Book Reviews

Our reviews of the latest in literature

Wednesday

Claudia Massie

Hot dogs

There are currently 151,000,000 photos on Instagram tagged #Dog which is 14,000,000 more than those tagged #Cat. The enormous number shouldn’t surprise us. We’ve been obsessively depicting our dogs since prehistoric times, when we painted them on walls, carved them in ivory and buried them with bones and blankets for the afterlife. A Dog a Day is one of two marvellous new books that feed this atavistic devotion. A handsome collection of Sally Muir’s dog portraiture, it demonstrates the artist’s technical range and her keen understanding of essential doggishness. The images are deft sketches that capture the particular hang of a hound’s head, the Mikado-sticks jumble of lurcher legs or

James Walton

Easy on the hard stuff

It’s one of the more mysterious features of human history that people of every era and in almost every place have regularly striven to reduce their intelligence, impair their reflexes and generally ensure that everything about them functions far less well. So what is about getting drunk that we love so much? According to Mark Forsyth’s breezy new book, the best answer comes from somebody not often thought of as a classic roisterer: William James, the American philosopher and brother of Henry. ‘Sobriety,’ James wrote, ‘diminishes, discriminates, and says no; drunkenness expands, unites, and says yes.’ And the way Forsyth tells it, drink has caused us to say yes to

William Cook

Comfort and joy

John Julius Norwich loves Christmas dearly. ‘I just wish it didn’t come round about every three months,’ he says. I know how he feels. Christmas does seem to arrive sooner every year — not just because time seems to speed up as you get older, but because our avaricious shopkeepers can’t wait to start cashing in earlier each autumn. We all harbour fond memories of childhood Christmases, and do our best to recreate them for our children. We just wish the whole thing were confined to a few weeks rather than dragging on for half the year. It’s hard to feel full of Yuletide cheer when shopping centres put up

Sara Wheeler

In the land of the Thunder Dragon

This charming collection of individual photographic portraits of Bhutanese citizens intentionally highlights the two central features of the kingdom today: cultural tradition and the encroachment of modernity. The photographer A.J. Heath lived in Bhutan for a year. Over three weekends he set up an open-air studio in the main square of the capital, Thimphu, and invited people in to be snapped. The subjects, mostly young, range from teenagers to a miner and a royal bodyguard. Opposite each picture Heath reproduces the questions he asked his subjects, and how they replied. The conversations reflect the duality I mentioned earlier: Heath asks for example what makes people feel Bhutanese. The landlocked Himalayan

Emma Williams

The hopes and fears of Bethlehem

Before a certain baby was born there, Bethlehem was famous for its sweet water. Shepherd boys like the young David, king-to-be, herded their flocks into the town and drank from the fountain at the gates. Water, as well as Jesus Christ, helped shape Bethlehem’s story. Its aqueduct enabled nearby Jerusalem to function and expand as a city and pilgrimage site: every invader from the Seleucids to the Crusaders, the Mamluks, the Ottomans, the British and, in 1967, Israeli forces, has seized control of the water supply in order to take Jerusalem. As a result, Bethlehem was militarised from its early days. Having lived in Bethlehem for a number of years,

Mervyn King

Murder, fraud and bankruptcy

Hamilton, created by the remarkable Lin-Manuel Miranda, has brought the financial musical to the London stage: a serious biography of a great man translated into rap. What comes next? Now we know. It is the story not of one individual but of a national institution — the life and times of the Bank of England. I can’t wait for David Kynaston’s new history to reach the stage. We may have to call on Tim Rice, a revolutionary himself in the world of musicals, to generate a libretto from the long original text. But there is a wealth of material in this fascinating book. Often seen as a rather traditional and

Amanda Foreman

Man of the hour

Last year, more than 6,000,000 people visited the Lincoln Memorial in Washington DC. By contrast, barely 80,000 went to General Ulysses S. Grant’s tomb in New York City. Some would argue that the neglect is no better than Grant deserves. But others, notably Ron Chernow, believe it’s time for a rehabilitation. Why do Americans pay so little attention to the man who beat the South in the Civil War and went on to become the 18th president of the United States? At least part of the answer can be found in the terrible alchemy of war. It spews out vast quantities of lead but, for some people, also spins gold.

