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Book Reviews

Our reviews of the latest in literature

A man for all ages

The deployment of Shakespeare to describe Brexit is by now a cliché. It might take the form of a quotation, be borrowed in a headline, or involve the name of one of the better-known characters; it might turn up in that most hollow of adjectives, Shakespearean. It has two possible modes. There is triumphalism drawn from the history plays: this sceptred isle, once more unto the breach. And there is tragic calamity: the betrayal by Brutus, Hamlet dithering. Nobody much invokes the comedies, perhaps because negotiations with the EU have not yet descended to cross-dressing. Shakespeare is our national myth, most useful in a time of crisis, and an amazingly

Sam Leith

The Books Podcast: Nicci Gerrard – The Cold Friction of Expiring Sense

In this week’s books podcast I’m joined by the journalist and (as one half of the crime writer Nicci French) novelist Nicci Gerrard to talk about her new book What Dementia Teaches Us About Love. The loss of her own father to dementia prompted Nicci to look at one of the most painful and pressing social problems of the age: how we care for, or fail to care for, those who have dementia — and the philosophical questions of what it means when the things that make you start to fall away. 

The author John Boyne is wrong to pander to trans activists

You may not have heard of John Boyne, but you’ll almost certainly have come across his most famous book, The Boy in the Striped Pyjamas. A children’s novel about two boys meeting through the barbed wire of Auschwitz, the book was met with heavy criticism for its historical inaccuracies – none of which stopped it selling a staggering five million copies worldwide and being turned into a Hollywood film. But this week Boyne has been floored by a far tougher foe than a few grumbling historians: he’s incurred the wrath of the gender police. Boyne’s new book, My Brother’s Name is Jessica, is about a teenage boy who comes out

The man and the myth | 17 April 2019

I can only remember one page of any of the dozens of Ladybird histories that I read avidly as a child: an illustration of a scene from the Third Crusade, when Richard the Lionheart, at the head of his Christian army,  met Saladin, the leader of the Muslim forces, outside the port city of Acre in 1191. The picture does not show the battle but the two men comparing swords, like top level sportsmen discussing preferred bats or rackets. They were standing before a tent, broadly medieval in appearance. On the ground lay an iron bar, evidently chopped in half with a single blow from the great broadsword between King

Sam Leith

The Books Podcast: Cass Sunstein – Beyond the Nudge

In this week’s Books Podcast I’m joined by Professor Cass Sunstein – best known here as co-author of the hugely influential 2008 book Nudge: Improving Decisions About Health, Wealth and Happiness, which spawned a whole transatlantic movement in using behavioural psychology to influence public policy (not least in the Cabinet Office’s celebrated ‘Nudge Unit’). Cass’s new book is called How Change Happens – and extends the arguments of his previous books to talk about the mechanisms that determine quite big, and quite abrupt shifts in politics and social attitudes. I ask him how his ideas about nudging have changed over the last decade; about the limits and contradictions of ‘libertarian paternalism’;

Was there no end to his talents?

John Buchan was a novelist, historian, poet, biographer and journalist (assistant editor of The Spectator indeed); a barrister and publisher; one of Lord Milner’s ‘young men’, charged with the reconstruction of South Africa after the second Boer war; director of propaganda 1917–18, a Member of Parliament; lord high commissioner (i.e. the king’s representative) to the general assembly of the Church of Scotland; governor-general of Canada. Yet the title of this excellent biography by his granddaughter is to the point. He is best known today as the author of a thriller he wrote in a few weeks in 1914 which, more than 20 years later, was made into a film by

A struggle not to scream

Norway doesn’t have a world-class philosopher (Kierkegaard was Danish). Karl Ove Knausgaard declared at the end of his previous book that he is no longer a writer, and it looks as though he’s moving in to fill that space. A very modern space: a selfie space. Nietzsche observed that all philosophy is autobiography, and Knausgaard certainly qualifies, having written 4,000 pages of a multi-volume autobiography called My Struggle. Now he has given us a book on Edvard Munch, the Norwegian artist best known for painting ‘The Scream’. Munch wrote an almost Knausgaardian number of autobiographical pages in his private journals while recording the outer reality of his life in hundreds

Hollywood’s invisible man

What do the following filmmakers have in common: Victor Fleming, John Ford, Henry Hathaway, Howard Hawks, Alfred Hitchcock, Ernst Lubitsch, Lewis Milestone, Otto Preminger, Josef von Sternberg, George Stevens, Charles Vidor, King Vidor, Orson Welles and William Wyler? I know, it’s a toughie — and it isn’t much less tough if you consult IMDb. But the answer is that all of them made pictures from scripts that had been worked on by the same man. His name was Ben Hecht and, even today, 125 years after his birth, he’s regarded as the greatest screenwriter the movies ever had. If you want some idea of how great that is, consider that

Muzak, not Mozart

What is creativity? Marcus du Sautoy, a mathematician and Oxford professor for the public understanding of science, offers this pert definition in his introduction: ‘Creativity is the drive to come up with something that is new and surprising and that has value.’ This, he argues, is possible in mathematics (he himself invented a new kind of symmetrical object) as well as the arts in general, or what he describes as ‘the outpourings of what I call the human code’. The question he sets himself in this book is: can Artificial Intelligence do as well, or even better? Du Sautoy’s use of the phrase ‘the human code’ for the software that

