Book Reviews

Our reviews of the latest in literature

Umberto Eco really tries our patience

Colonna, the protagonist of Umberto Eco’s latest novel, is the first to admit he is a loser. A middle-aged literary nègre, he dreams of writing his own book, but can’t break the habit of alluding to others’ work: he even refers to himself as a ‘man without qualities’. One day in 1992, he is commissioned to ghostwrite a memoir about a newspaper being launched in Milan. Domani (‘Tomorrow’) will never be published: a tycoon who finances it plans to use it as a blackmail tool in his shady dealings. The proposed title of the memoir, Domani: Yesterday, sets the tone for this pacy book that doesn’t take itself too seriously.

Discover your inner nerd

There’s a curious thing about the bowling green in my Suffolk village. The footpath running alongside it is on a slope, meaning that as you descend, the wall gradually rises and hides the players from view. What’s strange is that the older I get, the more I find myself slowing down to see what happens to the wood that’s just been delivered. Not knowing whether it reached the jack, or managed to nudge the opponent’s wood to one side, simply isn’t an option. It would be like going to see a whodunit and not staying to the end. This book gave me the same feeling. Crown green bowls is one

From the Big Smoke to the Big Choke

‘A foggy day in London town,’ croons Fred Astaire in the 1937 musical comedy A Damsel in Distress, puffing nonchalantly on a cigar as he wanders through a wood that has already been half obliterated by belching Hollywood smoke machines. Today Gershwin’s lyrics conjure up a nostalgic vision of life in the city, involving pale fingers of fog wrapping themselves around lamp posts and the muffled clop of hooves on cobbles. Actually, for many years the reality of a London fog was far less appealing. It clogged your lungs and made your eyes smart; it turned the air into a murky kaleidoscope of colours (yellow, grey, blue) that appeared to

Through the eyes of spies

Spying is a branch of philosophy, although you would never guess it from that expression on Daniel Craig’s face. Its adepts interrogate the surface of reality — people, landscapes, texts — knowing that they will discover extraordinary hermetic meanings. They study fragments of documents, whispers of messages, and from these, they summon entire worlds. Possibly one of the reasons Max Hastings cannot pretend to be hugely impressed by the boasts of wartime spies is the philosophical nebulousness of what constitutes ‘results’ in secret-agent speak. Soldiers fight, shoulder to shoulder; battles are clearly lost and won. But those who work in the shadows — and in The Secret War, Hastings turns

The best British short stories — from Daniel Defoe to Zadie Smith

Philip Hensher, the thinking man’s Stephen Fry — novelist, critic, boisterously clever — begins his introduction to his two-volume anthology of the British short story with typical gusto. ‘The British short story is probably the richest, most varied and most historically extensive national tradition anywhere in the world.’ Take that, ye upstart Americans, with your dirty realism and your New Yorker swank! Read it and weep, ye Johnny-come-latelys! Look to your laurels, Chekhov and Carver. Jorge Luis Who? Maupassant? Bof! And there’s more — much much more. In a short introduction of just 35 pages Hensher sets out his stall, settles some old scores and convincingly establishes himself as a

Spectator competition: clerihews about fictional characters (plus: bad sex award)

The clerihew is a comic four-line (AABB) biographical poem characterised by metrical irregularity and awkward rhyme. The first line is often the subject’s name. Or, to put it another way: E.C. Bentley Quite accidently Invented this form of wit, And this is it. (Anon) Here is another clerihew inspired by the form’s inventor, this one written by Michael Curl: E.C. Bentley Mused while he ought to have studied intently; It was this muse That inspired clerihews. The call for clerihews about fictional characters attracted a sizeable postbag and there was much to applaud in an entry full of wit and whimsy. The winners below fought off stiff opposition to bag

A hint of anarchy everywhere

For a genre that is frequently dismissed as dead, travel writing is proving a remarkably stubborn survivor. If anything, this year’s Stanford Dolman Travel Book of the Year Award, won by Horatio Clare with Down to the Sea in Ships, a very British tale of the container-shipping trade, demonstrated how the genre remains in remarkably good health, shrugging off its perennial obituaries with great élan. Bristling with literary talent, the shortlist took in Jens Mühling on Russia, Elizabeth Pisani on Indonesia, a homage to Paddy Leigh Fermor by Nick Hunt, Helena Attlee on Italy and Philip Marsden on Cornwall. With John Gimlette, a previous winner of the same award for

A tale of cloaks and daggers

You don’t need to know the opera Tosca to understand and enjoy this book about Puccini’s most notorious villain, Vitellio Scarpia, portrayed on stage as a ‘sadistic agent of reaction’, a cut-throat murderer who enjoys drinking his victims’ blood from their skulls and, as one of my opera-loving Kensington pals puts it, ‘not a nice bloke at all!’ In fact you may not even recognise him in these pages. Here Scarpia appears as an all-round human being, kind-hearted, handsome, likeable, occasionally lonely, even destitute, who also just happens to be a brilliant swordsman and man of action. Brought up in Sicily, his first act of daring is to rescue a

