Book Reviews

Our reviews of the latest in literature

Down – if not out – in Paris

Virginie Despentes remains best known in this country for her 1993 debut novel, Baise-Moi, about two abused young women who set off on an orgiastically murderous road-trip round France. In 2000, she became notorious when she collaborated on the hardcore film of the book, which ran into certification problems, with Alexander Walker fulminating about the complete collapse of public decency. Despentes has now published some 15 novels altogether, celebrated in France as grunge or ‘trash’ fiction — and a polemical, erratically feminist, memoir, King Kong Theory, describing her own experience of rape and prostitution, and calling for a new aggression in female sexuality. When she was 35, Despentes (a pseudonym,

Towering extravagance

The Shard is an unnecessary building. Nobody apart from its developer asked for it to be built. Nobody was crying out for a big spike of concrete, steel and glass filled with a mix of superluxury hotel, ultraprime apartments and loads of speculative offices right above London Bridge station, with an expensive viewing gallery as a sop to public accessibility. Had it never happened, we would not regard the air it did not fill as a waste of atmosphere. The Shard is merely a gigantic financial speculation, majority-funded by Qatari money. And yet it is a very good piece of architecture. Its veteran Italian architect, Renzo Piano, succeeded in designing

Drowning in mud and blood

George Orwell’s suggestion that the British remember only the military disasters of the first world war is certainly being borne out by the centenary commemorations. The focus of each year so far has been Gallipoli, the Somme and now the Third Battle of Ypres, popularly known as Passchendaele. The basic story is familiar. On 31 July 1917, in torrential rain, General Haig launched an attack against German positions in the Ypres Salient. The troops had to advance over ground that rapidly turned into a quagmire, shells having already destroyed the area’s network of drainage ditches. The attacks would continue sporadically, against the advice of those on the ground and often

Sam Leith

Books Podcast: Summer reads

This week, with the holidays approaching, I’m joined by the critic Alex Clark and Damian Barr — memoirist and host of the Savoy’s Literary Salon — to talk about summer reading. What do you take? What do you regret taking? Kindle, dead-tree or — 19th-century-style — cabin trunk full of books sent on ahead? Our discussion yielded a host of recommendations — from the brand new to the reliable old friends — that we hope will help you plan your own travelling library. For those who like the sound of some of these, we’ve picked them out and listed them below for your convenience…. Listen to our conversation below and

A choice of short stories

It can’t be easy to switch between editing others people’s fiction and writing your own: how do you suspend that intuitive critical impulse? Gordon Lish, who is best known as the editor of Raymond Carver’s short stories but has also written plenty of fiction in his own right, is familiar with this dilemma, and in White Plains (Little Island Press, £18.99) he has fun with it. These stories are replete with parenthetical um-ing and ah-ing over synonyms, punctuation and grammatical solecisms — a prolix testament to the agonies of prose composition: ‘Losing tone here, not retaining purchase on stance here, falling to pieces with the coward’s frolic along the phraseological

The cold grip of fear

A screenwriter sits in a lovely rented house somewhere up an Alp in early December. The air is clear, the views stunning, the isolation splendid. He rented the home through Airbnb — surprisingly cheaply, as it happens. He has come to this place for a family holiday with his wife Susanna and their four-year-old, Esther, but also to get some peace and quiet in which to concentrate on his current job. His last movie, Besties, was a smash hit, and now the producer wants a screenplay for Besties 2, and the sooner the better. And as we read through his notebook, in which he’s hoping the screenplay will take shape,

By Patten or design?

My old friend Richard Ingrams was said always to write The Spectator’s television reviews sitting in the next-door room to the TV set. I’m more assiduous: I have actually read this book under review. And Chris Patten’s latest memoir is a very enjoyable read — the account of a life of considerable privilege. Born into a middle-class family in suburban London, Patten won an exhibition to Balliol before — after a brief dalliance with US politics — he became a Conservative apparatchik and, in due course, an MP. Once he’d reached the cabinet, he was a made man — and from his middle years onward garnered a succession of agreeable

Playing Stalin for laughs

Christopher Wilson’s new novel is much easier to enjoy than to categorise. And ‘enjoy’ is definitely the right word, even though The Zoo tackles subject matter that should, by rights, make for a punishingly bleak read. The narrator is 12-year-old Yuri, whose misfortunes start with the fact that he’s growing up in Moscow in 1953 — and that a road accident when he was six damaged his brain, leaving him with a curious set of symptoms that couldn’t be worse suited to life under Stalin: a total lack of guile, a tendency to ask awkward questions and a face so angelically trustworthy that everybody tells him their deepest secrets. Given

Something in the water

‘It was a shock, and an epiphany,’ says Fiona Sampson, to realise that many of her favourite places were built on and out of limestone: the cosy Cotswold village of Coleshill, the shambolic hamlet of Le Chambon in the Dordogne, the limestone Karst region of western Slovenia, and the honeycombed hills of Jerusalem and the Holy Land. ‘Surely, I thought, this has to be more than mere coincidence.’ From a strictly demographic point of view, it isn’t even much of a coincidence: about one quarter of the world’s population lives in limestone country or depends on it for its water. But the mind of a poet can feed on the

