Book Reviews

Our reviews of the latest in literature

Thursday

Christopher Priest

Darkness visible | 9 May 2019

With his first novel about looking after an engineered wood floor, and a second novel about what it is like to stay in a chain hotel, Will Wiles seems determined to corner the market in unpromising literary subjects. His latest novel, Plume, is about a chap who lives in a rented flat in London and who works in an office. Hooray! — the sainted few who are already Wiles fans will learn this with their hearts pumping with anticipatory happiness. Mine certainly did. A quick summary is appropriate, as Wiles’s novels remain, for now, under-regarded. Care of Wooden Floors (2012) was exactly what it said on the tin. The narrator

Sam Leith Sam Leith

Life at the Globe: good golly, Henry V has some thumping lines

IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON ‘Once more unto the breach, dear friends, once more/ Or close the wall up with our English dead…’ Good golly, Henry V has some thumping lines, doesn’t it? The final play in this summer’s Henriad at the Globe — partnered with Merian — shows us Prince Hal fledged as a king, and a war leader at that. The subjunctive mood of the previous plays has become indicative; even imperative. And it’s a play where British (OK, in this case English) identity comes galloping back to the fore as it has not done since John of Gaunt popped his

Simon Ings

An admirably elegant theory

On 6 November 1919, at a joint meeting of the Royal Astronomical Society and the Royal Society, held at London’s Burlington House, the ‘lights went all askew in the heavens’. That, anyway, was the rhetorical flourish with which the New York Times hailed the announcement of the results of a pair of astronomical expeditions conducted in 1919, after the Armistice but before the official end of the first world war. One expedition, led by Arthur Stanley Eddington, assistant to the Astronomer Royal, had repaired to the plantation island of Principe, off the coast of West Africa; the other, led by Andrew Crommelin, who worked at the Royal Greenwich Observatory, headed

Thursday

James Robins

A nation born in blood

Turkey greets you with a chilly blue eye, a flared eyebrow, a cliff-like cheekbone. The face of the republic’s founder glares imperious from almost every office wall, shopkeeper’s kiosk and airport terminal. Turkish citizens regard Mustafa Kemal reverentially: the nation’s first president, courageous leader of the 1919–1922 war of independence, deliverer from the great powers’ imperial cleaver. An impenetrable cultish mythos envelops him. Even for Istanbul’s young cosmopolitans, any word against Kemal spurs a visceral reaction.Recep Erdogan, the current president, whose politics are anathema to Kemalist ideology, still has to invoke him for the purposes of propaganda. To an American intelligence officer who met the man in the fraught summer

Mia Levitin

A spiral of deceit

The Hebrew word for ‘truth’ – see above left  (emet) is comprised of the first, middle and last letters of the alphabet. Truth, scholars say, pervades all things. Talmudists add that the aleph, mem and tav that form emet are balanced, grounded characters, while the letters that make up the word for‘lie’ – see above right (sheker), teeter precariously on the page. In our post-truth era of Pinocchian politicians and social media spewing falsehoods, however, it may well be truth that sits on shakier ground. Like Ayelet Gundar-Goshen’s previous novel Waking Lions, Liar considers the consequences of a moment of misjudgment that unfolds as if fated. Following a verbal altercation

Bryan Karetnyk

Looking back on Baku

The discovery of oil in Baku brought Ummulbanu Asadullayeva’s family respect if not respectability. Peasant-born, her grandparents ranked by the time of her birth among the richest in the Russian empire, thanks to the abundance of black gold unearthed on their doorstep. Yet while oil barony went hand in hand with fantastic wealth and political prestige, the changes it wrought privately, such as they were, did little to convert her family into paragons of refinement and cultivation. Luckily for us, the result makes for some very fine reading. Published in Paris in 1945, after Asadullayeva had fled Azerbaijan and completed her émigrée transfiguration into the successful French writer ‘Banine’, Days

Louis Amis

To hell in a handcart

An immortal faery queen from a magical gynocratic island arrives in Los Angeles to track down her missing daughter. This is actually the entire plot of a novel entitled Only Americans Burn in Hell. Of course, as in Jarett Kobek’s previous book, I Hate the Internet, the fictional element is a foil, with most of the pages devoted to sociopolitical diatribe laced with various kinds of life writing. It’s also basically the same diatribe in both books, against a global society in which ‘everyone’s life is still dominated by the whims of the very rich and the social mores of the slightly rich’. Everyone’s to blame: President Trump’s supporters are

