Book Reviews Archives

Thursday

25 May 2017

The fount of all knowledge

Somewhere around the middle of the 17th century our modern concept of the museum began to take shape. Until then the cabinet of curiosities formed by a prince or a dilettante was on show solely to his friends or to scholars deemed worthy of having it unlocked. Nothing in the way of a systematic catalogue existed to help them navigate the gallimaufry of odd objects filling its shelves and cupboards. A Japanese netsuke button, an Arawak headdress and a handkerchief soaked in the blood of Charles I could be found nestling beside a stuffed alligator or a bezoar stone, calculus from an animal’s stomach held to possess magical curative powers.

Thursday

18 May 2017

Douglas Murray

The British broadcaster brave enough to discuss Islamic violence

Last night Channel 4 broadcast a deep and seriously important programme. ‘Isis: The Origins of Violence’ was written and presented by the historian Tom Holland and can be viewed (by British viewers) here. Five years ago, to coincide with his book ‘In The Shadow of the Sword’ about the early years of Islam, Holland presented a documentary for Channel 4 titled ‘Islam: The Untold Story’. That was something of a landmark in UK television. For while there had previously been some heated and angry studio discussions about Islam and plenty of fawningly hagiographic programmes about the religion’s founder presented by his apologists, here was a grown-up and scholarly treatment which

Sam Leith

Books Podcast: The art of losing control

Is Enlightenment rationalism overrated? Do we spend too much time thinking and not enough time letting our conscious thoughts scatter to the winds? My guest in this week’s Books Podcast is the philosopher Jules Evans, who argues that we human beings have a deep need to get out of our heads. We talk about his new book The Art of Losing Control: A Philosopher’s Search for Ecstatic Experience – in which he explores everything from extreme meditation to tantric swinging parties, from the sublime in Romantic art to the latest findings in psychedelic drug use. Learn what a near-death experience feels like (Jules has had one) – and wonder, with

Alexandra Coghlan

Soaring and singing

Whether it’s Coleridge’s nightingale or Petrarch’s, Ted Hughes’s wren or Shelley’s skylark, Helen Macdonald’s hawk or Max Porter’s crow, literature is measured out in warbles and wingbeats — metaphors that have long since broken free of their originals, birds made not of sinew and bone but ‘ink and sentiment’. Richard Smyth’s A Sweet, Wild Note brings these black and white creatures back into colour, gives them science and geography, acoustics and ecology as well as poetry, bringing all these disciplines to bear on one question: what do we really hear when we hear birds sing? Birdsong is to ornithology as that lump in your throat when you hear Barber’s Adagio

Andrew Barrow

Paradise or prison?

This daintily dress-conscious and rewardingly heavyweight novel is set mainly in a half imaginary stately home in Oxfordshire. The story begins in 1663, jumps forward to modern times and then back to 1665. On all occasions, our attention is less on the actual house, Wychwood, than on the power of nature, whatever’s left of the surrounding primeval forest, ornamental lakes-in-the-making, majestic vistas and, above all, the ‘monstrously expensive’ wall or ‘the great ring of stone’, built, or being built, around its park. Those featured include the original landscape designer Mr Norris, his silk-coated, high-heeled employer Lord Woldingham and later the silk-and-chiffon-clad Rossiters, who rule the roost in the 1960s. And

Julie Burchill

Fallen idols

David Hepworth is such a clever writer — not just clever in the things he writes, but in the way he has conducted his career. A decade older than me, he too started out at the New Musical Express; but he went on to take Smash Hits to glory as editor, to launch Just Seventeen, Empire, Mojo and Heat, and remains the only person to have won both the PPA’s writer of the year and editor of the year awards. His previous book, Never a Dull Moment: 1971, The Year that Rock Exploded, was a great critical and commercial success. And to show how adept he is, he has now

Michael Beloff

No ordinary judge

Justice McCardie was anything but a conventional High Court judge. He left school at 15 and was called to the bar at 25. After ten years of provincial practice he turned down the offer from Joseph Chamberlain of a safe Conservative seat, although politics was then the conventional highway to the bench (unlike now when it is a cul de sac). He also rejected an offer of silk, after withdrawing an earlier application which he thought the lord chancellor had been too slow to consider, and was, on the initiative of H.H. Asquith, the then liberal prime minister, appointed to the bench at 47 — the youngest of his generation

