Book Reviews

Our reviews of the latest in literature

Three remarkable sisters at the heart of 20th-century Chinese politics

In their lifetime, and afterwards, the Soong sisters from Shanghai seemed like figures from a Chinese fairy tale. There were three of them: ‘One loved money, one loved power and one loved her country.’ They came from a family of prosperous Methodist converts and, for almost 100 years, one or other of them presided at or near the centre of power in China. The middle sister, Chingling, married Sun Yatsen, the founding Father of the Republic, transferring her allegiance after his death to the small group of bandits, led by Mao Zedong, who formed the nucleus of the Chinese Communist party. To this day Chingling enjoys something like mythical status

Sam Leith

Spectator Books: the sisters who founded modern China

In this week’s Spectator Books podcast my guest is Jung Chang — whose latest book is the gripping story of three sisters whose political differences put the Mitford even the Johnson clans in perspective. In Big Sister, Little Sister, Red Sister, Jung narrates the lives of the Soong Girls — one of whom was married to Chiang Kai-shek, another of whom became one of the richest women in the world and helped run Chiang’s government; and the other one of whom (the widow of the founding father of modern China, Sun Yatsen) threw her lot in with Chiang’s deadly enemy and eventual usurper, Mao Zedong. Every family has its little ups

Spectator competition winners: monstrous short stories

Your latest challenge, inspired by Joan Didion’s wonderful essay of that title, was to write a short story with the last line ‘I can’t get that monster out of my mind’. Another notable American female essayist, Susan Sontag, has come in for a bit of stick in these pages over the past few weeks, and she popped up again, in Hugh King’s short story: ‘Susan Sontag, naked, terrifying, had come to him in the night, pinned him down with hawser-like arms, and demanded to know his views on post-structuralism.’ Other memorable ‘monsters’ included Beowulf, the Minotaur and Jacob Rees-Mogg. The winners earn £25 each. Frank Upton It seemed that I

Why have the Swedes been incapable of finding Olof Palme’s murderer?

Any Swede old enough to remember knows where they were when their prime minister Olof Palme was assassinated. On 28 February 1986, Palme was walking home from the cinema with his wife when an unknown assailant stepped out from the shadows and shot him. We mourned not just the man, but the death of the nation that Palme personified — a safe place where nobody, not even the prime minister, needed protection. As though to emphasise the inconceivability of the event, the murder investigation became a textbook study of police incompetence. Frustrated by the lack of progress, countless ordinary citizens began to conduct their own inquiries, fuelled by various conspiracy

A ménage à trois that worked: Ivan Turgenev and the Viardots

If we still bemoan a world of mass tourism, the mid 19th century, Orlando Figes reminds us, is where it began. Aristocrats were accustomed in youth to prolonged, libidinous grand tours through the Continent (the gap years of their day). For the masses, though, this was the start. ‘During the autumn months,’ grumbled one British newspaper, ‘the whole of Europe seems to be in a state of perpetual motion.’ Not only rich people were involved; so, heaven forfend, were the ‘lower classes’. The English were particularly at fault. Lonely on their island, enjoying surplus income and time, they ‘swarmed’ everywhere. ‘There is no lemon tree,’ one continental objected, ‘without an

A frank description of dementia is a searing, suffocating read

In Annie Ernaux’s The Years — her extraordinary act of collective autobiography —the ‘I’ disappears. Her memoir becomes the memoir of France since the war: each year of the author’s life is evoked in a collage of memories, images and historical fragments. Apart from a handful of photographs, in which Ernaux is the dispassionately observed ‘she’, the self is erased and in its place an ambiguous ‘we’ narrates the flow of years and the slippage of time. In I Remain in Darkness, the ‘I’ is everywhere, yet it is still a treacherous word. In this work of shocking honesty and intimacy, Ernaux bears witness to her mother’s final years of

Is the judiciary really so bad at judging character?

When I had a cough last week, my son Joe,  who has autism, shouted at me and covered his ears. I didn’t mean to cough but, to Joe, so what? His autism means he doesn’t get other people’s intentions. People like him are sometimes said to lack a ‘theory of mind’ — lacking the idea that Dad or anyone else even has a mind, possessed of its own thoughts and intentions. This complicates his life infinitely. And that alerts us to a commonplace miracle: the contrast with the rest of us. Often we can see inside other people’s heads. We’re prolific theorisers about what they’re thinking. What’s more, we’re often

Satire misfire

Kafka wrote a novella, The Metamorphosis, about a man who finds himself transformed into a beetle. Now Ian McEwan has written one about a beetle that is transformed into a man. He’s not the first writer to have thought of doing this, but he might be the first one who thought it was a good idea. Readers will remember that in Randall Jarrell’s classic comedy of a creative writing faculty, Pictures from an Institution, the heroine has a student called Sylvia Moomaw (‘I had remembered her name but had forgotten her’). One day, she hands in a story ‘about a bug that turns into a man…it’s influenced by Kafka’. The

As Lyra grows up, Philip Pullman’s materials grow darker

Two years after Philip Pullman published La Belle Sauvage, the prequel to His Dark Materials trilogy, we have its long-awaited sequel, The Secret Commonwealth. Set ten years after the end of The Amber Spyglass, it follows the further adventures of Lyra, now a 21-year-old student at St Sophia’s College. Oxford. No longer a child, orphaned and (as she is about to discover) penniless, she has bigger problems even than her yearning for Will. She is estranged from her daemon, Pantalaimon (or Pan). Part of Pullman’s striking originality lies in his conception of a world like and unlike our own, in which human souls are visible as animals. Everybody must stay

