Answers to ‘Spot the British Author’
1. Kingsley Amis 2. Beatrix Potter 3. Graham Greene 4. Salman Rushdie 5. Nick Hornby 6. Arthur Conan Doyle 7. Louis de Bernières 8. Doris Lessing 9. Sebastian Faulks 10. Virginia Woolf
Our reviews of the latest in literature
1. Kingsley Amis 2. Beatrix Potter 3. Graham Greene 4. Salman Rushdie 5. Nick Hornby 6. Arthur Conan Doyle 7. Louis de Bernières 8. Doris Lessing 9. Sebastian Faulks 10. Virginia Woolf
In these books, two handsome and popular telly adventurers consider, from viewpoints that are sometimes overly autobiographical, the culture of internal combustion in two of its most distinctive forms. Ben Fogle is obsessed by Land Rovers while Richard Hammond is fascinated by motorbikes. Fogle came to notice in 2000 when he survived a harrowing year in front of the cameras on Taransay for the reality show Castaway. Here he says he found a rusting Series II Land Rover. This is odd because their bodies are made of aluminium, which corrodes in a different way. Hammond, the cute pixie of the Top Gear trio, made his own career move when, again
Forgotten? Though I can rarely attend their dinners (in Birmingham), I am a proud member of the Buckland Club (motto: Semper in ventrem aliquid novi). Dedicated to the memory and gastronomic exploits of Francis Trevelyan (Frank) Buckland (1826–1880), the Oxford-born surgeon, natural historian and popular writer who aspired to eat a member of every living animal species, the Club’s repasts are unfailingly interesting, if seldom so ambitious. Frank’s penchant for zoöphagy came from his father, William (1784–1856), a Canon and Dean of Christ Church, where he served up delicacies such as mice on toast, pickled horse tongue, puppies, hedgehog, crocodile and bear. The travel writer Augustus Hare is the source
If you’ve ever read a history of the early days of the Foundling Hospital, you’ll remember the shock: expecting to enjoy a heartwarming tale of 18th-century babies being rescued from destitution and brought to live in a lovely safe place, you will have found instead that the tale was mostly about babies dying after they arrived. So it is with this fascinating book about the early days of London Zoo. Expecting to read about lions, tigers and monkeys in all their boisterous aliveness, you wade instead into disturbing descriptions of the illnesses they suffered and their pitiful early deaths. Disembarked from long voyages in the late 1820s, the poor bewildered
All readers know that good novels draw us into other worlds. I cannot think of another, however, which so alarmed me as this one, just as events alarmed and frightened its central character. She is Okatsu, a young woman from the samurai Satsuma Clan in mid-19th-century Japan. The country has been ruled by the shogunate, a military caste, since the early 17th century; the emperors were remote figures until their restoration to power in 1868. China is already under attack and exploitation by Britain and the US, and many Japanese fear they may be next. Some urge driving the foreigners off, while others — realists — insist that treaties must
Here are two approachable and distinctive books on our churches, great and small. Simon Jenkins’s cathedrals survey follows his earlier volumes on England’s best churches and houses, and like them includes fine photography by the late Paul Barker of Country Life. Too hefty to serve as a guide book, it can be consulted as a reference work, or read with pleasure for its vivid and well-informed descriptions. Jenkins’s parish churches book was a publishing hit in 1999 — partly, one suspects, because it stimulated parochial rivalries with its five-star rating system. The cathedrals are ranked too. At the top are the author’s personal favourites, the ‘three graces’ of Ely, Lincoln
In August 1939, Clare Hollingworth, a 28-year-old aid-worker, had been employed as a reporter for less than a week by the Daily Telegraph when she landed her first serious journalistic coup. Using feminine wiles and diplomatic skills extraordinaire, she convinced a friend in the Foreign Office to lend her his chauffeured car. Stocking up with supplies in soon to be starving Poland, and charming the border guards, she crossed into Germany with nothing but her gut instinct and her smarts — the most important of a reporter’s tools (together with ‘ratlike cunning, a plausible manner and a little literary ability’, in the words of the late Nicholas Tomalin). She didn’t
Cometh the hour, cometh the book, and so Christmas brings us once again a tidal wave of titles relating to food and drink: cookbooks of seasonal dishes from around the world, never once to be consulted, and endless tomes of wine connoisseurship for all of us dedicated cheapskate consumers of Lidl and Aldi plonk. So the question is: are Thomas Tylston Greg’s Through a Glass Darkly and Henry Jeffreys’s Empire of Booze destined to last any longer than your turkey carcass and your festive case of supermarket Prosecco? Both books are undoubtedly charming. Through a Glass Darkly is one of those books in the London Library’s ‘Found on the Shelves’
Here is William Diaper in 1722, translating Oppian’s Halieuticks (a Greek epic poem on the loves of the fishes): As when soft Snows, brought down by Western Gales, Silent descend and spread on all the Vales . . . Nature bears all one Face, looks coldly bright, And mourns her lost Variety in White. Unlike themselves the Objects glare around, And with false Rays the dazzled Sight confound. Lost variety is the nub: before it is anything else, snow is Nature’s alienation-effect, making all things look the same and ‘unlike themselves’ — even while we watch, or else behind our backs, noiselessly. But snow also carries contrary meanings: an image
Imagine receiving an anonymous suicide note addressed to you by mistake. Would you try to find that person, to help them in some way? This is the opening dilemma in Bernard Minier’s Don’t Turn Out the Lights (Mulholland Books, £14.99), and Christine Steinmeyer’s failure to locate the letter’s sender turns her life in Toulouse upside down. Her dog disappears, she’s accused of harassment at work and her fiancé walks out on her. She believes that someone — some unknown person — is to blame for her misfortunes; but are the threats real, or is Christine losing her mind? This is a super-accelerated version of a Hitchcock thriller, with thrills and
