Book Reviews

Our reviews of the latest in literature

Thursday

Kate Womersley

Bring up the bodies

I grew up with a skeleton in the attic. My mother’s clinical training bestowed on our family a short man’s dry remains, and his residency at home fed the nightmares of my siblings. When I started medical school, he came too, but now as an ally in passing the anatomy exam. On moving house, I stiffened as the taxi driver carried the loosely fastened casket in just one hand. A pavement littered with 200 bones would have been a challenging start in this family-friendly neighbourhood. My accustomed eyes were suddenly anxious to protect others from such a deathly interruption. Carla Valentine doesn’t want her choice of job to sound pathological.

Andy Miller

A passion for vinyl

Every year at this time, as trees come into bud and flowers bloom, middle-aged men (and a few women) sleep overnight on pavements to ensure they don’t miss the year’s crop of Record Store Day releases; April may indeed be the cruellest month if one fails to acquire that limited 12” picture disc of Toto’s ‘Africa’. It is with such dedicated individuals that Magnus Mills’s new novel is concerned, memory, desire and vinyl being the constituent parts not only of Record Store Day on 22 April but also this authentically square book. The Forensic Records Society has been printed to look like a collectable 7” single, complete with die-cut dust

Philip Hensher

Truth is stranger than satire

I think we’re all agreed about Donald Trump — by which I mean all of us who read the literary novel, buy hardbacks and take pleasure in good writing. The novel as a form is interested in different points of view; is protean and humanly various; listens to different voices patiently; does not shout down. As Auden said, the novelist ‘in his own weak person, if he can, /Must suffer dully all the wrongs of Man.’ Donald Trump is not much like that. He shouts down; he evidently does not see much in other people to recommend them, other than their opportunity to proffer sycophancy; and the range of his

Rose Prince

A feast in every sense

After reading Gastrophysics: The New Science of Eating, you might, as I did, sit for a bit wondering what a chef is, exactly. We think of chefs as cooks, people in charge of a kitchen, ingredients, pan and heat, who hopefully produce great dishes of food. But this is apparently an outdated concept. For chefs who want to make their name in the world now, the expression of their art must exceed the nourishment on the plate. Cooking can only take a dish so far in order to make it memorable, claims Professor Charles Spence. ‘No matter how exquisitely executed,’ he adds. Whoa! I can still recall the taste of

Marek Kukula

Unearthly darkness

Mask of the Sun: The Science, History and Forgotten Lore of Eclipsesby Norton, £20, pp. 336 On 28 May 1900 Mabel Loomis Todd, friend and editor of the poet Emily Dickinson, stood with her astronomer husband on the roof of a house in Tripoli to witness one of nature’s most spectacular events: a total eclipse of the sun. Afterwards she wrote: I doubt if the effect of witnessing a total eclipse ever quite passes away… A startling nearness to the gigantic forces of nature and their inconceivable operation seems to have been established. My own first experience of a total solar eclipse was also in North Africa, at a remote

Wednesday

Oliver Balch

Neither green nor pleasant

The old coaching inn on the green. The Sunday morning toll of church bells. The ducklings paddling on the pond. The soft sound of leather against willow. Nothing, absolutely nothing, defines England’s idea of itself more than the sleepy rural village. World events can shake our island nation. Population growth can swell our cities. Who knows, climate change could even sink East Anglia beneath the waves. But as long as the country’s villages stand true, then England is safe and we can all put the kettle on for tea. Utter rot, says Tom Fort, in this timely, myth-busting march through English rural history. Racing through the ages on his bicycle,

Steven Poole

No end in sight

Are you a deathist? A deathist is someone who accepts the fact of death, who thinks the ongoing massacre of us all by ageing is not a scandal. A deathist even insists that death is valuable: that the only thing that gives life meaning is the fact that it ends — an idea not necessarily embraced by someone about to be murdered on video by an Isis fanatic. But what is the alternative? There has never been one, which is why until recently no one needed to coin the term ‘deathist’. But now many tech entrepreneurs and scientists take a different view: death, they say, is simply an engineering challenge.

