Book Reviews

Our reviews of the latest in literature

Thursday

Peter Carty

The last great pandemic

The symptoms of the Spanish flu could be ghastly. Perhaps Laura Spinney should have chosen her title with more care because rather than becoming pale and interesting, as with tuberculosis, frequently the flu’s victims turned completely black before dying. ‘It is hard,’ one US army doctor observed, ‘to distinguish the colored men from the white.’ The pandemic is often thought of as a forgotten catastrophe. That is despite its monumental scale. The death toll, which peaked in the autumn of 1918, is variously estimated to be between 50 million and 100 million — far exceeding the 17 million fatalities of the Great War. But have we really forgotten the Spanish

Sam Leith Sam Leith

Books Podcast: Martin Luther, Catholic dissident

In this week’s Books Podcast, we honour the five hundredth anniversary of the nailing of that business with the 95 Theses, the church door and the mad monk by discussing Martin Luther and his legacy. Was he a Protestant? Was he a monk? Was there even a church door? And what did the Reformation mean for Henry VIII and the generations of English monarchs to come? Is it, come to that, over? Answering all my dumb and ignorant questions on these subjects are two superbly intelligent and knowledgeable scholars of this vital period in European history. I’m joined by Luther’s latest biographer Peter Stanford, author of Martin Luther: Catholic Dissident; and by Peter Marshall — author of the magisterial new

D. J. Taylor

Boats, goats and landslides

J.L. Carr’s classic novel How Steeple Sinderby Wanderers Won the FA Cup (1975) contains a character named Arthur Fangfoss. Mr Fangfoss is a rural tyrant who, when standing for the local council, limits his election address to a pithy eight words: ‘If elected, I will keep down the rates.’ No such brevity, alas, attends the 2017 manifestos of the UK’s three main political parties. The shortest of them — the Lib Dems’ Your Chance to Change Britain’s Future — weighs in at over 80 pages, while Labour’s For the Many, Not the Few extends to a well-nigh novella-length 23,000 words. The Conservatives’ Forward, Together is not that much shorter and

Jane Ridley

Forty years of comfort-eating

In 2015 a pair of linen drawers belonging to Queen Victoria sold at auction for over £12,000. In old age Queen Victoria swathed herself in wraps and loose gowns which artfully concealed her figure, and her official photographers were ordered to photoshop her outline. But these knickers with their 45” waistband make plain that the 5’-queen was borderline obese. Annie Gray has written a culinary biography of Queen Victoria which tells us what she ate. Breakfast was a hearty meal, often featuring lamb chops. For dinner Victoria ate rich French food, and her menus were always written in French. No plain Mrs Beeton-style cooking for the queen. Dinner began with

Michael Auslin

The war in the shadows

I once spent an evening, back in the mid-1980s, with William Colby, the legendary spy and director of the CIA. I was an undergraduate at the time, and the CIA’s Iran–Contra debacle was in the news. Lured by the agency’s mystique, I was eager to ask him about the fabled Phoenix programme he directed — a top secret initiative to target and eliminate Viet Cong who had infiltrated South Vietnamese villages, often conducted by Americans who had crossed over some invisible line, leaving behind them the normal life that comprised my world. To my disappointment, Colby demystified Phoenix. He was very proud of the programme, and while he never said

Alex Burghart

Perfect, gentle Knight

I once asked Baroness Manningham-Buller, the former head of MI5, what she did to relax. Nailing me to the wall with her no-nonsense look, she said: ‘I keep sheep.’ A similar association with the animal kingdom resounds through Henry Hemming’s excellent new life of Maxwell Knight, the famous spymaster and possible archetype for Ian Fleming’s ‘M’. Knight’s family and friends observed that, at an early age, he had a particular way with animals that allowed him to bring them under his spell. As a young man he kept a menagerie in his small London flat consisting of a bulldog, a bear and a baboon. Following his retirement, he dedicated himself

