Book Reviews

Our reviews of the latest in literature

General Anders to the rescue

Until Poland applied to join the EU in the 1990s, the biggest single influx of Poles into this country was in the immediate aftermath of the second world war. Around 200,000 Poles who had fought for the Allies chose to seek refuge here, rather than return to their homeland and face life under Stalin. Many of them had been members of the most curious of all the armies that took part in the conflict: the Polish Army of the Soviet Union and the Middle East, otherwise known as the Anders Army. From 1941 the magnetic General Wladyslaw Anders, a cavalry officer in a Russian Tsarist regiment during the first world war,

Spectator books of the year: Roger Lewis recommends his own unwritten books

I wish I could pull off the Anthony Burgess stunt and recommend books of my own — Erotic Vagrancy, about Burton and Taylor, and Growing Up With Comedians, about, well, comedians. Both are doing well on Amazon and have garnered wonderful reviews. They are clearly my most successful and esteemed achievements. Unfortunately, neither title actually exists as such and no words have been written. The publishers jumped the gun with their announcements — though in our ‘virtual’ world perhaps this no longer matters. A book I do have physically in my hands, which I enjoyed immensely, is David Hare’s The Blue Touch Paper (Faber, £20), which is as phosphorescent as

The real gardeners’ questions answered

Why is it that gardening in the public prints is so often treated as a fluffy subject for fluffy people? Writing that a plant is ‘incredibly beautiful’ or that everyone is ‘really passionate’ about their allotment/community garden/windowbox doesn’t seem to me to be an adequate substitute for telling thoughtful gardeners something they didn’t know already. The trouble is that there is a shortage of trained gardeners and horticultural scientists who both have something interesting to say and can write engagingly, and of these only one can make me laugh out loud. His name is Ken Thompson, and he was for many years a lecturer in the Plant and Animal Sciences

A companion for life

There can be no good reason why Graham Johnson’s marvellous three-volume encyclopaedia of Schubert’s songs has been so neglected by reviewers over the past year. There are two possible bad ones: the price, which at £200 may deter the faint-hearted (though at nearly 3,000 pages it would justify twice the outlay); and the fact that its publication coincided with Ian Bostridge’s Schubert’s Winter Journey. Perhaps literary editors thought one Schubert book enough. It’s time to put this right. Spectator readers don’t need to be persuaded of the appeal of Schubert’s Lieder, and this is the book on the subject — the best written, longest and most informative. The product of

James Klugmann and Guy Burgess: the wasted lives of spies

Geoff Andrews’s ‘Shadow Man’, James Klugmann, was the talent-spotter, recruiter and mentor of the Cambridge spy ring. From 1962, aged 21, I stayed frequently at the large north London house where Klugmann (1912–1977) stored the overflow of his vast library. My hosts, who treated me almost as family, were members of the Communist party, as were lots of their friends whom I met. They included a good many of the dramatis personae of Geoff Andrews’s life of Klugmann (as well as several of the Hollywood Ten in exile from McCarthyism; curiously, none of them features in this biography). Klugmann was a party functionary, loved and revered by my hosts and

Shakespeare with or without the waffle

30-Second Shakespeare: 50 key aspects of his works, life and legacy, each explained in half a minute sounds trivial, but it isn’t. The purpose of this short, beautifully presented and fully illustrated guide is not to feed vain show-offs with sound-bites to give them something clever to say at dinner parties but, as Ros Barber puts it in her 30-second introduction, ‘to make Shakespeare interesting and comprehensible by cutting out the waffle’. Thus the reader is invited to peruse this lively compilation of micro-essays in any order, to learn about the different themes that dominate Shakespeare’s plays, his crafty use of language, his knowledge of law, medicine and history, the

O this white powder!

Beware hedonists bearing white powder. This, in part, was the message pressed in a short book about the excesses of the Jacobean court written by a Scottish Catholic physician and occasional counterfeiter, George Eglisham. The Forerunner of Revenge, published in Antwerp in 1626 in English and Latin, quickly gained notoriety across Europe for its particular depiction of the Stuart monarchy as a dynasty under siege. The regime’s crises, Eglisham claimed, had worsened in the previous year with the death of James I; that death was not, despite the officially authorised version of events, the effect of an intense fever on the booze-ravaged body of an ailing king, but rather a

A lonely ice maiden

‘Mystery comes through clarity’, is how Rupert Thomson recently described the effect he was trying to achieve in writing. It’s an apt phrase for his latest book, Katherine Carlyle. Thomson has previously published nine novels but has never achieved wide public recognition, partly because of their lack of uniformity. This, though, is what has attracted other writers, who admire his range, the visionary and haunting nature of his stories, the precision of his imagery, and his lack of agenda. For these, Jonathan Lethem has called him ‘a pure novelist’. Katherine Carlyle displays all of these qualities, and may well come to be thought of as his defining book, but it

Richard III: a bad man — and even worse king

When archaeologists unearthed the battered mortal remains of King Richard III beneath a council car park in Leicester in 2012, they not only made the historical find of the century (so far) but unleashed a veritable frenzy of media attention on a ruler already the most notorious in English history. A stream of books, articles (both scholarly and popular), documentary films and newspaper opinion pieces poured forth, and Richard’s troubled life and times became front-page news until his bones were once more laid to rest earlier this year. David Horspool, a qualified medieval historian (he is history editor of the TLS and a contributor to this Spectator space), sensibly waited

Hubris made the 20th century the bloodiest in history

Sir Alistair Horne, like that other great knight of military history, Sir Michael Howard, served in the Coldstream Guards during the second world war. According to Clausewitz (in Vom Kriege), his judgment will therefore be invested with insight denied to those who have never been shot over: As long as we have no personal knowledge of war, we cannot conceive where those difficulties lie of which so much is said, and what that genius and those extraordinary mental powers required in a general have really to do. . . But if we have seen war, all becomes intelligible. So it is disappointing to read the late Sir Martin Gilbert, quoted

