Book Reviews

Our reviews of the latest in literature

Pandora’s box

While I’ve read plenty of books worse than Television: A Biography, I can’t immediately think of any that were more disappointing. After all, here’s David Thomson — a film critic about whom it’s hard not to use the word ‘doyen’ — looking back on more than 60 years of TV viewing for what should be a magisterial summation of the whole medium. Yet, although some of his analyses of individual shows are as sharp as ever, the overall result is often contradictory, occasionally incomprehensible and at times plain weird. At first, it seems as if the main problem will merely be the traditional snootiness of the intellectual movie buff towards

Atlas shrugs

In his Forward Prize-winning collection of 2014, A Cartographer Tries to Map a Way to Zion, Kei Miller’s hero describes his craft thus: ‘My job is to imagine the widening/ of the unfamiliar and also/ the widening ache of it;/ to anticipate the ironic/ question: how did we find/ ourselves here.’ This bringing of the unfamiliar into scope looms large in three new collections of cartographic curiosities which tell us about places that never were, places we’ve never been and places we will never go to. Edward Brooke-Hitching’s beautifully illustrated The Phantom Atlas presents the stories of over 50 locations that unwarrantedly found their way on to maps. In many

Sam Leith

Books podcast: The Detection Club

Nothing like a spot of murder as the evenings draw in. In this week’s podcast I talk to the crime writers Andrew Taylor and Simon Brett about the enduring appeal of the detective story — and why they are becoming harder and harder to write in the age of DNA profiling and forensic science. We talk, too, about golden age crime-writing, the Detection Club, and The Sinking Admiral — a witty new version of a literary game of consequences first played by Agatha Christie, Dorothy Sayers and G K Chesterton back in 1931. You can listen here: And if you enjoyed that, please subscribe on iTunes for new episodes every

A choice of first novels | 17 November 2016

Constellation by Adrien Bosc (Serpent’s Tail, £12.99) picks nimbly along the divide between fiction and non-fiction. It’s really a speculative group biography, telling the story of a Air France plane crash in the Azores in 1949, and the lives of the plane’s passengers, mostly (except for a quintet of migrating Basque shepherds) of an appropriately stellar socio-economic stratum. It does a fair job of knitting the known into the unknown, hopping from seat to seat like a solicitous flight attendant, shifting pace and perspective, throwing some metaphorical flesh on to the bare bones of what remains an unsolved tragedy (astrology, Bergson’s theory of durée, even — somewhat improbably — a

Full steam ahead

To write, and indeed to read, a history of considerable range, both in terms of chronology and of subject matter, is a profound challenge. The fourth volume in Peter Ackroyd’s History of England starts with the Glorious Revolution of 1688 and ends with Waterloo in 1815. It was a period that laid the foundations of the modern British state and created the basis of its prosperity, and of its status as the world’s greatest power later in the 19th century. During the 130 years Ackroyd covers there were revolutions in attitudes too: though when he writes of the coarse humour of cartoonists such as Gillray, and the aggressive expressions of

Things fall apart | 17 November 2016

Ali Smith is that rare thing in Britain: a much-beloved experimental writer. Part of her attraction for readers is that she continually connects formal innovation and the freedom to reinvent a story with the freedom to reinvent the self. It’s a beguiling proposition that can make liberation seem like a matter of style. Following the success last year of How To Be Both, the most dazzling and accomplished of her novels, Smith planned to write a long-gestated novel quartet, its four volumes reflecting successive seasons — an idea that would allow her to pursue her fascination with what is perhaps the novel’s greatest subject: time. But the times overtook her,

Christmas stocking fillers

The gift books come in all shapes and sizes this year: big, little, tiny, huge, long, short, fat and thin, rather like their writers, I would guess. Biggest and fattest of them all is The Art of Aardman (Simon & Schuster, £16.99). This is a coffee-table book, pure and simple, that celebrates 40 years of animation at Aardman Studios, who make Wallace & Gromit, Shaun the Sheep and others, and I would suggest that you have known since the beginning of this sentence whether or not you want this book for Christmas. It’s everything you would wish for from such a volume, featuring stills from the films, drawings from the

A fateful squiggle on the map

When turbaned warriors from Daesh (or Isis) advanced on Raqqa in Syria two years ago, they whooped wildly about having ‘broken the Sykes-Picot Agreement’. They were celebrating athe destruction of national frontiers which had stood for nearly a century, since the fall of the Ottoman empire in 1918. They were also venting their spleen against the two villains (as they saw it) of the piece — one British, Sir Mark Sykes, and the other French, François Georges-Picot, who, after months of diplomatic haggling, had drawn metaphorical lines in the desert sand to reach their secret 1916 agreement apportioning Ottoman lands and creating the modern Middle East. In doing so, Sykes

Up where the air is clear

Robert Twigger’s father was born in a Himalayan hill resort and carried to school in a sedan chair. His son, born in 1965 and long fascinated by the region, has produced a social and cultural history of the mountains. It is a hybrid volume — and why not? Twigger leaves no mountain path untouched in his bookish reportage. Topics covered in this long book include crustal formation and destruction, the pre-Buddhist Bon religion (even today 10 per cent of Tibetans are Bon-worshippers), shamans, yeti, Colonel Francis Younghusband (‘the first mountaineer’), altitude sickness (which fascinates Twigger), the 19th-century exploration of Nain Singh, that bloody annoying Madame Blavatsky and much else. Chapter

