Book Reviews

Our reviews of the latest in literature

Monday

Sam Leith Sam Leith

Books podcast: What’s the point of the Man Booker Prize?

In this week’s Spectator Books podcast, we’re talking about tomorrow night’s big announcement: the 2016 Man Booker Prize. This year’s prize — like every year’s, it seems — has caused controversy. What is the prize for? Is it good for the literary culture? And how does the shortlist stand up? Paul Beatty (US) – The Sellout (Oneworld) Deborah Levy (UK) – Hot Milk (Hamish Hamilton) Graeme Macrae Burnet (UK) – His Bloody Project (Contraband) Ottessa Moshfegh (US) – Eileen (Jonathan Cape) David Szalay (Canada-UK) – All That Man Is (Jonathan Cape) Madeleine Thien (Canada) – Do Not Say We Have Nothing (Granta Books) I’m joined by our chief critic Philip

Thursday

Meryle Secrest

Special K | 20 October 2016

Our collective attention spans may not be as short as is widely cited, but they are pretty short. Take the case of the art historian Kenneth Clark. If anyone remembers anything about him, it is as the presenter of Civilisation, a TV series of the 1960s that rocketed him to stardom, and the author of the accompanying book, which sold over a million copies. He died in 1983 when he was a mythical figure, and any attempt to show his human dimensions was anathema, as I discovered to my cost. My own biography of Clark was published a year later. Nowadays, one can hardly get anyone to take him seriously.

John Burnside

A matter of life and death | 20 October 2016

Shades of The Master and Margarita haunt Rabih Alameddine’s sixth book, in which Jacob, a Yemeni-born poet with a day job in IT, battles with drugs, insanity, visions of the Devil and a variety of Christian saints while trying to come to terms with the fallout from the Aids crisis. As that crisis wore on, ignored by the powers-that-be, Jacob’s lover and all of his closest friends died, leaving him with an apartment full of ashes and an eye-watering variety of instructions for their disposal. Yet, while echoes of Bulgakov’s masterpiece inform The Angel of History from first to last (there is even a cat named Behemoth), Alameddine has created

Jane Ridley

In the company of queens

Steven Runciman, the historian of Byzantium, is a puzzling figure. He was an outrageous snob, once remarking that he would have enjoyed being the widower of a Spanish duchess, which would have made him a dowager duke in Castile. He particularly relished the company of queens (of the female variety), and he took the Queen Mother out to lunch once a year at the Athenaeum. But as Minoo Dinshaw shows in this richly original life, the snobbery was a subtle pose. Runciman was a tease who liked to play games with people, and he made a career out of being enigmatic. His family were wealthy shipbuilders in Northumberland. His parents

Rose Prince

Apples for our eyes

Apple Day, on 21 October, is a newish festival, created in 1990, by the venerable organisation, Common Ground. Intended to be a celebration of the apple, its purpose is also to raise awareness of the importance of apples in landscape, ecology and culture. All over the country there will be many revels where you can taste apple varieties, jellies, chutneys and drinks; try apple-bobbing, take apples from your own garden for identification by experts, buy apple trees and all sorts. These are charming festivities, much better behaved than the ancient cider-makers’ ritual, wassailing. I have never taken part in the wassail, but from a description in Pete Brown’s The Apple

Tim Stanley

The passionate patriot

To anyone complaining that American politics in 2016 is uncivil, consider this: in 1804, the vice president of the United States shot the former Secretary of the Treasury in a duel. Alexander Hamilton, the retired secretary, probably fired first and aimed into a tree, to show he meant no harm. Vice president Aaron Burr, however, shot Hamilton in the abdomen and left him to die. He went home and had breakfast with a cousin, and failed to mention how he’d spent his morning. A few weeks later, Burr was back at his job, chairing the Senate. President Jefferson, who hated Hamilton, invited him to dinner. Trump calling Clinton a crook