It’s easy to forget how undemocratic Europe was 50 years ago

The subtitle of Simon Reid-Henry’s substantial work indicates its thesis: ‘The remaking of the West since the Cold War, 1971–2017.’ The Cold War had started in 1945, and the author takes us through the upheavals of the 1960s before the advertised start of his narrative. He describes a western world that, by 1971, had undergone the student-led convulsions of 1968, and that, as well as facing challenges from the Soviet Union, China and their satellites, would have new ones to grasp: notably those presented by the 1973 oil crisis and the resulting delinquency of western treasuries as they sought not to disappoint societies — and electorates — used to rising

Round North Korea with Michael Palin in rose-tinted spectacles

Michael Palin in North Korea, a two-part documentary in which the Python is given a tightly choreographed tour of that country, aired on Channel 5 last year. Palin dances with cheerfully drunk residents of the country on International Workers’ Day; picnics with his guide, a woman called So Hyang; plays catch with an inflatable globe with some children; learns Taekwondo; sees some beautiful scenery — mountains, rivers as well as cities comprised of coordinated, colourful blocks, with monuments dedicated to the Great Leaders (as the rulers of North Korea past and present are collectively called). But there are some more sinister sights, such as a road lined with huge concrete

Ann Patchett’s The Dutch House is even better on second reading

Having a saint in the family is dreadful, They’re often absent, either literally or emotionally, and because they’re always thinking of higher things they can’t be expected to do prosaic stuff like take the rubbish out or pay the gas bill. They tend not to enjoy jokes, much less teasing. Worse still, they’re convinced they’re right about everything. Street angel, house devil, as the old saying has it. Do-gooders crop up here and there in fiction, from Dickens’s bustling, bossy Mrs Jellyby in Bleak House through to the long- suffering Lady Marchmain in Brideshead Revisited to Ian Bedloe, the miserably stubborn hero of Anne Tyler’s brilliant Saint Maybe. Carol Shields’s

Visiting the world’s masterpieces is a quixotic undertaking

From his base in London, Martin Gayford has spent much of his career as an art critic travelling. He has interviewed and sometimes befriended many leading artists and scrutinised their works close up in their own environment. He has found that artistically creative men and women are not really very different from normal people. The text of this informative and entertaining book is comprehensively balanced, fair, lucid and subtly witty, although some of the illustrations are handicapped by the smallness of the format. Art criticism itself can be an art. Gayford’s curiosity is wide and his judgments are tolerant, no matter how onerous the investigations can be. He explores remote,

Jessie Burton’s The Confession is, frankly, a bit heavy-handed

Jessie Burton is famous for her million-copy bestselling debut novel The Miniaturist, which she followed with The Muse. Now she’s written her third, The Confession. Like The Muse, it is a double narrative, moving between the early 1980s and 2017 (a departure from the historical settings of her previous books). In 1980, 20-year-old Elise meets Connie — ‘a vixen, upright on her legs’ — on Hampstead Heath. Elise soon forms an intense relationship with this older woman, a successful writer, but when they go to Los Angeles for the filming of Connie’s novel, cracks begin to show. In 2017 we are with Elise’s daughter, Rose, who’s spent her life inventing

Man’s first instinct has always been to return to the sea

Travelling the Indus valley late in the third millennium BC you would have been awed by two Bronze Age megacities, 320 miles apart, ‘massive and tightly planned, very similar in layout’, their bricks and measures standardised, evidence of rigid authority. Their trade goods included Afghan lapis lazuli, Omani vases, legal seals from Sumeria, carnelian beads, packed for dispatch to Sumer — and that is almost all that is left of Harappa and Mohenjo-daro, and more than we know of them. Their names are modern labels. This section of The Boundless Sea, David Abulafia’s fascinating ‘human history of the oceans’, is one of many moments of thrilling implication. (Do not assume

Sam Leith

Spectator Books: who was Susan Sontag?

My guest in this week’s books podcast is Benjamin Moser, author of an acclaimed new biography of one of America’s most celebrated (and controversial) intellectuals of the twentieth century: Sontag: Her Life. I asked Benjamin how he sorted fact from myth, about tracking down the inventor of that haircut, and about Annie Leibovitz’s take on their stormy love affair. Why could someone as brave as Sontag never come out? Did she have a sense of humour? And what of her will last?

Homage to Clement and La Frenais, the writing duo who transformed British comedy

Ray Galton and Alan Simpson remain pre-eminent as writers of television comedy, but their closest rivals Dick Clement and Ian La Frenais — still with us and in their eighties — always possessed more variety. Until I’d wolfed down this genial memoir I’d not known that the script-writing-and-directing duo had adapted Iris Murdoch’s A Severed Head for the screen. They also developed Lucky Jim as a television series and found Kingsley Amis pie-eyed, maudlin and testy, ‘jealous of his son’s success’. They wrote The Jokers and Hannibal Brooks for the disgusting Michael Winner (who once told a starlet: ‘What this part does not require is a diploma from Rada. What

How the Lyons Corner House became a haven for the single working woman

In Whitechapel, in the mid 19th century, rolling and selling cigars was a way for a newly arrived immigrant to scrape a living. This is what Samuel Glückstein did, after he landed in London from Belgium in 1843. He built up his cigar business until he could send for his parents and siblings. One of his sisters married a man named Salmon (also in the tobacco trade) and thus the Salmon & Gluckstein firm was born. The fortunes of these intertwined families and their business empire are traced in this book. Within 20 years they had a large chain of tobacconists, and their brand was known across the country. They