In life divided

The ten pallbearers at Thomas Hardy’s funeral in Westminster Abbey on 16 January 1928 included Kipling, Barrie, Housman, Gosse, Galsworthy, Shaw and both the prime minister and leader of the oppposition. This distinguished gathering was not strictly necessary for the job at hand, because Hardy’s coffin merely contained his ashes — all that there was room for in Poets’ Corner. At exactly the same time in Dorset, at a smaller funeral, a casket containing Hardy’s unincinerated heart was being borne to its final resting place alongside his parents and his first wife in the churchyard at Stinsford. As Mark Ford observes, this macabre compromise between the nation’s and the author’s

Books of the year | 17 November 2016

Michela Wrong Back in 2006, David Cornwell, aka John le Carré, hired me as guide for his first trip to the Democratic Republic of Congo (DRC), to research The Mission Song. Evenings were spent on the terrace of the Orchids Hotel in Bukavu, watching pirogues languidly traverse Lake Kivu, ice cubes clinking in respective glasses of Scotch. It was easily the most entertaining ten days of my life, despite the stonking hangovers. Cornwell proved to be a thespian manqué. The wry, extremely funny anecdotes about his career as diplomat, spy and writer, his charming conman father, his peripatetic childhood and his encounters with the likes of Yasser Arafat, Richard Burton

Obituary: Eric Christiansen

Over the past year, we have lost two names cherished by Spectator readers. Rodney Milnes, our opera critic for 20 years before he moved to the Times, as well as editing the monthly magazine Opera, died last December, and Eric Christiansen, the Oxford medieval historian, who was a regular book reviewer here for many years, followed on the last day of October. They both died at 79, both of cancer. Their upbringing and education were similar — Rugby and Christ Church for Milnes, Charterhouse and New College for Christiansen.From the last peacetime ‘call-up’ generation, both served unenthusiastically and unheroically in the army. They were both old and dear friends of

Sam Leith

Books podcast: The biographer’s tale

In this week’s Spectator books podcast, it’s the Biographer’s Tale. I‘m joined by the doyen of romantic biographers Richard Holmes, and our regular reviewer Frances Wilson — author of the hugely acclaimed new Life of Thomas de Quincey, Guilty Thing. Jumping off from Richard’s new book This Long Pursuit: Reflections of a Romantic Biographer, we talk about where life-writing fits into the literary world. How do you go about it: with Richard’s “footsteps” approach, as much biographer as travel-writer; or with Frances’s deep dive in the library? Do you need to love your subjects, and what if you grow to hate them? And why is it that, however accomplished they

Figures in a landscape | 10 November 2016

Timothy Hyman’s remarkable new book makes the case for the relevance of figurative painting in the 20th century, a period effectively dominated by modernist abstraction. He identifies an alternative tradition of potent human-centred painting, coming out of Cubism and Expressionism and tracing its lineage through Chagall and Leger, the Italians Carlo Carra and Mario Sironi, the Germans Max Beckmann, Otto Dix and George Grosz, to Stanley Spencer, Edward Burra and William Roberts. Hyman claims many of the great independent artists for his argument — Balthus, Kirchner, Bonnard, Ensor — and registers them as resistance fighters in the war of influence and received opinion. He is not interested in traditionalist academic

Worse than Big Brother

The California novelist T.C. Boyle has often taken true stories and created alternative histories, from John Harvey Kellog and the birth of the breakfast cereal in The Road to Wellville to Alfred Kinsey and the creation of sexology in The Inner Circle. This might draw comparisons with James Ellroy, Boyle’s exact contemporary, except that where Ellroy aims at the very darkest version of a tabloid reality, Boyle takes a New Age perspective conveyed though whimsy and surrealism. Ellroy, of course, was born in California while Boyle chose to live there. He is a native of the culture rather than the territory. This is a problem in The Terranauts, where the

Weird and wonderful

The Un-Discovered Islands could not be more different in substance — though it is similar in style — to Malachy Tallack’s debut, Sixty Degrees North. In that he book he took a revealing pilgrimage around the places which lay, like his home of Shetland, on the 60th parallel, and found a range of concerns about ecology, land ownership, both solitude and community, and what it means to be considered peripheral. This book is an account of 24 non-existent islands, yet is suffused with the same elegiac frostiness as before. Tallack’s style is precise without being perjink, and the overwhelming feeling is of something lost, or disappearing. It’s just this time,

Between pony club and the altar

If you were to take a large dragnet and scoop up all the shoppers in the haberdashery department of Peter Jones in Sloane Square, your catch would be a group of women of the kind given voice in this marvellous little book. Readers old enough to remember Joyce Grenfell will know the type. Ysenda Maxtone Graham characterises them as people who sleep with the window open in all weather; who know how to cast on and off in knitting; are thrilled by the arrival of a parcel, even if it’s just some Hoover bags bought on Amazon. They haven’t done up their kitchens since the early 1970s and they always

Soldiers of the Queen

It’s not immediately obvious, but the silhouette on the dust jacket — soldiers advancing in single file, on foot (‘boots on the ground’) isn’t one squad, but five soldiers from different campaigns. From left to right, first comes the British infantryman of the second world war; next is a ‘jock’ from (I think) the Korean war; then a jungle fighter from the Malayan Emergency or the Borneo ‘Confrontation’; then, unmistakably, the long-suffering foot soldier of Operation Banner, the 38-year counter-insurgency (or police action, no one ever quite knew which) in Northern Ireland; and finally, the technology-festooned warrior of Iraq and Afghanistan. Each is a little more erect, a little taller,