Book Reviews

Our reviews of the latest in literature

We all breathe – 25,000 times a day – so why aren’t we better at it?

Covid-19 has been bad news for writers with books coming out — unless the book is about breathing. We’re all now gripped by our airways, by the significance of a runny nose, a sore throat or chest tightness. We know to dread that once obscure symptom, anosmia. We debate the risks of breathing through two-ply cotton. Thousands of ITU patients delegate their respiratory effort to machines that punch at compliant lungs. The world was winded by George Floyd’s last words: ‘I can’t breathe.’ James Nestor’s fascinating new book is playful and optimistic. Everyone breathes — 25,000 times each day — but few of us are good at it. Evolution prioritised

The dark underbelly of New Orleans revealed by Hurricane Katrina

Home, as James Baldwin wrote, is perhaps ‘not a place but simply an irrevocable condition’. Sarah M. Broom’s National Book Award-winning memoir The Yellow House is a sweeping social history and condition report of the New Orleans neighbourhood in which she grew up. The youngest of 12 children in a blended household, Broom was born in 1979 in New Orleans East, seven miles from the iconic street lamps and streetcars of the French Quarter. Her mother, Ivory Mae, bought a house in 1961 with insurance money from the death of her first husband. Widowed at the age of 19 with two children and one on the way, Ivory Mae attended

Killing time: the poetry of Keith Douglas

Keith Douglas is perhaps the best-known overlooked poet. He died following the D-Day landings in 1944, and his Collected Poems were published in 1951, followed by a Selected Poems in 1964. ‘Now, 20 years after his death,’ wrote Ted Hughes in his slightly puffy introduction to that volume, ‘it is becoming clear that he offers more than just a few poems about the war.’ There was a thorough and clear-sighted biography by Desmond Graham in 1974, followed in turn by further editions: another Collected Poems, prose fragments, a memoir, and his surprisingly boring letters. Yet Douglas continues to be the kind of poet older writers like to present with a

One man’s rubbish is another man’s treasure

All it takes to turn a cast-off into a prized possession can be a bit of imagination. To a passerby, a bookcase left on the pavement might be perfect for that impossible-to-furnish alcove. An empty bottle, once the waves have worn it smooth, could become a precious jewel for a beachcomber. In an instant a bored child will fish a piece of cardboard from the bin and transform it into a rocket, raft or portal to another dimension. One man’s rubbish, as we know, is another man’s treasure. The subject is explored in Rag and Bone by the photographer Lisa Woollett, who has a personal connection with discards. Her grandfather

Italy’s Achilles heel: corruption and cronyism

Tim Parks is a seasoned, incisive observer of football, the railways, work, domestication and plenty more in his adoptive country of half a lifetime. What is, what ought to be and the machinations in the delta between provide much of his material. In this tale of two countries in one, bright, hard-working Valeria leaves Basilicata in southern Italy to study communications and marketing at a private university in Milan — shiny subjects in a city of business a long way from home (the same distance could take her to Tunis or Belgrade). She arrives laden with bread, pastries, fruit and wine, given to her by three aunts at railway stations

Will the universe end with a bang or a bounce?

The cosiest way to read The End of Everything, Katie Mack’s fast-paced book about universal death, is as a murder mystery. Everything in spacetime, including the reader’s understanding of much of the story, is in the shadows. Black holes, quarks and gluons, Cepheid variables, the Concordance Model? Mere words, strewn across the floor. Believability, restraint and common sense? Left at the door. In the middle of the carpet is our butchered universe. How did it die? Squashed (‘The Big Crunch’)? Boiled (‘Heat Death’)? Eviscerated (‘The Big Rip’)? Burst apart from every pore (‘Vacuum Decay’)? To one side, almost dancing with excitement, is Inspector Mack, a theoretical astro-physicist at Carolina State

Stockholm syndrome: The Family Clause, by Jonas Hassen Khemiri, reviewed

Some faint hearts may sink at the idea of a torrid Swedish family drama peopled with nameless figures identified only as ‘a grandfather who is a father’, ‘a sister who is a mother’, and so on. Stick around: this gets better. That grandfather, an immigrant trader who ‘could sell sand to a beach’ or ‘wind to a hurricane’, remembers his first taste of Swedish TV: a child- ren’s programme featured ‘two different coloured socks with sequins for eyes’ discussing ‘how vital class struggle was for a happy society’. Later, after the long-distance skating, came ‘a documentary about Latin American poets or Ukrainian beekeepers’. The granddad would meet his entrepreneurial mates

Sam Leith

The making of Kew’s Palm House

40 min listen

In this week’s books podcast my guest is Kate Teltscher, who tells the fascinating story of one of the greatest showpieces of Victorian Britain: the Palm House in Kew Gardens. Though the gardens and their glassy centrepiece are now a fixture of London’s tourist map, as her new book Palace of Palms reveals, they very nearly weren’t. She tells me how a team of brilliant mavericks used cutting-edge science and engineering to build one of the greatest constructions of its era… in just the wrong place. With walk-on parts for Darwin, Humboldt and Alfred Russel Wallace, she reveals the way in which Victorian botany extended its tendrils through the whole

Good memoir-writing should also be self-critical

A book about breaking confidences, not to mention friendships, rather begs the same in return. Reading Anne Applebaum’s brief memoir of the world going mad around her sparked a memory of my own. It is a couple of days after the Brexit vote, and several hundred of us have gathered in London for the memorial service of a recently departed friend. The ceremony was hardly over before Applebaum and her husband, the former Polish defence minister Radek Sikorski, started picking political fights with the other guests, including some very old friends. ‘Don’t go near Anne and Radek,’ one mutual friend said to me, signalling to the visibly furious couple: ‘They’re

