Book Reviews

Our reviews of the latest in literature

Damian Thompson

Thetans under threat

At last! It has taken over two years, but a British publisher has summoned up the nerve to bring out Going Clear, an astonishing exposé of the Church of Scientology by Lawrence Wright of the New Yorker. Wright — who won the Pulitzer Prize for The Looming Tower, his investigation of 9/11 — is the journalistic equivalent of a virtuoso musician: he can race us through the most complicated narrative because he has done unimaginable amounts of homework. Wright conducted hundreds of interviews for Going Clear, then had a team of fact-checkers crawl over the text. Even so, none of our big publishing houses would touch it. This UK edition

Not so bird-brained after all

What is it about birds? They are the wild creatures we see most often, their doings and calls a daily reassurance that humans are not isolated in our sentience. They descend from the first reptiles, while we come from the first mammals. Across a gulf of evolution we contemplate a parallel life which has evolved exhilaratingly different answers to the same questions that existence asks of us. Cross-referencing allows us to address the fundamentals. Darwin and his finches revealed how we came to be. What else might birds teach us? Addressing questions because we can conceive them is the spirit of The Most Perfect Thing: Inside (and Outside) a Bird’s

Two gone girls

The plot of Hideo Yokoyama’s Six Four begins in 1989, with the murder of Shoko, a seven-year-old girl. Fourteen years later the perpetrator has yet to be apprehended, and the case is viewed as Tokyo’s police force’s most damning failure. The commissioner of police plans to visit the home of Shoko’s father to pay his condolences, and to insist that the murderer will be brought to justice. It’s an empty promise. The job of persuading the still grief-stricken father to allow the commissioner into his home lands on the desk of Yoshinobu Mikami, the force’s head of media relations. During this task Mikami comes across an anomaly in the old

When in Rome…

‘Now I am a mother and a married woman, but not long ago I led a life of crime,’ begins this really very short book (assisted here, in its lumpen-ness, by the ingenious placement of two or three blank pages in between each of its 16 very short chapters). But it is not something scratched together posthumously from Roberto Bolaño’s papers, or resurrected out of early-career obscurity (as valuable as those kinds of books, appearing in English in recent years, have also been). Written near the end of his life, this was the last of his books that Bolaño saw into print — it bears, in this free-standing form, however

Get thee to a notary

Given this year’s 400th anniversary of Shakespeare’s death, there was always going to be a slew of new publications; few, I suspect, will have as long-lasting an effect as John Kerrigan’s. His field of inquiry is both straightforward and complicated. It is almost retrospectively obvious that Shakespeare’s plays contain a great amount of vows, oaths, swearing both covenantual and vulgar, pledges, promises and imprecations. The same might be said for a great many playwrights’ works; but the depth of subtlety which Kerrigan finds in the handling of these specific rhetorical forms is compelling. It comprises broad historical context —this was an age in which oaths of allegiance were politically demanded

A mirror to the world

[audioplayer src=”http://feeds.soundcloud.com/stream/260046943-the-spectator-podcast-obamas-eu-intervention-the-pms.mp3″ title=”Lloyd Evans and Dr Daniel Swift discuss how Shakespeare died” startat=1008] Listen [/audioplayer]Who’s there? Shakespeare’s most famous play opens with this slightly hokey line, and the question remains for his countless audiences, biographers and scholars. Who was this man? What makes his works so apparently endless? Like the plays, his life is studded with riddles. Even the basic facts are slippery and over-determined. We do not, for example, know the date of Shakespeare’s birth. His baptism was recorded at Stratford on 26 April 1564, and since it was customary to baptise newborns quickly, it has been accepted that his birthday was 23 April. This is a nice coincidence:

The last word

Nicola Barker is both prodigiously talented and admirably fearless. I have loved her books. But for some time I had little or no idea what the point of the story of Sri Ramakrishna was. In fact he was one of the outstanding men of 19th-century India. Characteristically of Barker, the narrative of her latest book is interlaced with little jokes and haikus and sly references to contemporary language and manners. (There is even an excursion to the Camargue.) At first I found the whole enterprise repetitive and wilfully quixotic, but it is well worth persevering. Barker describes her book as ‘truly little more than the sum of its many parts’.

Fast and furious | 14 April 2016

Modern life is too fast. Everyone is always in a hurry; people skim-read and don’t take the time to eat properly; the art of conversation is dying; technology places too much stress on the human brain. This litany of familiar complaints comes, of course, from the late 19th century, as collected by the American writer and XKCD comic artist Randall Monroe in his arch cartoon ‘The Pace of Modern Life’. And here we are in the 21st, in another culture that both worships and deplores its ostensibly unprecedented speed. Today we have hookup apps and high-frequency trading, and ‘tl;dr’ (too long, didn’t read) is the all-purpose internet comment; but on

To be a pilgrim

In his friendly and beguiling voice, Jean-Christophe Rufin explains (in a way that reminded me of the pre-journey relish of Camilo José Cela’s Journey to the Alcarria) that, before setting off on foot for Santiago de Compostela, he went to a little shop in Paris and joined the Association of Friends of St James. I have sometimes toyed with the idea of starting an Association of Enemies of St James. I suspect that in his worse, or better, moods Rufin might join. It’s not St James who’s the problem but his friends. Look at the evidence. Rufin walks to Santiago, but chooses the northern route from San Sebastian along the

