Book Reviews

Our reviews of the latest in literature

Thursday

Roger Lewis

Biografiends

I saw a biopic about Morecambe and Wise recently. The actors impersonating the comedians were not a patch on the originals — how could they be? You need a genius to play a genius. I often wonder if my own HBO Peter Sellers movie would have been improved if someone fiery, of the calibre of Gary Oldman or Sacha Baron Cohen, had been cast instead of Geoffrey Rush, who was muffled under prosthetic make-up. But my point is, biopics seldom come off, and nor do biographies. Indeed, it is a reprehensible and misguided genre. Privacy is violated, creative achievements are explained away, and great men and women are unmasked as

Thursday

Oliver Balch

The Little Matchstick that ignited civil war

Spanish restaurants in Germany are relatively rare, but not nearly as rare as biographies of General Franco. So when the Spanish-born waiter in Bonn’s Casa Pepe approached my table, it struck me as an opportune moment to solicit his opinion about the former dictator. ‘No sé mucho,’ he shrugged. ‘I don’t know a whole lot.’ Just imagine it: an unexceptional army cadet becomes a general in his mid- thirties, leads the Nationalists to victory in a bloody civil war, wields absolute power for close to three decades, and then, barely a generation later, his memory is reduced to an indifferent shrug. The contrast with Germany’s treatment of its totalitarian past

Mike Cormack

Ray of light

Often a blurb exaggerates, but rarely does it fundamentally misrepresent (unless it contains the words ‘In the tradition of…’). The Adulterants, however, talks of ‘the modern everyman… stubbornly ensconced in an adolescence that has extended well beyond his biological prime’. We thus expect a man-child, resiling from responsibility and dependent on internet porn and gaming — basically the Simon Pegg character in Shaun of the Dead. But the protagonist, Ray, is really ‘mostly’ a good guy: he mostly loves his pregnant wife Garthene, and looks forward to being a father; and the youngish couple are striving to buy ‘a horrible maisonette’ in the brutal London property market. This extended adolescence

Sam Leith Sam Leith

Books Podcast: Steven Pinker

This week’s books podcast was recorded live at a special Spectator subscriber event in London, where I was talking to the Harvard scientist and leading public intellectual Steven Pinker about his new book Enlightenment Now. Steven argues that – despite what the news tells us by every measure human well-being now is greater than at any previous point in history. And he attributes this to the values of the Enlightenment. I asked him: which Enlightenment? Can morality really be based on reason alone? And what’s a professor of cognitive science and linguistics doing in this subject area anyway? You can hear his answers below. And if you enjoyed that, please

Anna Aslanyan

Close to the bone

Does J.G. Ballard’s ‘disquieting equation’, ‘sex x technology = the future’, still hold? Not in Lidia Yuknavitch’s novel, which imagines a society better described by the formula ‘the future = technology – sex’. There is no procreation in it, and any manifestation of sexuality is a crime. Its inhabitants have left Earth for a space station, a hi-tech prison only the rich can afford, moving away from ‘a lunar landscape of jagged rocks, treeless mountains, or scorched dirt’, the scene of endless wars fought by child soldiers, where ‘technology is seized by those who kill best’. Both the ruined old world and the AI-ruled new one are frightening, and not

Nick Lezard

A comedy of violence

The well-written spy novel is not a hotly contested field. Le Carré, Fleming, Deighton, a few Greenes, and that’s largely it. However, we now have a new contender: Mick Herron’s Jackson Lamb series. It was a brief but intriguing review in the TLS that first alerted me to the books, with their sidelined spooks, contemptuously nicknamed ‘slow horses’, sent to an oubliette next to the Barbican on having screwed up, and their appalling boss, the veteran Jackson Lamb, a monster of flatulence, astonishing drinking habits and withering put-downs (on requesting ‘an educated guess’, he says, on hearing what’s offered: ‘I said educated. That guess left school at 15 for a