A lofty, lusty Laureate

These Collected Poems, published halfway through Carol Ann Duffy’s time as poet laureate, make clear that she is a true Romantic poet in the tradition of Byron, Wordsworth, Elizabeth Barrett Browning, Anne Ridler and Elizabeth Bishop. In his introduction to Lyrical Ballads, Wordsworth defined Romantic poetry as ‘the spontaneous overflow of powerful feelings’. And these pages do indeed overflow. I have known Carol Ann Duffy since the late 1970s when her father, Frank Duffy, an AUEW shop steward, was the Labour parliamentary candidate in Stafford, the neighbouring constituency to mine, in Leek. Born in Glasgow in 1955, and educated in Stafford, Duffy left home in the 1970s to read philosophy

Multi-fanged

Nowadays a vampire is usually a Transylvanian in need of an orthodontist. But, as Nick Rennison demonstrates in this entertaining anthology, it was not always so. Bram Stoker’s Dracula was simply one of a crowd when it was published in 1897. Nor was the novel particularly successful at the time. It was only in the 20th century that Count Dracula became the world’s vampire of choice, and that was due to Hollywood rather than Stoker. Dracula’s contemporary colleagues are ripe, as it were, for exhumation. Vampires, particularly in their late Victorian and Edwardian prime, formed a staple of Gothic horror and assumed a variety of guises, some more subtle than

George and Martha Washington were an odd first First Couple

‘Would Washington have ever been commander of the revolutionary army, or President of the United States, if he had not married the rich widow of Mr Custis?’ asked John Adams. The answer, says Flora Fraser, is no. We like to see our ‘men of destiny’ as striding the world alone before stepping onto the customary plinth, so some might find it inconvenient to consider the role, in George Washington’s glorious career, of America’s first First Lady. But in her lifetime, no one put Martha in the corner. George and Martha Washington is a balanced and vivid account of a marriage which was both remarkable and strikingly down-to-earth. Because Martha burned

Spectator books of the year: Richard Davenport-Hines on a real flirt of a book

Laurence Scott’s The Four-Dimensional Human: Ways of Being in the Digital World (Heinemann, £20) is the year’s most surprising book. I expected a dour, lumbering tract about the dehumanising influence of new technologies, social media and information overload. Instead, I found a real flirt of a book. It’s full of impish gaiety, elegant and lithe in its language, providing intellectual ambushes and startling connections. It examines our evolving notions of publicity, privacy, time-wasting, frivolity, friendship, allegiances, denial, escapism and squalor in the internet age. The teasing, wary optimism is bewitching as well as informative. The little volumes of the ‘Penguin Monarchs’ series (£10.99 each) will be a matchless collection when

Spectator books of the year: Anna Aslanyan enjoys a passionate take on 21st-century London

My top title of the year is Satin Island by Tom McCarthy (Cape, £16.99), convincing proof that the best writers of our time are anthropologists, and that James Joyce, were he alive today, would be working for Google. I also enjoyed Ben Lerner’s 10:04 (Granta, £14.99), a self-deconstructing novel whose metafictional plot speaks of the nature of time and of things being endlessly interconnected. My non-fiction pick is Iain Sinclair’s London Overground: A Day’s Walk Around the Ginger Line (Hamish Hamilton, £16.99), the psychogeographer’s passionate take on 21st-century London, a place of perpetual change and chronological resonances. For the most overrated books of the year, see the ‘hatchet issue’ of

Jack the Ripper unmasked again

The Whitechapel Fiend is a psychic conduit for the vilest aspects of Victorian sex and class, and a creature mainly of the imagination. In 1888, the year of the murders, John Francis Brewer published The Curse Upon Mitre Square, and novels have followed from such writers as Edgar Lustgarten, Colin Wilson and Iain Sinclair. Many are Ripper mash-ups in the style of Robert Louis Stevenson or Arthur Conan Doyle, as in the Holmes capers of Ellery Queen and Michael Dibdin. Marie Belloc Lowndes’s The Lodger was made into a film by Alfred Hitchcock, A Story of the London Fog (1927), starring Ivor Novello as a sympathetic Ripper; and he features

The best short story collections — from childish gabbling to jaded nihilism

Anyone who enjoyed Ali Smith’s novel How to be Both, with its charmingly loopy monologue of an Italian Renaissance painter prattling away to us through one of the book’s famously interchangeable halves, will be glad to see her new book of short stories, Public Library and Other Stories (Hamish Hamilton, £16.99). It looks reassuringly similar: white hardback; photograph of two contemporary studenty people on the jacket; large font-size; non-justified lines; no quotation marks for dialogue. Here we are again reading Smith’s deliberately childlike prose. It’s not just the lack of quotation marks that makes it seem so — although this does have that same endearing Young Visiters effect — but

Melanie McDonagh

The best children’s authors of 2015 — after David Walliams

The easy way round buying books for children at Christmas is just to get them the latest David Walliams and have done with it. And indeed, Grandpa’s Great Escape (Harper Collins, £12.99), about the sympathetic friendship of a grandfather and grandson, is funny, productive of intergenerational goodwill and spikily illustrated by Tony Ross, though, as my son observed, it’s a pity so many nice people in Walliams’s books end up dead at the end. Or else you could get any of these: Jacqueline Wilson’s Katy (Puffin, £12.99), a take on What Katy Did, which my daughter liked because the heroine is a tomboy; the latest ‘Tom Gates’ from Liz Pichon