Tiffany Jenkins

Bones of contention | 12 April 2017

A few years ago, a group of Native American leaders drove 12 hours from Oklahoma to Denver Museum of Nature and Science, a natural history museum in the Rocky Mountains of Colorado, to collect 26 sets of human remains. When Chip Colwell, the museum’s senior curator of anthropology, explained to them that, though the remains were fragments from people that populated the Great Plains, he didn’t know from which tribes, they were shocked: ‘The room plunges into silence,’ he recounts, followed by ‘heated deliberation’. The visitors were affronted. ‘They had come to rebury their kin — not strangers.’ This is only one of a number of fraught cases in Colwell’s

Susan Owens

Romancing the stones

If Britain’s prehistoric monuments have had a magnetic attraction for generations of artists, it is perhaps because they have long been seen as works of art themselves. ‘The whole temple of Avebury may be consider’d as a picture’, enthused the antiquary William Stukeley in 1743, while ‘my God how sculptural’ was Barbara Hepworth’s response to Cornish sites such as the Mên-an-Tol and the Nine Maidens which she encountered after moving to St Ives in 1939. The creative tension between artists and these mysterious presences in the landscape is the subject of Sam Smiles’s engaging book British Art: Ancient Landscapes, published to accompany an exhibition at the Salisbury Museum (until 3

David Crane

Too young to die

In the north transept of Westminster Abbey, there is a memorial by Joseph Nollekens to three British captains killed at the Battle of the Saintes. It is hard to imagine that many visitors notice it, but when the news of the battle reached London from the West Indies in May 1782, it inspired the same kind of hysteria that 120 years later would greet the relief of Mafeking. The victory might not have been all it was cracked up to be — Rodney had let the French fleet escape — and yet at a time when a bitterly divided country was embroiled in a losing struggle for its American colonies

Stephen Glover

An eye for sensationalism

According to Private Eye, executives at the Daily Mail were alarmed by the impending publication of Adrian Addison’s new history of the paper. They expected an onslaught. So their hearts must have sunk when they saw the cover of Mail Men. Stephen Fry, who may hate the Mail more than anyone alive, pronounces it ‘a damned good read’; and Polly Toynbee, whose loathing is scarcely less vehement, praises it as a ‘well-informed, diamond-shaped analysis’ of the paper that ‘dominates England’s political culture’. Possibly neither of these sages has read the book in its entirety. It isn’t the hatchet job that Mail executives feared and its enemies wanted. Admittedly, as a

Ysenda Maxtone Graham

A gaping hole in the week

This is a gem of a book for Radio 4 lovers, particularly those of us who work out which day of the week it is by who’s speaking on the station at 9.02 a.m. Published the week that Midweek was abolished for ever, it is Libby Purves’s story of the programme she presented for 33 years. In this brief memoir she has not only immortalised the distinctive flavour of the ‘And now for some lively conversation’ Wednesday-morning 45 minutes. She has also reminded us that Radio 4 is ‘basically, a marvel’: for many people, it is ‘their university and their friend’. All presenters, Purves writes, are aware that they are

Jane Rye

A true original

Leonora Carrington was strikingly beautiful with ‘the personality of a headstrong and hypersensitive horse’ (according to her friend and patron Edward James); and she fled from her family, renouncing a life of privilege and ease to pursue her calling as an artist. Joanna Moorhead deplores the fact that she is ‘not much more than a footnote in art history’. But she has long been a legendary figure (among recent devotees, apparently, Madonna and Björk); in Mexico, where she lived and worked for most of her life, she is a national treasure; and for the feminist she is a heroine and her art ‘a modern woman’s codex’. She painted some marvellous

Tuesday

Sam Leith Sam Leith

Listen: Pulitzer Prize winner Hisham Matar discusses The Return

Back in October, I spoke to Hisham Matar — who has just won the Pulitzer Prize for Biography/Autobiography — about his book The Return: Fathers, Sons and the Land In Between. When Hisham was 19, his Libyan dissident father was abducted from exile by the Gadaffi regime and disappeared into Tripoli’s most notorious jail. The writer spent 20 years not knowing what had really happened. He talks here about his long struggle to find out, and his first trip back after the regime had fallen…. You can listen to our conversation here: And please subscribe on iTunes to get a new episode every Thursday.