Victor Sebestyen

A brave new world – at gunpoint

Of the many books published this year to mark the centenary of the Russian revolution, this is perhaps the most curious. China Miéville is best known as an imaginative and entertaining writer of ‘weird’ (his word) science fiction and magic realism. October is a narrative history of the two 1917 revolutions in Russia, written from an ultra-left perspective — with a novelist’s eye for a good story and colourful characters. So it’s an examination of why the communist experiment failed miserably — at the cost of much blood — that is also wonderfully well written: smart, witty and full of fresh insight. But it can also read like an A-level

Ysenda Maxtone Graham

Not-so-sweet 16

I like novelists who don’t try to do everything in their novels, but just to do something well. This is what Francesca Segal achieves in The Awkward Age, published four years after her book, The Innocents, won the Costa First Novel Award. She takes six characters — widowed, middle-aged Julia, her teenage daughter Gwen, her grandparents-in-law Philip and Iris, her new American boyfriend James, and James’s teenage son Nathan — and plonks them in sturdy houses in Hampstead, sets the clock, and lets the story play out. Gwen and Nathan are now forced to share a dwelling. Like a good piece of Bach, what unfolds has an inevitability to it but

Andrew Taylor

Escapism for boys

Jack Higgins’s writing routine was said to start with dinner at his favourite Italian restaurant in Jersey, followed by writing through the night until dawn, when he rounded off the working day with a glass of champagne and bacon and eggs. With his estimated lifetime sales of 250 million copies, his routine seemed to work. Len Deighton, on the other hand, takes a more austere view of his craft, arguing that the biggest dangers for a writer are alcohol and praise. He has a weakness for writers’ gadgets, though — in 1968, he leased an IBM Magnetic Tape Selectric Typewriter weighing 200lbs. The front window of his house had be

Justin Marozzi

Gold and dust

Timbuktu. Can any other three syllables evoke such a thrill? For travellers, explorers and historians of Africa, the ancient desert city, one-time fabulously rich centre of the Saharan caravan trade and bookish haven for bibliophiles, is one of the great destinations — a place that manages to out-Mecca Mecca in its remote attraction. Leave aside the less romantic truth that the city’s a bit of a dump these days and don’t spoil the fun. The legend lives on. And that’s the point really. There are two Timbuktus, as Charlie English explains at the outset of this excellent book. There’s the real city, a scraggy outpost in northern Mali and, if

John Gimlette

The city of ugly love

Cuba’s gorgeous, crumbling capital has always been a testing ground for writers. That heady combination of revolution, cocktails, sex and unpainted mansions seems somehow to set literary pulses racing. Trollope, Hemingway and Graham Greene all described it with verve, but there’s also plenty of dross. The city certainly charmed me, and, a few years ago, I thought I’d add to the pulp with my own contribution. I started courting London’s Cubans, and even had the ambassador to lunch. But despite some intriguing gossip (e.g. that Che Guevara was no fun at parties, and utterly deadpan), I abandoned the whole idea. It seemed to me that Havana was about to change

Thursday

11 May 2017

Roger Garside

A great awakening

One afternoon in August 1978, Geoffrey Howe and Leon Brittan were flying from Beijing to Shanghai. They were on the last leg of what was for both of them the first of many official visits to China. Soon they would be ministers in Margaret Thatcher’s first government, but at the time they were still in opposition. As first secretary in the British embassy, I was accompanying them, and I told them that I had heard on the grapevine that Holy Trinity’s Anglican cathedral in Shanghai was in the process of being reopened after 12 years in which every place of worship in China had been closed, and every faith persecuted.