Suzi Feay

A gruesome retelling

‘A shudder in the loins engenders there/ The broken wall, the burning roof and tower/ And Agamemnon dead’ intoned W.B. Yeats in his sonnet ‘Leda and the Swan’, seeing in this avian rape the germ of the Trojan war. Leda gave birth to Helen of Troy and her sister Clytemnestra, the one renowned as the casus belli, the other the most infamous agent of the aftermath. Another Irish writer now takes up the story, without the magnificent cloak of myth. House of Names is a portrait of a brutal, disenchanted world of political tyranny, slaughter and revenge. In the first section, ‘Clytemnestra’, Agamemnon’s queen is an imposing but still sympathetic

John McEwen

Home from the hill

As well as being a leading architectural historian Mary Miers is an editor at Country Life. For her latest book she has mined the magazine’s unmatchable picture library and the photographs are by Country Life regulars Simon Jauncey, who lives in Highland Perthshire, and the late Paul Barker, who sadly died before publication. His memory is duly saluted. Crucially the author is a Highlander by birth and domicile. Every week she commutes between London and her Black Isle home and she summers on South Uist. She knows the Highlands and Islands, or the Gàidhealtachd, from top to bottom: from Balmoral and the Highland balls of the Northern Meeting to crofters’

Peter Bradshaw

Moments of absurdity

The bestselling humourist and New Yorker essayist David Sedaris is renowned for an almost hypnotic deadpan drollery and maybe especially for The Santaland Diaries, his uproarious account of earning part-time cash as a department store Christmas elf. Now he is bringing out an edited version of his personal diaries. It’s the first volume of two, taking us from his days as a broke student, stoner and young gay man in North Carolina and Chicago, through to the years of literary fame and success in New York and Paris as the new century dawns — a distinction worn lightly. Fans, semi-fans and non-fans (I am midway between the first two categories)

William Leith

Cold comfort | 25 May 2017

All animals, Scott Carney tells us, seek comfort. But human beings are a bit different. We don’t need to spend much time actively seeking it. He’s right: it’s all around us — in your nice warm house, your air-conditioned car, your shoes, your bed, the temperate shopping mall you visit. Here in the affluent west, we eat comfort food in comfortable chairs, and then we recline on cushions, tweaking our dimmer switches and thermostats and adjusting the brightness on our screens. Good for us, you might think. We can ‘control and fine-tune our environment so thoroughly that many of us can live in what amounts to a perpetual state of

Jonathan Mirsky

The ruin of a ruin

In the welter of Syrian bloodshed, why should we remember the death of a single man? Because he was the archaeologist Khaled al-Asaad, tortured and beheaded by Isis two years ago when they destroyed the remains of Palmyra, one of the world’s most important ancient cities. Their victim was its director of antiquities. In an icy fury, Paul Veyne, a French expert on Palmyra, has dedicated this comprehensive, passionate, but concise book to the memory of the murdered Syrian scholar. In it he relates thousands of years of Palmyra’s history, describing those who lived there and pausing only briefly to underline what monsters Isis were to smash the site. You

Stuart Kelly

Homer Simpson in a chasuble

This is one of the most remarkable, hilarious, jaw-droppingly candid and affecting memoirs I have read for some time — not since, perhaps, Dave Eggers’s A Heartbreaking Work of Staggering Genius or Rupert Thomson’s This Party’s Got to Stop. Patricia Lockwood is a poet — dubbed ‘The Smutty-Metaphor Queen of Lawrence, Kansas’ — who, after unexpected and costly medical bills, was forced to move, with her husband, back to her parents’ home. Her mother is more than mildly neurotic, fretting over things like children jumping out of windows in imitation of Superman. Her father is a bad player of the electric guitar, an enthusiast for guns and hunting, a veteran

Jonathan Keates

The fount of all knowledge

Somewhere around the middle of the 17th century our modern concept of the museum began to take shape. Until then the cabinet of curiosities formed by a prince or a dilettante was on show solely to his friends or to scholars deemed worthy of having it unlocked. Nothing in the way of a systematic catalogue existed to help them navigate the gallimaufry of odd objects filling its shelves and cupboards. A Japanese netsuke button, an Arawak headdress and a handkerchief soaked in the blood of Charles I could be found nestling beside a stuffed alligator or a bezoar stone, calculus from an animal’s stomach held to possess magical curative powers.