Leyla Sanai

Two men and no baby

The sorrow of involuntary childlessness is profound. The award-winning novelist Patrick Flanery and his husband knew this pain. Their craving to love and nurture a child left them with an intractable emptiness. Flanery has no siblings; his parents lived abroad, and he had a difficult relationship with his father. So his desire was to create the close-knit family he never had. I sympathised deeply with the couple. Their tenderness and dedication to parenthood is obvious, but when they investigated the options open to them,  they found most doors if not actually locked, then spring-loaded shut. Despite Flanery’s sensitivity, he occasionally shows lapses of insight, as when he admits resenting those

Frances Wilson

The gifts of Gabo

Gerald Martin’s titanic biography of 2010, Gabriel García Márquez: A Life, was the product of 17 years of research and 300 interviews, including one with Fidel Castro. So what does Solitude & Company add to the fairytale history of ‘Gabo’, as Latin America’s greatest teller of historical fairy tales is generally known? In the year 2000, when García Márquez was still alive, Silvana Paternostro began conducting her own interviews with Gabo’s family, his ‘first and last friends’, his agents, editors and fellow writers. She has now cut, spliced and transcribed the tapes in order to create the effect of a bar full of drunks interrupting one another. ‘Is that tape

Carey Schofield

A class act | 2 May 2019

Kate Clanchy is an extraordinary person. She is a veteran of 30 years’ teaching in difficult state schools, as well as an acclaimed poet (awarded an MBE in 2018 for services to literature) who has nurtured a generation of successful young migrant writers. In 2006 she was one of the judges for the Foyle young poets of the year award. Seven years later, seeing how the winners were scything through Oxbridge and networking ‘like an artsy version of the Bullingdon Club’, she wanted the same opportunities for her own pupils, ‘not just the poetry, but the sense of entitlement’.  She was teaching at a comprehensive in east Oxford, a generally

Fiona Sampson

Lost and found | 2 May 2019

One of the oddest of Bloomsbury’s event venues must be the Foundling Museum. The handsome building on Coram’s Fields houses what remains of the London Foundling Hospital, which opened on the site in 1745. Its imposing rooms are lined with oil portraits of past patrons and among the artefacts on display is the original score of George Frideric Handel’s fundraising The Messiah, which he donated to the hospital. In the 18th century the Foundling Hospital was a fashionable cause, and the great and good flocked to associate with its charitable works. But some of the museum’s cases tell another story — the history not of great names but of the

A.N. Wilson

Conning the dons

In 2010, Adam Sisman published a masterly biography of Hugh Trevor-Roper, who was not merely one of the best historians of his generation but also a former intelligence officer, fascinated by tricks, lies and fraud. He himself wrote a mischievous series of anonymous articles for The Spectator, purporting to emanate from the 17th-century pen of ‘Mercurius Oxoniensis’,which gave a hilarious picture of his contemporary dons at Oxford and their crazy ways. One of his funniest books was an exposé of the sinologist Sir Edmund Backhouse, a benefactor of the Bodleian Library, whom Trevor-Roper proved to have been a forger and liar on a heroic scale. But perhaps the supreme irony

Stephen Bayley

An idea made concrete

Was the Bauhaus the most inspired art school of all time or the malignant source of an uglifying industrial culture which has defiled our cities? Two books look at its influence abroad after 1933 when the Nazis put the jackboot in. The Bauhaus was nothing if not modern — even if ‘modern’ is now a historical style label and the Bauhauslers were as trapped in their historical circumstances as we are in our own. This was noticed and ridiculed by Tom Wolfe in his 1981 squib, From Bauhaus to Our House, a book as bristling with cheerful spite as with clever wordplay. Although not quite so simple, the Bauhaus was