Thursday

Anne Margaret Daniel

A complicated man

‘There is only one thing in the world worse than being talked about, and that is not being talked about.’ Lord Henry Wotton said that. It is always better to read Bob Dylan than to read about him. I said that. Two new books by Dylan, and two about him, prove my point. Just out in a lovely slim hardback is Dylan’s Nobel lecture (Simon & Schuster, £14.99). Its 32 pages have already been well picked over and much written about, but Dylan’s own account of the way he took ‘folk lingo’ and ‘fundamental’ literary themes — by way of Moby-Dick, All Quiet on the Western Front and the Odyssey

Marcus Berkmann

Fiendishly puzzling

There can be few challenges more daunting for the assiduous reviewer than a pile of Christmas ‘gift’ books sitting on his desk exuding yuletide jollity. But this year’s aren’t bad at all. Some are serious works of quasi-academic research, others are tooth-pullingly funny and one or two are utterly bizarre. For sheer magnificent pointlessness, you should look no further than Great British Pub Dogs by Abbie Lucas and Paul Fleckney (Robinson, £12.99). Lucas (a photographer) and Fleckney (a journalist) have, for no doubt pressing reasons of their own, roamed the nation to identify the ‘wonderful variety’ of Britain’s pub- dwelling dogs. Oh, and one pig, Frances Bacon. One pub had

Valentine Cunningham

Literary mafia boss

Edward Garnett, radical, pacifist, freethinker, Russophile man of letters, was from the 1890s onwards for many years the pre-eminent fixer of English literature. D.H. Lawrence’s widow Frieda hailed him as ‘the midwife’ of Lawrence’s ‘genius’. And so he was; while he also nurtured Joseph Conrad, T.E. Lawrence, Edward Thomas, Liam O’Flaherty, H.E. Bates and Henry Green. He presided as ‘reader’ over the shoals of expectant manuscripts piling up daily at the publishers — starting out at Fisher Unwin, doing the business for Heinemann and Duckworth, putting in long stints at Dent and ending up at Cape. Jonathan Cape headhunted Garnett for his new firm in 1921 as ‘the best reader’

Claire Kohda

Perturbed spirits

The events of this book take place where the world of the living and the world of the dead rub shoulders. Mama, 12-year-old Jojo’s grandmother, hears the voices — singing, talking, crying — of ghosts; Leoni, Jojo’s mother, sees her brother — ‘given, that he’s been dead 15 years now’ — sitting at the table, in the car, on the sofa between her and her friend, and every time she is high; and Richie, a 12-year-old boy whom Jojo’s grandfather, Pops, knew in prison, haunts Jojo, searching for a way ‘home’. Sometimes despondent and aimless, at other times desperate and angry, the ghosts of almost exclusively black people are present

Paul Levy

Loving in triangles

Dora Carrington (1893–1932) was at the heart of the Bloomsbury story. As an art student, she encountered the love of her life, the homosexual biographer Lytton Strachey; and this pair of Edwardian virgins actually managed to consumate their relationship in 1916. She loathed her given name, and insisted on her new friends, such as Virginia Woolf, Maynard Keynes, Duncan Grant and the entire large clan of Stracheys using her surname alone. Whatever her merits as an artist, the dramatic story of her life with the Bloomsbury group, and death by her own hand, is so enthralling that it was made into a film, in 1995, with Emma Thompson playing the

Tanya Gold Tanya Gold

What will Katie do next?

