Book Reviews

Few journalists can have conducted such a dismal interview as mine with George Mackay Brown in the summer of 1992. The Times had sent me to Orkney, and the night before we met I sat up in my B&B reading his poetry, spellbound. So much to ask him! But that first meeting was a disaster. Brown was so shy he answered my questions in monosyllables. After five minutes he sat back and rested his lantern jaw on long hands, silent. Seamus Heaney called Brown ‘the praise singer’. There was no singing that afternoon. But the next day I ran into Brown at Mass (he was that rare thing, an Orcadian

In the 1930s, a group of American airmen had a dream. Air power, they believed, would do away with the need for armies and navies. The aeroplanes of the future would be able to drop bombs so accurately that there would be no need to kill soldiers in their millions: a handful of strikes on a few key factories would be enough to cripple an enemy’s economy and force them to sue for peace. It did not take long for this dream to turn sour. When the second world war broke out, the Americans soon discovered that their precision bombing was not nearly so precise when they were being shot

The 20th-century Austrian mathematician Kurt Gödel did his level best to live in the world as his philosophical hero Gottfried Wilhelm Leibniz imagined it: a place of pre-established harmony, whose patterns are accessible to reason. It’s an optimistic world, and a theological one: a universe presided over by a God who does not play dice. It’s most decidedly not a 20th-century world, but ‘in any case’, as Gödel himself once commented, ‘there is no reason to trust blindly in the spirit of the time’. His fellow mathematician Paul Erdös was appalled: ‘You became a mathematician so that people should study you,’ he complained, ‘not that you should study Leibnitz.’ But

Spare a thought for the white van man. It’s not yet nine on a summer’s morning and already Joseph, a plumber and the hero of James Clammer’s arresting novel, is having a pig of a day. He’s slept poorly. It’s the umpteenth day of a heat wave, and the biscuits left by his client Amanda Margaret Hollander are ‘a dispiriting selection, childish and sugary… unmanly biscuits’. Plus, despite her tight, ‘iridescent’ trousers, Amanda Margaret seems uninterested in a ‘little dallying, a little flirting’ and dashes off, leaving him to the job. Which, it transpires, is far more difficult than promised: ‘Truly, if it isn’t one thing it’s the other.’ For

There are few certainties in life. Death and taxes are the ones regularly trotted out. However, there is another that rarely gets mentioned: the fact that every single human who has ever existed has come out of a woman’s body. This act of creation, while being a marvel, has also become banal. In Motherhood, Eliane Glaser deftly juggles the wonder and boredom, the joy and pain and the many profound contradictions that attend modern motherhood. Philosophers, child psychologists and anthropologists from Jean-Jacques Rousseau to Donald Winnicott and Margaret Mead provide cultural and social contexts for how our attitudes towards motherhood have changed throughout history. ‘There is enormous diversity in the

At the risk of encroaching on Spectator Competition territory, what is the least surprising thing for any given narrator in a particular author’s work to say? (For one of Irvine Welsh’s, a single word of four letters might be enough.) In the case of Patrick McGrath, I’d suggest, the answer comes on page 55 of his new novel: ‘I confess I feel that my sanity is under threat.’ McGrath famously grew up in the grounds of Broadmoor, where his father was the medical superintendent, and his consequent lifelong interest in psychiatry is reflected in pretty much all of his fiction. As a rule, if you’re a McGrath protagonist, you’re likely