Book Reviews

Our reviews of the latest in literature

Friday

Thomas W. Hodgkinson

Spectator books of the year: Thomas W. Hodgkinson on a hair-raising account of Scientology

Going Clear: Scientology, Hollywood, & the Prison of Belief by Lawrence Wright (Vintage). Originally published in the US, this history of scientology isn’t available in UK bookshops. Buy it online. Hilarious, hair-raising and amazingly evenhanded, given the subject matter, it describes how the science fiction author L. Ron Hubbard turned his toxic neuroses into the basis for an utterly bogus belief system designed to extract money from dupes. This is the guy who punched his wife for smiling in her sleep. This is the guy Tom Cruise refers to, with reverential affection, as ‘LRH’. If you’re looking for an elegantly written book that will transform your understanding of the British

Thursday

Graham Robb

Spectator books of the year: Graham Robb is gripped by an unforgettable story

Robert Seethaler’s bestselling novel, Ein ganzes Leben, translated by Charlotte Collins as A Whole Life (Picador, £12.99) is the unaccountably gripping story of a half-crippled, simple-minded orphan in the Austrian Alps scraping a living from a stony field and slaving for a cable-car construction firm. It takes barely two hours to read it but would take a lifetime to forget. Some biographies are worth reading however slight one’s prior interest in the subject. I particularly enjoyed Robert Douglas-Fairhurst’s sensitive, canny and erudite biography of Charles Dodgson and Alice Liddell, The Story of Alice: Lewis Carroll and the Secret History of Wonderland (Harvill Secker, £25). John Aubrey: My Own Life (Chatto

Matthew Parris Matthew Parris

The question Christianity fails to answer: ‘Who is my neighbour?’

‘Fine old Christmas,’ wrote George Eliot, ‘with the snowy hair and ruddy face, had done his duty that year in the noblest fashion, and had set off his rich gifts of warmth and colour with all the heightening contrast of frost and snow.’ Thus opens the second chapter of Book II of The Mill on the Floss. I had found the passage when searching for a secular reading for my newspaper column’s readers at a carol service at St Bride’s church in Fleet Street a couple of nights ago. I knew at once I’d found what I wanted. Eliot had been my first port of call. You can be confident

Marek Kukula

Following yonder star

It’s hard to imagine Christmas without stars. They perch at the top of fir trees, glitter from greeting cards and dangle festively over shopping precincts. This year, even the John Lewis advert and Selfridges’ Oxford Street window display — two of the holiest icons of our modern, commercialised Christmas —both have astronomical themes. The origin of this celestial obsession is of course the Star of Bethlehem, whose apparition, according to the Gospel of Matthew, first alerted the Three Wise Men to the birth of Jesus, then guided them across the desert to pay homage to the new-born Messiah. For centuries scholars have speculated as to whether this founding tale of

India Knight

O Rose thou art sick

Choosing to smell of something other than ourselves, and then perhaps in time coming to view that fragrance as ‘our’ smell — essence of us — is an odd business. I can’t wear Mitsouko because it smells of my great-aunt, for instance, which is at least relatively straightforward, but I also can’t wear Angel by Thierry Mugler because it smells of the Nineties and desperation; or L’Eau D’Issey because it smells of makeupless women in oversized clothing, stranded balefully in minimalist interiors; or anything with tuberose, tragically, because it powerfully reminds me of having morning sickness while wearing Fracas (‘my’ scent, until suddenly it became my kryptonite — so disgusting,

Ian Thomson

Here’s to Bill

Often, Christmas is a time for moaning after the night before, when the seasonal drinking is remembered (if remembered at all) with bewilderment and a degree of guilt. The illusion of drink-fuelled happiness — what James Joyce called ‘tighteousness’ — is familiar to most of us, even if the hangover seems a cruel price. The most effective remedy for a thumping head is to take a hair of the dog that bit you. Eddie Condon, the jazzman, recommended two quarts of bourbon; Samuel Taylor Coleridge swore by a breakfast of laudanum and fried eggs. By rights, the hangover should curb further drinking. Nobody wants to see their tongue pale and