In her memoir Rude, the former Mail Online columnist Katie Hopkins reveals her true self. She does this by accident, because she has no self-awareness, but it is there, on page 233: It may we’ll [sic] be that by the time you are reading this I will be going through a dominatrix phase… a fierce bedroom warrior, nipples pinched tight by clamps, an orange in my gob, more buckles than a boot store, locked into a metal girdle with only my front bottom on show. Oh Katie! Don’t you know anything? The dominatrix doesn’t wear the nipple clamps; she doesn’t suck the orange; she isn’t locked into a metal girdle.

Jeff Noon

Close up and far away

It’s difficult to keep a crime series going after 11 books but Boris Akunin manages it well in All the World’s a Stage (Weidenfeld, £20). His hero, Erast Fandorin, is now in his fifties. It’s 1911 in Russia, and while the Bolsheviks gather their power, another revolution is taking place in the theatre, and the Noah’s Ark Company are at the forefront of this new expression. When their star actress Eliza Altairsky-Lointaine’s life is threatened during a performance, Fandorin is called in to investigate. He’s working undercover as, of all things, the writer of their next production. This is a traditional crime drama in which members of the company are

Andy Miller

From Bradford to Belgravia

In her debut novel, Adelle Stripe recounts the brief, defiant life of the playwright Andrea Dunbar. Dunbar was raised on the Buttershaw council estate in Bradford, one of eight siblings. Her first play, The Arbor, which premiered at the Royal Court in London when she was just 18, originated as a CSE English assignment. She was, according to one tabloid newspaper at the time, ‘a genius straight from the slums’. Rita, Sue and Bob Too (1982) was also a hit at the Royal Court and was subsequently filmed by the director Alan Clarke. Dunbar wrote one more play, Shirley, and died of a brain haemorrhage in 1990. She was 29.

Stephen Bayley

Cold comfort | 7 December 2017

Mrs Thatcher once explained that she adored cleaning the fridge because, in a complicated life, it was one of the few tasks she could begin and end to total satisfaction. In this way are refrigerators evidence of our struggles, our hopes and our fears. Moreover, if you accept that the selection and preparation of food is a defining part of our culture, then you must acknowledge the primacy of the refrigerator in human affairs. In 2012, The Royal Society declared refrigeration to be the single most significant innovation in food technology since Fred Flintstone invented the barbecue. Me? I wrote these notes while chewing chilled sapphire grapes from Brazil, via

Thursday

Sam Leith Sam Leith

Books Podcast: Richard Flanagan

This week in the books podcast I’m talking to Richard Flanagan, the Man Booker prize winning author of Gould’s Book of Fish and The Narrow Road to the Deep North, about his new novel First Person.Drawing on Richard’s own experience of working as the ghostwriter for a celebrated con-man, First Person tells the story of a struggling young literary writer brought in to help write the memoir of a man who scammed Australia’s banks and public institutions out of millions. I talk to Richard about fiction and lies, what it means to be an Aussie writer now, post-Booker madness, Flaubert’s despair… and why North American writing really isn’t all it’s cracked up to be. You can

Louis Amis

Only connect | 30 November 2017

This newly translated novel by the Spanish writer Antonio Muñoz Molina is really two books, spliced together in alternating chapters. One is a deeply researched account of the squalid peregrinations of James Earl Ray, who spent two months on the run after murdering Martin Luther King, Jr., in 1968. The other is a memoir charting the gradual attainment of personal and professional happiness on the part of the author himself. The reader feels confident that both protagonists will eventually arrive at their historically appointed destinies: handcuffs at Heathrow airport for Ray; a career as a celebrated author for Muñoz Molina. But considerable suspense surrounds the question of what on earth

Wynn Wheldon

High stakes and chips

According to the subtitle, this is a collection of ‘short stories of long nights at the poker table’. Were that the case, this would be a more enjoyable book, but there are too many stories here that stray from the baize. As a game, poker is relatively simple. The deal gives you your ‘hole’ cards, the ones you and no one else can see. They determine whether you play the hand or not. The betting follows as cards are further distributed. One by one players drop out, hopes dashed. Finally someone wins, not necessarily with the best hand. Beginning, middle, end. Poker has a richer literature than any other card