William Leith

Drugs, guns and blood

The Spanish journalist Alberto Arce worked for Associated Press in Honduras in 2012 and 2013. After a year, he says: ‘My wife and daughter left me. It was the right choice.’ Arce stayed on in the capital, Tegucigalpa, ‘fighting against addictions, sadness and depression’. He believes he ‘won’ that fight, ‘but only because each morning I counted down the days until I could leave’. So: Honduras, says Arce, is bad. How bad? He tells us that ‘Tegucigalpa is the most dangerous capital city in the world without a declared war.’ And that ‘in 2012 and 2013, more people were murdered in Honduras than in Iraq, even though the population in

Ruth Scurr

The only word that hurts

It is hard to be honest about anorexia. The illness breeds deceit and distortion: ‘It thrives on looking-glass logic. It up-ends your thoughts, turns bone into flesh, makes life unlivable, death seem glorious.’ In her first book, the literary critic and art historian Laura Freeman is determined to tell the truth about her recovery from the illness that ravaged her adolescence and early adult life. The result is the reverse of a misery memoir. Freeman’s celebratory book is about getting better and learning to savour life again by doing what she most loves: reading. Freeman was diagnosed with anorexia when she was 15 and had already been ill for two

Philip Hensher

Music for my own pleasure

At the end of his study of Debussy, Stephen Walsh makes the startling, but probably accurate, claim that musical revolutionaries tend to be popular. We generally think of radicals as being primarily like Schoenberg, Charles Ives and Pierre Boulez, whose works, after decades, still mainly appeal to a small group of sophisticates. But if one takes the larger view, there is no doubt that most composers who transformed the art of music were almost always immediately popular. Monteverdi, Beethoven, Chopin and Wagner commanded substantial audiences, with often beguiling surfaces and revolutionary substance. Schumann said that Chopin’s music was ‘a cannon buried in flowers’. The same might be said of Debussy,

Thursday

Max Décharné

Angels with dirty faces

The year 1971 was a busy one for Mary Whitehouse, self-appointed ‘Clean-up TV’ campaigner. Not only did she help establish the Nationwide Festival of Light, making religious inspired protests against the so-called permissive society, she also wrote an autobiography, Who Does She Think She Is?, published by New English Library. Thus her thoughts regarding the impending moral collapse of the nation were brought to the public by the same outfit responsible for a comprehensive range of sinew-stiffening pulp fiction delights such as The Degenerates by Sandra Shulman, Bikers at War by Jan Hudson and Gang Girls by Maisie Mosco. All of these and many more are featured in this heavily

Peter Carty

Fit for the gods

For many of us, coffee is the lift that eases the load of our working day. Yet the sharpened mental focus it offers is rarely directed towards its origins. Coffee’s birthplace is Ethiopia and its beans remain high on caffeine aficionados’ hit lists. They produce smooth brews that carry an extraordinary range of tastes — variously, chocolate, wine, floral, spice and fruit. They have an extraordinary history too. Jeff Koehler travelled extensively in Ethiopia and other coffee producing countries to research Where the Wild Coffee Grows. The arabica species of coffee tree, which yields the finest coffee, first appeared in Ethiopia’s south-western mountain rainforests. Brilliant red coffee cherries are still

Simon Kuper Simon Kuper

Nazi gamesmanship

The British diplomat Robert Vansittart had been warning against Nazism for years, so it was a surprise when he and his wife showed up in Berlin for a two-week ‘holiday’ during the 1936 Olympics. ‘Van’ was impressed by German organisation. ‘These tense, intense people are going to make us look like a C nation,’ he wrote in a confidential report. The anti-appeaser had meetings with Hitler and the principal henchmen, and took a particular shine to Goebbels: ‘a limping, eloquent, slip of a Jacobin… My wife and I liked him and his wife at once.’ Van even came to think he might have misjudged the Nazis, though a lapse by

Sam Leith Sam Leith

Books Podcast: Mick Herron

My guest in this week’s podcast is the incomparable spy writer Mick Herron – these days, happily, a less and less well kept secret. He’s the author of the Slough House stories – funny and gripping novels about an awkward squad of failed James Bonds under the aegis of the wonderfully unspeakable Jackson Lamb. The latest is London Rules, and Mick joins me to talk about crap spies, finding a voice, the necessity of killing off the odd main character, and the real life Slough House. You can listen to our conversation here: And if you enjoyed that, do subscribe on iTunes for a new episode every Thursday.