Sarah Vine

The Ghost in the machine

One of the great joys of the late Brian Sewell’s style of writing was his almost child-like bluntness. He had a three-year-old’s lack of tact when it came to saying what he thought of things, be it art or food or life in general. The fact that he combined such unflinching honesty with intelligence, insight and erudite delivery was what made him one of the great critics. Always entertaining, occasionally right, cheerfully abusive, he showed us the world through his pince-nez, and it was both terrifying and magnificent. Despite a weakness for baroque vocabulary, he was a master of economy. It took him only a few choice lines to demolish

Owen Davies

Spellbinding stuff

With the briefest of introductions to each chapter, it is up to the reader to decide how they want to tackle nearly 600 pages of extracts from religious discourses, scientific tracts, demonologies, and literary works, expertly chosen and translated by Brian Copenhaver, an eminent scholar of intellectual magic and professor of philosophy and history at the University of California. The structure is chronological, beginning with passages from the Hebrew Bible and the Greek New Testament, then moving on to the Greco-Roman writings of the likes of Plato, Pliny and Ptolemy. The chapter concerning Late Antiquity (between the third and eighth centuries) focuses on Hermetic and Neoplatonic ideas of a world

Nicholas Lezard

The smoking diary of Gregor Hens

The link between smoking and self-expression is long-established. The only thing worse than not being able to smoke, says Will Self in his excellent introduction, is ‘not being able to talk about it’. ‘Scriva! Scriva! Vedrà come arriverà a vedersi intero.’ ‘Write! Write! See what happens when you look into yourself.’ That’s the advice given by a psychiatrist in Italo Svevo’s The Confessions of Zeno, his 1923 novel about giving up smoking again and again, as per the line apocryphally from Mark Twain about giving up being so easy, he’s done it hundreds of times. ‘That was a very important last cigarette’ is, so to speak, that book’s essential joke,

Kate Womersley

A life well lived

‘I cannot say there is no vanity in making this funeral oration of myself, but I hope it is not a misplaced one,’ wrote David Hume on the eve of his death in 1776, under the title, ‘My Own Life’. It is with this same title that, accepting the inevitable progression of metastatic cancer in his liver at the age of 81, Oliver Sacks paid tribute to his favourite philosopher. Like Hume, the charge of vanity was not unfamiliar to Sacks when writing about his achievements and the shapes of his inner life. In a way rare for a doctor, Sacks was prepared to admit that vanity is part of

Matthew Adams

Larkin’s misty parks and moors — in all their lacerating beauty

When Philip Larkin went up to St John’s College, Oxford, in the early 1940s, he found himself in a world of deprivation and departures. The arrival of war had ruined any hope he might have had of living the sybaritic student life mythologised by Evelyn Waugh; the majority of the younger dons had departed to serve in the forces or the ministries; the few undergraduates at the college who hadn’t already followed suit could expect to be called up soon. And most were. But Larkin was not. Deemed unfit for active service because of his poor eyesight, he remained at Oxford for the full three years of his degree, while

Nicky Haslam

Vanity fair and foul | 10 December 2015

People tend to use the term ‘fashion victim’ somewhat damningly — and maybe jealously — to describe someone obsessed by the latest look. I’m not sure I agree. There’s something endearing about anyone who wants to dress in the newest style, and anyway, isn’t being up-to-date the whole point of fashion? It’s no more reprehensible than wanting the newest car, or iPhone, or flattest TV. ‘Victims’ are surely those who get it wrong — the mutton and lamb syndrome. More like what my beloved friend Melissa Wyndham called ‘fashion casualties’. But now Alison Matthews David has brass-tackled the subject. In Fashion Victims: The Dangers of Dress, Past and Present (Bloomsbury,

Matthew Dennison

Osbert Lancaster: a national treasure rediscovered

True to his saw that ours is ‘a land of rugged individualists’, Osbert Lancaster, in his self-appointed role of popular architectural historian, presented the 1,000-year history of Britain’s built environment from a resolutely personal perspective. Like the majority of his generation — Lancaster was born in 1908 and published Pillar to Post in 1938, following it with Homes Sweet Homes a year later — he cultivated a vigorous dislike of all things Victorian. Again and again he demolished the earnest conceits of 19th-century orthodoxy: ‘the antiquarian heresy’; ‘the great dreary moth of Victorian revivalism’; ‘the jackdaw strain inherent in every true Victorian’. Lancaster’s skill lay in the accuracy and apparent