Adam Nicolson

Dispatches from the underworld

Edmund Burke, as a young Irish lawyer in 1756, first made the distinction between beauty and sublimity. Beauty for Burke was about continuity and connectedness. ‘Vegetables,’ he says, in one of the great pre-Romantic sentences, ‘are not sublime.’ Vegetables are beautiful because they are constant and continuous, and because beauty is the quality of perfect continuity: ‘The sense of being swiftly drawn in an easy coach on a smooth turf with gradual ascents and declivities is a better idea of the beautiful than anything.’ The sublime is the opposite, needing deep distances, withdrawals and chasms —the Abgrund, in the resonantly expressive German word for ‘an abyss’.  And where can you

Philip Hensher

Women of the Raj

Despite efforts to prevent them, British women formed a part of the Indian empire almost from the start. Although the East India Company warned them off, citing difficulties of climate, disease, morality, religion and culture, a few managed to travel there all the same. By the late 18th century their numbers had increased considerably, making women some of the most interesting witnesses to the British Raj. In this way, the white Christian woman became a significant face of imperial rule. She would usually be caricatured as one who, having failed to find a husband in London, cast her lot in with the ‘fishing fleet’ in Bombay; or portrayed (by E.M.

Tuesday

Mark Dooley

What Roger Scruton can teach his detractors

I thought I knew everything about Sir Roger Scruton. I had already written two books on his life and philosophy and was just about to embark on the last volume in my Scruton trilogy. This was to be a book of conversations that encompassed all facets of his biography and intellectual interests. Over three days at his farm in Wiltshire, we discussed everything from religion, architecture, wine and music, to sex, farming, family and fame. Scruton spoke to me not as a fellow philosopher or journalist but as a long-time friend. As such, our conversations revealed Scruton at his most intimate and humorous. It was, however, on the last night

Thursday

Derek Turner

Living with Leviathan

Our relations with cetaceans have always been charged with danger and delight, represented by the extremes of the Book of Revelation’s ‘beast out of the sea’, and the frescoed dolphin-riders of Pompeii. Rare, huge, and unknowable, whales have traditionally been omens, or metaphors for improbability — ‘very like a whale’, Hamlet chaffs the cloud-watching Polonius. They were long chased by daring Basques, Icelanders and Inuit, and prized whenever they washed up — they were declared ‘Fishes Royal’ by Edward II — but then they met 18th-century modernity. Soon they were harried almost to extinction by fleets from New England as well as old, France, Holland and Norway, seeking baleen for

Alex Peake-Tomkinson

An outsider inside

It’s not immediately obvious who the survivors in Tash Aw’s formidable new novel are, or who the narrator even is, or who has been killed. We know there has been a murder, however, or a culpable homicide not amounting to murder, as the narrator quotes the person being addressed as describing it. Details reveal themselves gradually: the narrator is a Chinese Malaysian man called Lee Hock Lye — known to his friends as Ah Hock — who is recounting the story to a local journalist of how he ended up in prison (for what part, in what crime exactly, we don’t know yet). His descriptions of the night of the

Alex Colville

Genius and geniality

I cast my Readers under two general Divisions, the Mercurial and the Saturnine. The first are the gay part of my Disciples, who require Speculations of Wit and Humour; the others are those of a more solemn and sober Turn, who find no Pleasure but in Papers of Morality and sound Sense…Were I always Grave, one half of my Readers would fall off from me: Were I always Merry, I should lose the other. I make it therefore my endeavour to find out Entertainments of both kinds. Thus spake Joseph Addison in 1711, frustrated at the difficulty of keeping readers of The Spectator happy. Leo Damrosch, emeritus professor of literature

Dennis Duncan

Method in the madness

Have you heard of the Oulipo? The long-running Parisian workshop for experimental writing? Even if you haven’t, you might have heard of some of its members: Georges Perec, Italo Calvino, Marcel Duchamp. The group’s stock-in-trade (so-called ‘constrained writing’) is best illustrated by their most notorious production: Perec’s 1969 novel La Disparition which manages to avoid using the letter ‘e’ (and which was miraculously translated into English as A Void). Founded in 1960, the Oulipo spent its first decade in self-imposed semi-secrecy. While its academic sibling, Structuralism, came to dominate literature departments both at home and abroad, the Oulipo watched discreetly in disdain: why are the structuralists so dry, so up