R.B. Haldane: a great public servant, much maligned

This is a strange but valuable book. The author is a private equity magnate, whose fascination for Richard Burdon Haldane dates back to his childhood. In his acknowledgments he admits he lacked the expertise to write a proper book about his hero, and so enlisted the help of a young scholar, Richard McLauchlan, credited on the title page (but not on the front cover) as having written the book in collaboration with him. The research has been done superlatively. The bibliographies for each chapter are extensive, and some interesting archival material is deployed, such as the diary of Haldane’s sister, to whom he was devoted. And the premise upon which

Natalie Wood’s death remains a mystery

Are all children of famous parents told they must have a book in them? Since Allegra Huston’s wonderful memoir Love Child in 2009, standards have been slipping. More Than Love is by a minor actress whose only claim to fame is that she is the daughter of Natalie Wood and won’t ever let you forget it. The book begins with Natasha Gregson Wagner waking up on 29 November 1981 and hearing a voice on the radio saying that Natalie Wood’s body had been found in the sea off Catalina Island. Suddenly the house was full of people and there were mobs of cameramen outside. Robert Wagner (who she always calls

Sad and beautiful: The Dear Departed, by Brian Moore, reviewed

Short story writers often find it irksome to be asked when the novel is coming out, as though their work was just rookie preparation for something more substantial. (That said, many do go on to write that novel.) The Dear Departed is, amazingly, the first selection of Brian Moore’s short stories to be published. Written between 1953 and 1961, they prefigure most of Moore’s 20 highly acclaimed novels, three of which were shortlisted for the Booker Prize. One can certainly appreciate how the stories of this collection display the concerns that would preoccupy the Belfast-born Moore throughout his career — those attempts to abandon the values and constraints of the

The sex life of the Monarch butterfly is positively wild

Wendy Williams is an enthusiast, and enthusiasm is infectious. Lepidoptery is for her a new fascination, and it shows. On the plus side, her excitement shimmers as freshly as a newly-hatched Adonis Blue. She marvels, and makes us marvel, at the miracles she discovers. She wonders at the strangeness of a butterfly’s proboscis, which is not, as it appears, a drinking straw (even butterflies cannot suck through a straw longer than their own bodies), but works by capillary action, blotting up fluids and sending saliva down to dissolve sticky or solid secretions. Moths show more variety in their diet, as adults as well as caterpillars — but then there are

We should learn to love sharks, not demonise them

Such a sublime, terrible beauty, the shark. Glidingly filled with our awe, as if those glassy eyes marked us out as a bite-sized snack from the start. Evolutionarily pre-lapsarian — they’ve been around for 450 million years — sharks are wreathed in a symbolic cruelty, theirs and ours. In one of the most vivid scenes in Moby-Dick, the whalers slice into sharks attempting to prey upon their prized whale catch; yet even as the fishes’ entrails spill out, the dying animals are so ferocious that they eat their own innards. It’s a terrifying, almost Jungian image of consumption that seems to echo the reality of their fate. William McKeever’s book

If you spent a day at Action Park you took your life in your hands

Before reading this book, the only thing I knew about Action Park was that it had lent its name to Shellac’s 1994 debut album At Action Park. Shellac, one of whose members is the notoriously contrarian music producer Steve Albini, play pummelling, hazardous, post-hardcore rock at ear-splitting volume and occasion much joy in anyone who chooses to attend one of their concerts, at which alcohol will be invariably consumed, pain endured and physical danger defied. After reading it, I was struck by how fitting the title was both to the music Shellac play and the circumstances under which they play it, never mind that the group claim it’s a coincidence

Sam Leith

What can be learnt from the history of magic?

45 min listen

On this week’s books podcast, my guess is Oxford University’s Professor of European Archaeology, Chris Gosden. Chris’s new book The History of Magic: From Alchemy to Witchcraft, From the Ice Age to the Present opens up what he sees as a side of human history that has been occluded by propaganda from science and religion. Accordingly, he delves back to evidence from the earliest human settlements all over the world to learn about our magical past – one thread in what he calls the ‘triple-helix’ of our cultural history. He tells me why John Dee got a bad rap, where magic wands came from – and why, unusually as an academic,

Iceland is bursting with cabinets of curiosities

Competition is stiff among museums in Iceland. The Phallological Museum in Húsavík, devoted to the penis, stands tall in a crowded field: 265 museums and public collections operate in a country of 330,000 — a population, incidentally, with the highest literacy rate in the world. A. Kendra Greene, an American writer and artist, has worked in a number of museums, and her affection for them is touching. Indeed, it is the blurred edge between a few shelves in a front room and a civic institution that originally drew her to northern latitudes. She writes of Iceland: I have never known a place where the boundaries between private collection and public

His latest disturbing short stories show Richard Ford very much on song

Sorry For Your Trouble (Bloomsbury, £16.99), Richard Ford’s 13th book of fiction, shows a writer still very much on song. The mainly male middle-aged protagonists of these nine stories seem often to be assessing their regrets but coming to terms with them. In ‘Second Language’, a man is enchanted by his glamorous second wife but able to accept when, after two years, she tells him (for no clear reason) that the marriage is over. Alongside multiple divorces, there are plenty of sudden deaths here — not least that of a wife who simply lays her head on her hands and stops breathing. A doctor later diagnoses cancer, but the conclusion