Thursday

Douglas Murray

The British broadcaster brave enough to discuss Islamic violence

Last night Channel 4 broadcast a deep and seriously important programme. ‘Isis: The Origins of Violence’ was written and presented by the historian Tom Holland and can be viewed (by British viewers) here. Five years ago, to coincide with his book ‘In The Shadow of the Sword’ about the early years of Islam, Holland presented a documentary for Channel 4 titled ‘Islam: The Untold Story’. That was something of a landmark in UK television. For while there had previously been some heated and angry studio discussions about Islam and plenty of fawningly hagiographic programmes about the religion’s founder presented by his apologists, here was a grown-up and scholarly treatment which

Sam Leith Sam Leith

Books Podcast: The art of losing control

Is Enlightenment rationalism overrated? Do we spend too much time thinking and not enough time letting our conscious thoughts scatter to the winds? My guest in this week’s Books Podcast is the philosopher Jules Evans, who argues that we human beings have a deep need to get out of our heads. We talk about his new book The Art of Losing Control: A Philosopher’s Search for Ecstatic Experience – in which he explores everything from extreme meditation to tantric swinging parties, from the sublime in Romantic art to the latest findings in psychedelic drug use. Learn what a near-death experience feels like (Jules has had one) – and wonder, with

Alexandra Coghlan

Soaring and singing

Whether it’s Coleridge’s nightingale or Petrarch’s, Ted Hughes’s wren or Shelley’s skylark, Helen Macdonald’s hawk or Max Porter’s crow, literature is measured out in warbles and wingbeats — metaphors that have long since broken free of their originals, birds made not of sinew and bone but ‘ink and sentiment’. Richard Smyth’s A Sweet, Wild Note brings these black and white creatures back into colour, gives them science and geography, acoustics and ecology as well as poetry, bringing all these disciplines to bear on one question: what do we really hear when we hear birds sing? Birdsong is to ornithology as that lump in your throat when you hear Barber’s Adagio

Andrew Barrow

Paradise or prison?

This daintily dress-conscious and rewardingly heavyweight novel is set mainly in a half imaginary stately home in Oxfordshire. The story begins in 1663, jumps forward to modern times and then back to 1665. On all occasions, our attention is less on the actual house, Wychwood, than on the power of nature, whatever’s left of the surrounding primeval forest, ornamental lakes-in-the-making, majestic vistas and, above all, the ‘monstrously expensive’ wall or ‘the great ring of stone’, built, or being built, around its park. Those featured include the original landscape designer Mr Norris, his silk-coated, high-heeled employer Lord Woldingham and later the silk-and-chiffon-clad Rossiters, who rule the roost in the 1960s. And

Julie Burchill Julie Burchill

Fallen idols

David Hepworth is such a clever writer — not just clever in the things he writes, but in the way he has conducted his career. A decade older than me, he too started out at the New Musical Express; but he went on to take Smash Hits to glory as editor, to launch Just Seventeen, Empire, Mojo and Heat, and remains the only person to have won both the PPA’s writer of the year and editor of the year awards. His previous book, Never a Dull Moment: 1971, The Year that Rock Exploded, was a great critical and commercial success. And to show how adept he is, he has now

Michael Beloff

No ordinary judge

Justice McCardie was anything but a conventional High Court judge. He left school at 15 and was called to the bar at 25. After ten years of provincial practice he turned down the offer from Joseph Chamberlain of a safe Conservative seat, although politics was then the conventional highway to the bench (unlike now when it is a cul de sac). He also rejected an offer of silk, after withdrawing an earlier application which he thought the lord chancellor had been too slow to consider, and was, on the initiative of H.H. Asquith, the then liberal prime minister, appointed to the bench at 47 — the youngest of his generation

Victor Sebestyen

A brave new world – at gunpoint

Of the many books published this year to mark the centenary of the Russian revolution, this is perhaps the most curious. China Miéville is best known as an imaginative and entertaining writer of ‘weird’ (his word) science fiction and magic realism. October is a narrative history of the two 1917 revolutions in Russia, written from an ultra-left perspective — with a novelist’s eye for a good story and colourful characters. So it’s an examination of why the communist experiment failed miserably — at the cost of much blood — that is also wonderfully well written: smart, witty and full of fresh insight. But it can also read like an A-level