Philip Womack

Paris mismatch

There has been much debate recently about what exactly constitutes ‘literary’ fiction. If the term means beguiling, gorgeously crafted novels that are assured of their place alongside other writers, reacting to, and taking pleasure in discussing them; that are aware of the world’s events and their impact on humanity; that have delicately drawn characters; and that range with ease from intense emotions to moments of high drama; and that use careful, subtle imagery, then C. K. Stead’s The Necessary Angel is all this and more. His previous novel, Risk, touched upon banking and Iraq, but was never overwhelmed by them. In this latest, Max, a lecturer from New Zealand living

Houman Barekat

Soft dystopias

Science fiction, as any enthusiast will tell you, is not just about gazing into the future but also about illuminating the present. In a new collection of short stories by the veteran sf author M. John Harrison, lurid visions of aliens and spaceships play second fiddle to melancholic snapshots of plodding suburbia. Many of the tales in You Should Come With Me Now (Comma Press, £9.99) are set in leafy south-west London, amid the banality of modest affluence: from Putney to Chiswick, Twickenham and St Margarets, and along ‘the endless heartbreaking sweep of the A3 to the sea’. In ‘Cicisbeo’, a husband ensconces himself in his loft, and will only

Andrew Roberts

With Europe, but not of it

Dr Felix Klos is an extremely personable, highly intelligent American-Dutch historian who has undertaken much archival research, worked extremely hard and is an excellent writer. In trying to persuade us that Churchill favoured Britain joining a federal Europe, however, he comes up against several immovable obstacles. The most serious of these is that in the four years that Churchill was prime minister, between 1951 and 1955, he personally, regularly and decisively blocked all movement towards Britain joining any of the European federal institutions that existed. However engaging Klos may be, and however well written his book, he is utterly wrong in his central thesis. At the time of the European

Alice O’Keeffe

Accentuate the positive | 15 February 2018

A good, solid life-threatening illness can be the making of a writer. This has certainly been the case for Genevieve Fox, a long-serving journalist, whose delightful and moving first book Milkshakes and Morphine was inspired by a diagnosis of head and neck cancer. The illness, though treatable, is just as grim as it sounds: she pulls no punches in describing the horror of breaking the news to her husband and teenage sons, of losing the ability to eat, talk or swallow, and of radiotherapy, which sounds like torture. Despite all that, Fox’s writing brims with joie de vivre. She is a person with a healthy appreciation of nice things; she

Michela Wrong

Pleading with the emperor

Yetemegn was barely eight years old when her parents married her off to a man in his thirties. Before she could become a spouse, he first had to raise her. Her education involved beatings when she left the house, even if it was only to borrow shallots from a neighbour. At 14, she gave birth for the first time. Successive pregnancies came like waves. Some of the children died or succumbed to diseases for which the only known treatment was prayer; most survived. She was a grandmother by her early thirties. In Ethiopia, it’s a story that ranks as utterly banal. Millions of women have lived it and millions will

Taki

Unlucky at cards, unlucky in love

A Moment in Time reminded me of the sort of British expatriate women I used to meet in the south of France more than 50 years ago. They were very proud of their nationality, rather broke and talked down to most people. Colonel so-and-so and Lord so-and-so were distant relations or acquaintances. It also reminded me of Separate Tables, Terence Rattigan’s brilliant play about snobbish souls living out their desperate lives in a grubby seaside hotel back in the 1950s. Except that poor old Veronica Lucan, now dead by her own hand, does not in any way write like Rattigan. Instead, she details her everyday disasters methodically, listing all the

Philip Marsden

Dreams of the green room

Surfing has come of age. Like rock and roll, it was once strictly for young people, edgy and alternative and physically way too demanding for anyone over the age of 27. But those young people grew up and they’re still at it. For millennials it’s hard to maintain a sense of cool when your parents are heaving their boards into the same breaks and when, according to the marketing people, there are upwards of 35 million surfers worldwide, in a sector that’s worth at least $10 billion per year. Now comes the season of the surfing memoir. The 2016 Pulitzer Prize for Biography was won by the very brilliant Barbarian