Andrew McKie

Time is of the essence | 20 October 2016

Christopher Priest, now 73, has been quietly turning out oddly mesmerising fiction for nearly half a century but, like the protagonists of his 2005 novel The Glamour, somehow has the knack of never quite being noticed. It is true that he has devoted admirers; he has won awards; he was on Granta’s original list of best young novelists — scraping in on age, not quality — and Christopher Nolan filmed, cleverly, his even cleverer novel The Prestige (1995), which was about Victorian illusionists and duplicity. But though that book won both the ‘literary’ James Tait Black and the ‘genre’ World Fantasy Award, his work is not nearly as widely known

Helen R Brown

A bit player in the great drama

There’s a glorious scene in Astrid Lindgren’s first Pippi Longstocking book in which her fearless, freckled heroine strides to the centre of a circus ring and briskly lays out the World’s Strongest Man. Like most of the adults who expect to control her, he quickly learns that his inflated size, age and title are no match for the child’s bold pin-wielding attitude. As a little fan myself in the early 1980s I probably giggled as the strongman toppled. But reading it to my own children this summer I also felt a deep lurch of sadness. The strongman’s name was Adolf, and the book (published in 1945) was written as an

Graham Robb

Intoxicated with ink

One of the charms and shortcomings of biography is that it makes perfectly normal situations sound extraordinary. According to Michel Winock, Gustave Flaubert (1821–80), the author of Madame Bovary and L’Éducation sentimentale, contracted ‘an early and profound aversion to mankind’. To Gustave the schoolboy, man was nothing but a coagulation of ‘mud and shit… equipped with instincts lower than those of the pig or the crab-louse’. This might have been the influence of his freethinking father, an eminent Rouen surgeon, but perhaps it was just the spirit of the age. The Napoleonic adventure was over; the sun of Romanticism had set. As Winock reminds us, quoting Alfred de Musset’s Confession

Monday

Sam Leith Sam Leith

Books podcast: Hisham Matar’s The Return

In the latest Spectator Books podcast, I talk to Hisham Matar — newly shortlisted for the UK’s most prestigious non-fiction prize, the Baillie Gifford — about his new book The Return: Fathers, Sons and the Land In Between. When Hisham was 19, his Libyan dissident father was abducted from exile by the Gadaffi regime and disappeared into Tripoli’s most notorious jail. The writer spent 20 years not knowing what had really happened. He talks here about his long struggle to find out, and his first trip back after the regime had fallen…. You can listen to our conversation here: and please subscribe on iTunes to get our weekly episodes.

Friday

Guy Dammann

The Nobel Prize for literature, at long last, has been awarded to a complete idiot

Bob Dylan has won the Nobel Prize for literature. And quite right too. But many people seem discomfited by the news, as if the award might represent a token gesture by the Swedish Academy. It doesn’t. The award is serious and we should take it seriously. The protests seem to fall into two camps. The first camp argues that Dylan is a musician, not a poet, and that therefore the award, while being made to a great artist, is a category mistake. The second camp grants that Dylan can be considered a poet, but that his poetry does not merit being ranked alongside that of Yeats, Eliot, Pasternak, Brodsky, Tranströmer

Thursday

Caroline Moore

A study in alienation

Looking for the Outsider is the biography of a novel, from conception through publication to critical reception. Alice Kaplan’s life-story of L’Étranger (The Outsider in English translations, The Stranger in American) is a lovely work, lucid and thought-provoking. It makes one feel afresh the sheer strangeness of Albert Camus’s imagination. All genius is, perhaps, freakish; but Camus’s sprang from peculiarly unpromising soil. He was born in a white working-class area of Algiers. His father was killed in the battle of the Marne before he was one. His mother was deaf and illiterate, with a vocabulary of about 400 words; she worked as a cleaner. His uncle was also deaf and

William Waldegrave

Courting the Iron Lady

This is a strange book. Peter Stothard, the editor of the TLS, is packing up his office. It is a year after Margaret Thatcher’s death, and Murdoch’s Wapping site is being destroyed to make way for new, expensive flats. As the national memory of Thatcher fades, and transmutes into myth and caricature, so the physical scene of one of the seminal battles of her time, where the old print unions and their rackets were destroyed, crumbles into dust. Into his room comes Miss R, a young and mysterious historian, to interview him for her thesis about Thatcher’s courtiers. The effect is dreamlike: partly a sort of Cherry Orchard, with Stothard