Legends cling to Bram Stoker’s life. One interesting cluster centres on his wife, Florence. She was judged, in her high years, a supreme London beauty. She preserved her Dresden perfection by denying her husband conjugal access. Bram consoled himself with warmer but more dangerous ladies of the night; such satisfactions came at greater cost than a few sovereigns. According to David J. Skal, a quarter of men of Stoker’s bohemian class (including all of those central to his book) were infected with syphilis. And Bram? Skal thinks so too. Florence Balcombe, when a young Dublin beauty, was courted by Oscar Wilde as well as Bram. Oscar she was not inclined
A woman birthing bloated speckled eggs from her supernaturally swollen womb. Sushi screaming and squirming. A skull-shaped sweet, bearing the message, ‘I was you.’ Doubting yourself. Knowing you don’t love your girlfriend. Waking beside someone beautiful and new, only to notice a filigree of knife-scars etched across her breasts. If, sensitive reader, these ingredients make you inclined to do a runner (your finger already hooked around the next, less distressing page), then go right ahead. Because Charles Burns’s Last Look (illustrated above) clearly isn’t your kind of book. But if you’re in two or three minds about this, then please hesitate, because I’m not 100 per cent sure, but I
Cousins is a curious novel. If I’d been a publisher’s reader, I’d have consigned it to the rejection pile after reading the first quarter. It seems to be a dreary saga about three generations of the Tye family. The background is of an intellectual, comfortably off, left-wing family from a milieu in which Polly Toynbee would be happy. Grandpa was a Cambridge-educated conscientious objector during the second world war. The characters fail to interest. It all seems to have been said before. Then suddenly the plot develops and the narrative pace accelerates. Perseverance is rewarded. Mysteries unfold, complex moral issues are explored, some left hanging for the reader to decide
When I was 22 I met a man called Yisrayl Hawkins who said his coming had been prophesied in the Book of Isaiah. Yisrayl (born Bill) lived with his many disciples and several wives in a compound carved out of the red dirt scrub near Abilene, Texas. His cult was called the House of Yahweh, and as a sign of their commitment, his 400 followers had all changed their names to Hawkins. Yisrayl was a narcissist, as most cult leaders are, and this made him tremendously boring. As he droned on about being chosen, and his conviction that Satan was in fact female, I watched the ferrety little Hawkins children
When I was a child, the highlight of the summer holidays was when my cousin Simon came to stay. We shared a common obsession: aliens. Day after fruitless day, we would scan the skies, looking for UFOs. At night, long after we were supposed to have gone to sleep, we would get out our torches and pore over books on extraterrestrial life. These ranged from the sternly scientific — tomes on astronomy or space flight — to paperbacks with altogether more lurid copy. One in particular, filled with vivid images of flying saucers and Area 51, was a focus of our almost superstitious fascination. This was because it contained a
D.J. Taylor’s clever dissection of snobs is really two books in one. Scattered throughout are entertaining, delicious (initially), solemnly related nuggets of hardcore snobbery. He writes brilliantly, for example, about the diarist and National Trust employee James Lees-Milne, who liked a world that knew its place (ideally beneath him). Lees-Milne was steeped so far in snobbery that he couldn’t bear the vulgarity of calling a garage a garage and so called his the ‘motor-house’. Either the absurdity of this makes you snort with laughter or it doesn’t. It does me, though I have to say the cumulative effect of a zillion snobberies is nauseating. You find yourself thinking, ‘My God,
Two of my most memorable books of the year were by two of the most brilliant writers of our day, and were both, to my simple mind, of opaque allure. Colin Thubron’s novel Night of Fire (Faber, £16.99) evokes the emotions of seven tenants, plus their landlord, when their apartment house is burnt down, and fascinatingly jumbles them all into a mystique contemplation of something or other. Geoff Dyer’s White Sands (Canongate, £16.99) is subtitled ‘Experiences from the Outside World’ and is a virtuoso display of his particular kind of travel writing, sometimes fact, sometimes fiction. I was only half convinced by it all, but quite bowled over by the
Michael Denton’s Evolution: Still a Theory in Crisis (Discovery Institute Press, £16.80). A sequel to his 1985 book — Evolution: A Theory in Crisis — this takes us up to date with the dazzling developments of life sciences over the past 30 years. Denton is a sceptic about Darwin’s theory of evolution on purely scientific grounds. It is hard to see how anyone reading his book could not be persuaded. Palaeontology provides abundant evidence of evolution within species, but none of one species morphing into another. Denton is fascinatingly clear in his exposition of the science of genetics, and how it destroys the Darwinian position. A truly great book. The
In the year of Roald Dahl’s centenary, this week’s Spectator Books Podcast considers a sacred cow. Lucy Mangan, author of Inside Charlie’s Chocolate Factory, drapes garlands of flowers; while the critic James McConnachie readies the captive bolt gun… You can listen here: And if you enjoyed this week’s episode please subscribe on iTunes!
‘Memory is a creature that is alive… nobody has simple relations with memory,’ Svetlana Alexievich told the Cambridge literary festival earlier this year. She was speaking through a translator about Second-Hand Time, first published in English in 2016 (Fitzcarraldo Editions, £14.99) and her earlier books including Chernobyl Prayer and War’s Unwomanly Face. Alexievich claims that she does not conduct interviews, only conversations, and that the stories she collects — about the collapse of communism, the suffering of those with radiation poisoning, and the experiences of women during the second world war — involve giving something of herself. Her books are repositories for voices that would otherwise be lost. Lest anyone