Thursday

Nicholas Shakespeare

Two small boys in the sea

An estimated 400,000 people drown annually worldwide, 50 per cent of them children. Roughly 150 drownings occur in the UK. In the 1970s, the RNLI station at Port Isaac on the north Cornish coast responded to ‘about 30 shouts a year’, reckons the novelist Richard Beard. On 18 August 1978 at 2.30 p.m. a maroon rocket went up with a great whoosh 800 feet into the summer sky to summon the coastguard. In the language of the rescue services, there was a ‘swimmer in the water’. Ninety minutes earlier, Beard, then aged 11, was on a nearby beach with his brother Nicky, aged nine. On holiday from Swindon, the Beard

Richard Davenporthines

Understated eloquence

It is 50 years since the publication of Very Like a Whale, Ferdinand Mount’s first novel. ‘Mr Mount’s distinguishing feature as a novelist,’ Mary-Kay Wilmers wrote in her sniffy, uncomprehending Times Literary Supplement review, ‘is that his analysis of society is obedient to Conservative economic principles.’ In the ensuing half century Mount has proven resolute in his Conservativism. He had two spells as a gloriously shrewd political columnist in The Spectator, headed Margaret Thatcher’s Downing Street Policy Unit, wrote the Tory manifesto for the 1983 general election, and edited the TLS under Rupert Murdoch’s proprietorship. Wilmers’s disapproval of Mount has relaxed a bit — perhaps because he is a closeted

James Delingpole James Delingpole

A meeting with Britain’s most hated man

‘Christ, I would be shot for buying this if people knew,’ says an anonymous fan in the comments below Amazon’s unlikely bestseller Enemy of the State. Which sums up how I feel before meeting the book’s author, Tommy Robinson. What if he turns out to be not nearly as bad as his reputation as ‘Britain’s most hated man’? What if, as some familiar with him have warned, I turn out to like him and want to plead his cause, and end up being tainted as a far-right thug by association? We meet in a gastropub in a pretty Georgian market town. It’s only ten minutes from the ‘shithole’ of a

Paul Keegan

The pleasures of reading aloud

pkkkfffffffrrrffff-ffff! pkkkfffffffrrrffff-fff! Hobble leg, hobble leg, Hobble leg owhmmm! Into the bottle of fluff, rubbed the stuff under! pkkkfffffffrrrffff-ffff! pkkkfffffffrrrffff-fff! This is the voice of Tennyson reading ‘The Charge of the Light Brigade’, as recorded by Thomas Edison in 1890 and phonetically or farcically transcribed in a novel by Nicholson Baker over a century later. Drowned in static, ‘valley of death’ sounds like ‘bottle of fluff’, ‘rode the six hundred’ becomes ‘rubbed the stuff under’ and ‘Hobble leg owhmmm’ is — of course — ‘Half a league onward’. It’s as if Edison had invented a machine for dismantling sense, or a mechanical ‘medium’ for psychical research (nonsense and disembodied voices

Mark Cocker

Buzzing bees and chocolate trees

It is estimated that the world’s insects perform an annual pollination service for all humankind worth $215 billion. In return, every year, we run up a pesticide bill of about $40 billion to exterminate them (this doesn’t include the $10 billion costs in social and environmental damage wrought by the same chemicals). Why is it still such a reflex in our encounters with invertebrates to reach for the fly spray? Here are two great books that try to change our minds on creepy-crawlies. On the face of it, Dave Goulson has the more straightforward task. This is not just because the founder of Bumblebee Conservation over a quartet of books

Andrew McKie

Fragments of the future

Science fiction is not the first thing one thinks of in connection with the Polish poet Czeslaw Milosz, though the Nobel Prize for Literature has in fact been awarded for science fiction poetry — Harry Martinson’s Aniara was an epic about a spaceship. Then again, many English speakers probably don’t primarily associate Milosz with poetry either, but with The Captive Mind, his damning critique of the moral crisis of artists under authoritarian regimes. That book had, however, science fiction elements in its discussion of the ‘Murti-Bing pill’ — which reconciled the vanquished to their conquerors (lifted from Insatiability, a utopian novel by Stanislaw Witkiewicz, published in 1930) — and the