David Patrikarakos David Patrikarakos

A parable of good and evil

It is difficult to write well about slavery. As with the Holocaust, the subject’s horrific nature lends itself too easily to mawkishness. This tendency is one that Colson White-head consummately avoids in this impressive novel. The Underground Railroad, set before the American civil war, tells the story of Cora, a young slave on a cotton plantation in Georgia, and her escape with a fellow slave, Caesar, via the Underground Railroad, a secret network of routes and activists that enabled slaves to reach the free states of America’s north. It tells it beautifully. The book mixes genres to sublime effect: a straight parable of good versus evil that sees Ridgeway the

David Crane

England’s unloved king

Aethelred the Unready (c.968—1016) has not, as Levi Roach acknowledges, enjoyed a good press. In recent times there may have been some attempt in academic circles to take a more measured view of his calamitous reign, but the fact remains that if most us would have trouble saying quite what he did or did not do, or even what ‘unraed’ actually means, we all know how it ended. ‘And that is called paying the Dane-geld;’ wrote Kipling, But we’ve proved it again and again, That if once you have paid him the Dane-geld You never get rid of the Dane. On the face of it the revisionists have an uphill

William Leith

His and her healthcare

When I started this book, I have to admit, I did not think it would be as absolutely fascinating as it turned out to be. It’s by a professor of obstetrics and gynaecology, and it’s about the medical differences between men and women. There are lots of medical differences between men and women — something doctors in general should bear in mind during treatment. But they don’t, says Dr Glezerman — or, at least, not enough. This is all in the realm of the fairly interesting. Men and women are hormonally different from each other, they store fat differently, their brains are not quite the same, they respond to heat

James Walton

Too good to be true

The McNulty family in the novels of Sebastian Barry have a definite claim to be one of the unluckiest in all fiction. After serving with the Brits in the first world war, the main character in The Where-abouts of Eneas McNulty is branded a traitor to Ireland, and spends the rest of his days in bleak and terrified exile. In The Secret Scripture, his sister-in-law Roseanne is locked up for life in a Sligo mental asylum for having an illegitimate baby (that’s taken from her). In The Temporary Gentleman, Eneas’s brother Jack is an ageing alcoholic reflecting on the failure of virtually everything he’s ever done. On the plus side, mind

Nicky Haslam

He blew his mind out in a car

There was a touch of Raymond Radiguet, the young literary sensation of 1920s Paris, about Tara Browne. In life poetically beautiful, poetry-imbued, tender and trusting, deliciously precocious and eerily presumptive, androgenous in looks but not desires, Tara died —‘without knowing it’, as Cocteau said of Radiguet — tragically, but given his penchant for very fast cars, unsurprisingly young. And, like Radiguet, having touched the lives of those who knew him with a kind of iridescence that remained with them more than half a century later. This lengthy biography, which, given its subject’s foreshortened life is necessarily somewhat repetitive, has gathered their still-vivid recollections, and if it reads more as a

Alastair Smart

Paintbrushes at the ready

When the old curmudgeon Edgar Degas died in 1917, a stunning trove of works by Edouard Manet — eight paintings, 14 drawings and 60 prints — was discovered in his studio. There, too, was a portrait of Manet and his wife Suzanne, painted by Degas 50 years earlier. But its right-hand third was missing — which included half of Suzanne’s body and all of the piano she was playing. For some reason, Manet had put a knife through the canvas and sent Degas packing with what remained. The duo’s relationship is one of four ‘friendly rivalries’ considered by the Boston Globe art critic, Sebastian Smee, in his new book (Matisse

Juliet Nicolson

The world in limbo

In 1919 the economist and sometime prophet John Maynard Keynes left the glittering ballroom of Versailles feeling profoundly despondent. The treaty that determined the political geography of a postwar world inspired in him a fearful sense of inevitability. The punitive conditions imposed on Germany would be too harsh for the country to tolerate for long. One junior delegate in Paris observed: ‘There is not a single person among the younger people here who is not unhappy and disappointed with the terms.’ This was a world not only united by the devastating results of the Spanish ’flu epidemic, responsible for the deaths of five times as many as had lost their