The new age of the refugee

After years of estrangement in a foreign land, what can immigrants expect to find on their return home? The remembered warmth and blazing beauty of Jamaica have remained with some British West Indians for over half a century of exile. Yet 100 changes will have occurred since they left. Long brooding over the loss of one’s homeland can exaggerate its charm and sweetness. The first mass immigration to British shores occurred in the late 19th century, when Ashkenazim arrived by the thousand after escaping the pogroms in Tsarist Russia. Many changed their names and even their accents. The trappings of orthodoxy — beards, sidelocks — left them vulnerable to anti-Semitic

A strange vibration

Among the many curiosities revealed in this book, few are more startling than the fact that at the height of the so called ‘summer of love’ in 1967 the British historian Arnold Toynbee, on a visit to San Francisco, made his way to the Haight-Ashbury district — hippy central — to catch a concert by one of the Bay Area’s most popular bands, Quicksilver Messenger Service. Just what Toynbee, who was 78 at the time, made of the group’s epic exercise in free form, psychedelic improvisation, ‘The Fool’, Goldberg does not mention. But he does tell us that elsewhere in the Haight, at around the same time, Dame Margot Fonteyn

Would Jane Austen be amused or bemused by her £10 note quotation?

So, the new tenner has been unveiled today. Two centuries after her death, Jane Austen replaces Charles Darwin, who has enjoyed a 25-year sojourn with his hummingbirds. And yet it feels like this new note has been in the air for a while, though obscured by the hazy fug of controversy. First there was the (largely vegan) stew about animal tallow remaining part of the production process. All protests about what we’re doing with the natural world are worth hearing, so long as they are proportional. Quite what percentage of society occupies the intersection of the Venn diagram where strict boycotters of plastic bags, soap and cosmetics overlap with those

Latest crime fiction

Wolfgang Herrndorf’s Sand (Pushkin Press, £14.99) is set in 1972 and moves back and forth between a North African city and a small unruly town surrounding an oasis. One man is on the run through the desert regions: he has no name, no memory and no clue as to why he’s being pursued by at least three different parties, all intent on doing him harm. Other characters inter-mingle with this tale of woe: ineffectual detectives, a glamorous sales agent, a commune of hippies, and a paranoid spy whose sense of purpose evaporates in the midday heat. The sun bakes the streets, the sand, people’s faces. And their minds. The amnesiac

Beyond the pale

You can tell everything you need to know about what Victoria Lomasko thinks of her homeland by the titles of this book’s two sections: ‘Invisible’ and ‘Angry’. A graphic artist from Serpukhov, just south of Moscow, Lomasko spent eight years documenting people from all walks of life across Russia, producing drawing and commentary about the ‘Russia that is hardly ever seen’. Many of her fellow citizens feel invisible. Almost all of them are angry. The effect of seeing this in cartoon form is disturbing, impressive and fascinating. The subject matter she is dealing with is almost unbearable: juvenile prison wards, sex workers, protesters affected by Russia’s homophobic laws. Lomasko calls

China syndrome | 13 July 2017

Every day on his way to work at Harvard, Professor Allison wondered how the reconstruction of the bridge over Boston’s Charles River could take years while in China bigger bridges are replaced in days. His book tells the extraordinary story of China’s transformation since Deng abandoned Mao’s catastrophic Stalinism, and considers whether the story will end in war between China and America. China erects skyscrapers in weeks while Parliament delays Heathrow expansion for over a decade. The EU discusses dumb rules made 60 years ago while China produces a Greece-sized economy every 16 weeks. China’s economy doubles roughly every seven years; it is already the size of America’s and will

Self’s obsessions

This 600-page, single-paragraph novel shuttles back and forth across time between the perspectives of an elderly and confused psychiatrist, a tank commander in Iraq, an autistic computer genius, the autistic computer genius’s mother and a closeted MI6 spy who thinks his cock is talking to him — which, for this stage in Will Self’s writing career, is pretty much situation normal. Readers of Umbrella (2012) and Shark (2014) will know the score already, as this is the third instalment in a loose trilogy following Self’s recurring psychotherapist Zack Busner as well as several generations of a family called Death (De’Ath for the posh ones). They will also know that these

Voices of exile

During the military dictatorships of the 1970s, exile for many Latin American writers was not so much a state of being as a vocation. Some were given early warning of what might befall them if they stayed. The polemicist Eduardo Galeano remembered receiving an evening telephone call from the Argentine Anticommunist Alliance: ‘We’re going to kill you, you bastards.’ ‘The schedule for calling in threats, sir, is from six to eight,’ I answer. I hang up and congratulate myself… But I want to stand up and I can’t: my legs are limp rags. Other writers were not so lucky. Antonio di Benedetto was rounded up in the first wave of

Sam Leith

The first celebrity

It’s quite a scene to imagine. A maniacal self-publicist with absurd facial hair takes off in what’s thought to be the biggest hot-air balloon the world has ever seen. Adoring crowds gather to watch the launch. He rises rapidly and sails off towards the clouds — but in due course the whole thing goes arse-up and he comes clattering to earth, narrowly escaping with his and his crew’s life. Never mind: the catastrophe is reported around the world and has made him even more famous than he was before. It was a ‘semi-unsuccess’. And within weeks he’s back planning another ascent in another giant balloon. As if to bear out