Trivial pursuits

Well, he’s back. Though you’d be forgiven for thinking he’d never been away. Fresh from delivering the Reith lectures, exhibitions nationwide, various television shows for Channel 4, countless broadsheet interviews, building his ‘dream house’ in Essex and much else besides, Grayson Perry is back. His latest offering is a book of sketches, selected from across his career. He began drawing as a boy in notebooks his grandmother gave him, filling them with images of racing cars and comic-book characters. It was at art school in Portsmouth in the early 1980s, however, that Perry began sketching in earnest, a practice he kept up when he subsequently moved to London, a lack

Trapped in hell

The mechanic, blinded in one eye by shrapnel, spent three days searching for his family in the destroyed buildings and broken streets of Darayya. Finally he found his father’s body in a farmhouse, alongside those of three boys, already starting to decay. ‘Can you tell me why they would kill an old man?’ he asked, before adding: ‘This is not my Syria. When I see the sorrow that happens in our towns, all I think is — this is not my Syria.’ Yet it is. Indeed, one mystery of the darkness that has descended on Syria is that so many gut-wrenching depravities could befall a place of such bewitching beauty,

Nine angst-ridden men

‘Insufficiency’ is a favourite David Szalay word. The narrator of his previous novel, Spring, suffered from ‘insufficiency of feeling’; in this new collection of carefully juxtaposed tales, a Scottish ne’er-do-well adrift in Croatia decides his smile is ‘insufficient’. Szalay’s dissections of masculinity can produce wonders from such banal anxieties. Over 400 pages, he goes to town on nine specimens of the male gender, only surfacing to spit out the bones. While the stories aren’t linked by characters, they trace a rough chronological arc through a man’s life, skipping the mewling infant and whining schoolboy. In the first, a jejune student laments his failure to bed a willing hostess on an

Out of the depths

‘This happens to other people.’ The Guardian journalist Decca Aitkenhead says she had heard the phrase countless times, interviewing the survivors of random disasters, and the idea had always puzzled her: ‘Why would they think other people are any different from them?’ But when her partner of ten years drowned while rescuing their small son from the Jamaican sea on a family holiday in May 2014, she was startled to catch herself feeling exactly the same thing. She unpicks the emotion in her piercing account of his death and the strange series of events surrounding it: We read about freak disasters every day, knowing perfectly well that the news is

Dominic Green

Britannia rued the waves

Military history is more popular than respected. It is not hard to see why. It is masculine history, a trifecta of logistical planning, technical detail and violent death. It shows the value of hierarchy and duty, sacrifice and patriotism — disgraceful notions which the young and impressionable might be inspired to emulate. And,with its sudden twists from tedium to danger and its tidily destructive conclusions, it has tight plots. One way to make civilian history as exciting is, as Eric Hobsbawm showed, to turn it into a false kind of fiction, true neither to the facts nor the life. Another, as N.A.M. Rodger did in The Wooden World, his ‘anatomy’

The tragedy of Arabia

Is there anything new to be said about T.E. Lawrence? I mean, really. In the century since his stirring exploits in the Arabian desert we have had all manner of biographies, from simpering hagiography to heartless hatchet job. We have had Lawrence the colonial hero and faithful imperial servant; Lawrence the linguist, explorer and spy, pioneer of guerrilla warfare; Lawrence the Machiavellian betrayer of the Arabs; Lawrence the preening, self-mythologising sado-masochist. Each generation projects its own prejudices and visions, fears and fantasies upon this unusual man. Even now, 80 years after his death, the torrent of biographies shows little sign of abating. In recent years we have had studies by

The halo slips

Peter Popham is commendably quick off the blocks with this excellent account of the run-up to last November’s Burmese general election, in which Aung San Suu Kyi’s National League for Democracy swept the board. At the time of writing this review, Suu is taking four ministries, including foreign affairs. So she will do what she did during her years of house arrest — offer a beautiful human face to the outside world of a country still under the heel of the generals. Popham seems to enjoy Burma and to understand it as much as any westerner can. Notwithstanding recent liberalisation, Burma is perhaps the second weirdest state on earth after

Recent crime fiction | 7 April 2016

All it takes is a spark. In her compelling new thriller, Ten Days (Canongate, £14.99), Gillian Slovo tracks the progress of a riot as it spreads across a rundown London estate. When Ruben, a black man of fragile nature, is accidentally killed in a police action, his friends and neighbours gather to protest his needless death. This peaceful demonstration ignites into violence and looting. Resident Cathy Mason and her family are caught up in the dangers of that night and the ones that follow. Slovo takes the London riots of 2011 as her blueprint, but she moves beyond that, focusing not only on the local people but also on the

The holy sinner

Many of the great faith narratives (the Holy Quran being a notable exception) are clumsy, rough-hewn things; makepiece amalgams of different texts from an abundance of sources that have been gradually hacked together over hundreds — sometimes even thousands — of years. Most have been found useful or resonant (spiritually and politically) at various stages in history, and some have been purposefully engineered (by individuals or institutions with agendas — their motives pure or otherwise). Eventually these fragments become embedded into a whole — a unity. A consensus is reached on what, fundamentally, works. This process is essentially pragmatic. How the interested individual chooses to approach such constructions can also