Hidden History of the Life We Breathe explores the invisible world of the aerobiome – the trillions of microbes and particles we inhale every day. He tells me how Louis Pasteur’s glacier experiments kicked off a forgotten scientific journey; how Cold War fears turned airborne research into a bioweapons race; and why the COVID-19 pandemic exposed a century-long misunderstanding about how diseases spread through the air.

Being stalked by a murderer was just one of life’s problems – Sarah Vine

Private Eye asked last week: Which of Michael Gove’s luckless staff at The Spectator will be assigned to review this grisly account of their editor’s marital woes? Reader, it’s me! I’m happy to do this, though, because I have an interest in how to be a political wife (I am married to Alex Burghart MP), and perhaps have something to learn here, though I’m struggling to understand, eek, ‘lesson seven’: Realise… that when you step over the salt circle into the five-pointed star coven of politics, you have ceased to become a person. You are now a c**t. There’s a feeling that the author still has a touch of PTSD.