Witness for the prosecution | 17 April 2019

Vasily Grossman’s novel Life and Fate (completed in 1960) has been hailed as a 20th-century War and Peace. It has been translated into most European languages and also into Chinese, Japanese, Korean, Turkish and Vietnamese. There have been stage productions, TV series and an eight-hour BBC radio dramatisation. And Grossman himself — like Leo Tolstoy, Osip Mandelstam, Alexander Solzhenitsyn and several other Russian poets and novelists — is now venerated not only as a writer but also as a moral exemplar. His life story is indeed remarkable. He bore witness, with clarity and balance, to many of the most terrible events of the last century: the terror famine in Ukraine,

Stormy sees

There are more than 100 cathedrals in England, Scotland and Wales of many different denominations (although I for one had been previously unaware of the Belarus Autocephalous Orthodox Church). But, wisely, Christopher Somerville focuses on those great galleons with which we are most familiar: the cathedrals that first rose up above the plains of England after 1066. The metaphor which Somerville uses, of these cathedrals as ‘ships of heaven’, runs before the wind throughout this book. If the early cathedrals were blunt old battleships, built as foursquare as castles to show that the conquering Normans were here to stay, later Gothic ones were as elegant as grand and beautiful yachts.

Sam Leith

Life at the Globe | 17 April 2019

IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON And so, as we continue through the Summer Season of history plays at Shakespeare’s Globe — supported by principal partner Merian Global Investors — to Henry IV: Part Two, which opens this week. This is, for my money, the most complex and moving of this sequence of plays – where the just-about-comic and just-about-heroic elements of Part One show their seamy side. It’s a play full of melancholy, sickness and regret: the death of the old king looming in the background. It’s where, to cite Morrissey, ‘That Joke Isn’t Funny Anymore’. The scenery-chewing monster of Part One, Sir

Pirates of the printing presses

Say what you like about the efficiency of the Kindle, one day we’re going to wake up and miss the lizards. Among the many lost methods of making an illuminated book in the pioneering days of Renaissance printing, the way we once obtained powdered gold may be the most lamented: ‘In a pot place nine lizards in the milk, put on the cover, and bury it in damp earth. Make sure the lizards have air so they do not die.’ By the seventh day, ‘the lizards will have eaten the brass… and their strong poison will have compelled the brass to turn to gold.’ The design consultant John Boardley quotes

Cuckoo in the nest | 11 April 2019

What kind of loyalty do we owe a robot we’ve paid for — one who exhibits a convincingly human kind of consciousness? Less loyalty than we owe to our own children? But what about to someone else’s child? And do we commit murder if we destroy him? These are the questions facing Charlie when he spends his inheritance on a robot called Adam. Charlie is a trained anthropologist with an enthusiasm for computers who hopes to give his life meaning by experimenting in ‘electronics and anthropology — distant cousins whom late modernity has drawn together and bound in marriage’. He and his girlfriend Miranda join forces in programming Adam with

Rod Liddle

Twitting the twits

Titania McGrath is the alter ego of the schoolteacher Andrew Doyle. A perpetually enraged ‘activist, healer and radical intersectional poet’, her job was to lampoon the imbecilities of the achingly ‘woke’ middle class left, and expose the manifest contradictions in what they were spouting. Her forum for this was, of course, that vast lagoon of hastily jabbered nonsense, Twitter — and it was very effective. So effective that for a while Twitter users could not be sure that it was a joke at all — an understandable confusion, given the real-life existence of people such as the journalists Laurie Penny and Suzanne Moore, for example, or the French academic Myriam

Bagels, borscht and brisket

In matters of culture and ethnicity, I take my lead from my old friend and guide Sir Jonathan Miller. Like him, I count myself as Jew-ish, and, as every Jew-ish person knows, you are what you eat; these traits are expressed most poignantly in our food. Not in the ancient (and incoherent) Hebrew dietary laws, which make it impractical, impossible even  —  for the few observant Jews who remain on this planet — to eat an everyday British or American diet; but in the foods that we relish, cherish and feel nostalgia for. These almost never include the ritual foods or meals associated with Jewish religious festivals, such as the

Medieval girl power

Women who can — however tenuously — be described as ‘rebel girls’ are big in publishing now. Goodnight Stories for Rebel Girls sold 3.5 million copies in hardback, reflecting a huge cultural push to discover and venerate women in history who kicked over the traces. To publishers, real-life rebel princesses have cool hard-cash value. In this context we come to this book, a scholarly work effortfully seeking out the ‘you-go-girl’ moments of the notoriously woke 13th century. Kelcey Wilson-Lee, who has a doctorate in medieval history from Royal Holloway and works in the development office at Cambridge University overseeing regional philanthropy, has an underlying agenda. But she also has the

A dead letter

When lists are compiled of our best and worst prime ministers (before the present incumbent), the two main protagonists of this book usually feature, holding the top and bottom positions. Attempts are periodically made to revise these verdicts, most recently in John McDonnell’s description of Churchill as a villain; and by Robert Harris’s sympathetic portrayal of Chamberlain in his thriller  Munich. By and large, however, the general view of the two PMs remains fixed: Churchill was a hero who saved his country and arguably freedom and democracy worldwide, while Chamberlain was a purblind and arrogant fool who let Hitler stomp his jackboots all over him. The revisionists who want to