Mark Mason

Looking for Nessie

It wasn’t until I drove past Loch Ness a couple of years ago that I realised just how enormous it is. Over 20 miles long and deep enough to hide Blackpool Tower, it could hold the water from all the lakes in England and Wales combined. But it’s still not as big, I found myself thinking, as the human imagination. Gareth Williams’s excellent book isn’t about the Loch Ness monster; it’s about the people who have looked for it. There is Alexander Keiller, rich from marmalade and ‘fond of sex, sometimes on a near-industrial scale’. There’s wing commander Basil Cary and his wife Winifred, known as Freddie, who can work

Simon Heffer

A Horrible History of English Hymns

Given that for much of English history the country’s main musical tradition was that connected with the church, it is surprising that so little effort has been made to describe the evolution of, as the subtitle to Andrew Gant’s book puts it, the ‘History of English Church Music’. If we read biographical accounts of the lives of composers from Tallis to Vaughan Williams we pick up some of the story, but far from all of it. Gant is supremely well qualified to write about it. He has been organist and choirmaster of the Chapels Royal and worked at Westminster Abbey, Oxbridge colleges and the Guards’ Chapel; and he also composes.

Henry Jeffreys

Assorted Christmas crackers

There’s a moment in a child’s life where Christmas begins to lose its magic. Once lost it cannot be regained, but as adults we can catch glimpses of that wonder through our own children, through booze, and most of all through songs, films and stories. Christmas is the one time of the year when it’s not only acceptable to cry over such sentimental things, it’s almost compulsory. The wonder ceases at around eight or nine years old. Andrew Szlachetko (who publishes this book, £5.99) addresses this in The Age of Not Believing. The hero, Thomas, on his way to Santa’s grotto, is mocked by some other boys for his belief

Julie Burchill Julie Burchill

Chrissie Hynde writes like an angel on angel dust

‘The day I found out that Suzi Quatro wasn’t a dyke was the worst day of my life!’ a teenage Joan Jett once complained to a teenage me — and, substituting Chrissie H for Suzi Q, I knew well how she felt. Here I am popping up on page 150: Little teenagers out in the sticks like Julie Burchill lapped up my half-baked philosophical drivel and prepared their own versions of nonsensical tirades for the day when they too could make a ‘career’ out of it. I even sold the darling little Julie my typewriter for £15 when my time was over, like passing the baton of ‘how to fuck

Christopher Bray

Homage to awesome Welles on his centenary

One day in May 1948 in the Frascati hills southeast of Rome, Orson Welles took his new secretary, Rita Ribolla, to lunch. After eating enough food for ‘a dozen hungry people’ and sinking ‘one glass of wine after another’, all the while enchanting his guest with gossip and conjuring tricks, Welles downed his coffee and said it was time to go. Ribolla smiled and waited for him to get the bill. And waited. Eventually she asked for it herself. When it arrived Welles passed it over, saying, ‘Leave a large tip for these nice waiters.’ ‘But Mr Welles, I can’t afford meals like this.’ Welles turned sulphurous: ‘How dare you

Simon Drew

Answers to ‘Spot the Line of Poetry’

1. Ill-met by moonlight (Shakespeare’s A Midsummer Night’s Dream) 2. Hope springs eternal in the human breast (Pope’s ‘An Essay on Man’) 3. To be or not to be (Shakespeare’s Hamlet) 4. Into the mouth of Hell/ Rode the six hundred (Tennyson’s ‘The Charge of the Light Brigade’) 5. Water, water everywhere, nor any drop to drink (Coleridge’s ‘The Rime of the Ancient Mariner’) 6. How do I love thee? Let me count the ways (Elizabeth Barrett Browning’s ‘Sonnet 43’) 7. When shall we three meet again? (Shakespeare’s Macbeth) 8. Tread softly, because you tread on my dreams (W.B. Yeats’s ‘The Cloths of Heaven’) 9. Not with a bang but