Sam Leith

Books Podcast: The lost stories of F. Scott Fitzgerald

Following the publication of a new collection of the lost short stories of F Scott Fitzgerald (I’d Die For You and Other Lost Stories, Scribner UK, £16.99), I’m joined by two eminent Fitzgerald scholars to talk about the life, legacy and lasting greatness of the laureate of the Jazz Age. In this week’s podcast Anne Margaret Daniel (who edited the new volume) and Sarah Churchwell (author of Careless People: Murder, Mayhem and the Invention of the Great Gatsby) talk about how Fitzgerald was trapped by his own reputation, about how different his canon looked to contemporaries than it does to posterity, about the drink and despair that attended the second

Duncan Fallowell

The books the Nazis didn’t burn

For one who has, since boyhood, regarded the secondhand bookshop as a paradise of total immersion, it is quite shocking to discover Albatross, an unknown imprint from the English literary past. Before Albatross there was Tauchnitz, the Leipzig firm which for 100 years cornered the market in English language books outside the territories of the British Empire and the USA. One often comes across Tauchnitz and I have two of its editions: a Thomas de Quincey, with a stamp from a circulating library in Lausanne; and a Ruskin, with one from a British club in Portugal. I only keep them as curiosities, because normally I avoid Tauchnitz editions: cheap boards

Wynn Wheldon

Pets in the Blitz

War Horse, by way of book and play and film, has brought the role of horses in war into the public consciousness. Even before it, there was the erection of an Animals in War Memorial on Park Lane, paid for by an impressive list of aristocrats under the leadership of commoner Jilly Cooper. But what of pets, or what Professor Hilda Kean prefers to call ‘companion animals’? Not long ago, in Paddington, I was walking my own dog when accosted by an incredibly old man who said that he had lost his dog during the war. ‘Oh,’ said I, with my eyebrows raised. ‘Yes, we lived on the Wirral peninsula,

James Mcnamara

Flee or die

Every nation has the right to control its borders, but we in the West are getting a bit too comfortable dehumanising other humans for failing to fill out forms in triplicate before fleeing the carpet-bombing of their cities. In recent months, Theresa May has rejected Calais’s child refugees; Donald Trump has seemingly tried (unsuccessfully, twice) to ban Muslims; and Australia has gone full ‘Dickensian judge’ and chucked its refugees on a prison island. So at a time when expressing the hope that refugee kids don’t starve to death in camps marks one out as a ‘luvvie snowflake’, it’s good to have a writer grab us by the lapels and shout:

Michael Bywater

Deeply mysterious

The human urge for personal hygiene has had many improbable side-effects, and I can confidently assert that through the ages, sponge-divers have punched consistently above their weight. Bronze-age tools, 10th-century Islamic glassware, a Byzantine ship whose plunge to the bottom was cushioned by the fourth-century Roman wreck it alighted upon, anchors, amphorae, sculpture: if it’s down there, they’ll bring it up. And so, around Easter 1900, there they were, waiting out the bad weather in the shelter of Potamós on Antikythera, a small island northwest of Crete. They decided to use their time profitably, took an exploratory plunge, and one of them, Ilias Lykopantis, discovered a life-size bronze arm, subsequently

William Dalrymple

Ripping yarns

In the 1860s, when British visitors first began to explore the high altitude pleasures of Kashmir, it was not just the beauties of the valley and the cool, pellucid waters of the Dal Lake which took their breath away. Living there was a legendary relic of an earlier age, who quickly became an object of pilgrimage for the curious sahibs puffing away at their cheroots on the sundecks of the houseboats. Alexander Gardner was, in the words of his latest biographer, John Keay, ‘a beturbaned colonel of uncertain nationality with a chequered past and a hole in the throat’. This throat wound was a dramatic souvenir of his days as

Nicholas Lezard

Signs and spellsnich

On 25 February 1980, Roland Barthes, the great French intellectual, was run over by a laundry van in Paris. He died from his injuries a month later. This book — Laurent Binet’s second novel — proposes that it was not an accident; that Barthes had just come from lunch with the Socialist candidate for the forthcoming French presidential elections, François Mitterrand, and that he was in possession of an extremely important document, one which gave detailed instructions on the seventh function of language. Of course, you all know that, as defined by Roman Jakobson, there are only six functions of language (among them the Performative — ‘I now pronounce you