Super man of legend

On 13 March 2014 a congregation of 2,000 people, including many of the great and the good, gathered in Westminster Abbey for a memorial service for David Frost, who had died suddenly six months previously while travelling on the Queen Mary to America. During the service a select band, led by the Dean of Westminster, John Hall, retired to Poets’ Corner, sacred to the memory of Keats, Shelley and others of the immortals, where the Prince of Wales laid flowers on a tablet in the floor bearing the illustrious name of Frost. Given that in only a few years’ time Frost’s name, along with many of today’s celebrities, was likely

Through the Looking Glass

‘Have you got over your father yet?’ the 26-year-old David Cornwell was asked by MI5’s head of personnel when he joined the agency in the spring of 1958. And the answer, more than half a century later, has to be ‘no’. We knew of his conman father Ronnie’s cartoonish presence in Cornwell’s life, but never the extent to which he has dominated his very being. After leaving Lincoln College, Oxford, Cornwell taught for a couple of years at Eton, where he disliked the ‘Herrenvolk doctrine’ expounded in what he called the ‘spiritual home of the English upper classes’. So he sought a return to the secret world that he had

What an absolute darling you are!

Iris Murdoch’s emotionally hectic novels have been enjoying a comeback lately, with an excellent Radio 4 dramatisation of The Sea, the Sea, and an equally gripping rendition, on Woman’s Hour, of A Severed Head. Her books are distinguished by the rate at which her characters fall in and out of love with one another, usually leaving streams of chaos and pain behind them. Iris’s letters, especially the ones which were written before she began to write novels, were blueprints for the fiction. In one confessional epistle, to David Hicks — not the interior designer, but an Oxford chum of the same name who had become a British Council lecturer —

King of Kings: The Triumph and Tragedy of Emperor Haile Selassie I of Ethiopia

Great men rarely come smaller than Haile Selassie. In photographs, the golden crowns, pith helmets and grey felt homburgs he often donned can’t conceal the fact that he is the shortest man in the room. It didn’t matter: for the 44 years of his reign — with a five-year interruption engineered by Benito Mussolini’s invading troops — he was effectively lord of all he surveyed. Ethiopia’s current government, established by a former Marxist rebel group, has always harboured mixed feelings towards Tafari Makonnen, as he was baptised. But for his countrymen he looms like a colossus, remembered for dragging his vast empire from feudalism into the modern age, and as

Long nights of delicious horror

The thick of autumn is upon us, dear reader, and with it the shivers. Around Hallowe’en you may be tempted to go and see yet another edition of Paranormal Activity (a quotation from the trailer: ‘There’s, like, obviously something going on here’) or something similar. Do not. There is nothing frightening about going to the movies. You are there with a crowd of other human beings, doing something fun and communal. This is not scary. If you’re serious about engaging with the spirit of the season, the thing to do is to stay up late alone, in bed, reading a terrifying book. Fortunately, the bookshop shelves are currently creaking under

Charles Moore

Why my book is no longer a bestseller at Eton

After my experiences promoting volume one of my biography of Mrs Thatcher, I had focused on boarding schools for sales of volume two (just published). This was because I discovered that pupils liked to buy the book to give to their parents for Christmas, secure in the knowledge that they could put it on their parents’ extras bill. As a result, sales were brisk. So imagine my dismay, shortly before addressing the Eton Political Society recently, when I received an email informing me that the ‘Lower Man’ (not a term of abuse, but the Eton slang for what other schools would call the deputy head) had just banned this practice.

What Ryszard Kapuscinski airbrushed out of his bestselling book

I once found myself on a lonely road in southern Ethiopia with the famous Polish author Ryszard Kapuscinski. We were travelling through bandit country when we got a puncture. We had a rendezvous at a bush airstrip with an aircraft that had to take off before night closed in. It turned out Ryszard had no clue about changing tyres and, whereas I was quite happy to break open the beers and sleep in a ditch, he fretted about missing tea with the lady relatives of Emperor Haile Selassie back in Addis Ababa. I realised he was scared. We fixed the puncture and reached the flight in time — but later,

Behind the scenes at the Brighton bombing

Sadly, I can’t see it catching on, but one of the notable things about Jonathan Lee’s new novel is that it features a fleeting appearance by John Redwood. The late Geoffrey Howe is there too, distractedly eating fishcakes as he holds forth on the difference between humans and animals. Redwood, Howe and the rest of Mrs Thatcher’s Cabinet have gathered in Brighton’s Grand Hotel on the eve of the Tory conference in October 1984. In Belfast, Dan, one of the Provisional IRA’s brightest young stars, has been given the job of helping real-life bomber Patrick Magee plant the device that would kill five people — there has always been speculation

When English Catholics were considered as dangerous as jihadis

Martyrdom, these days, does not get a good press. Fifty years ago English Catholics could take a ghoulish pride in the suffering of their 16th-century Tyburn heroes, but in a western world that has learned to be wary of extremist talk of ‘holy war’ or the intoxicating visions of the martyr’s crown that fuelled the prayers of England’s young exile priests — ‘the supreme privilege, of which only divine grace could make them worthy’, as Evelyn Waugh put it — somehow makes for less comfortable reading. It is hard to know whether the modern jihadist has given us an unwelcome insight into the past or disabled us from understanding it,

From Spike Milligan — and Marge Simpson — with love, light, peace and great respect

This book is a serious bit of kit. Its hard covers measure 28.9 by 21 centimetres, and it weighs 1.62 kilograms — 324,000 times the amount of valium, we learn on page 98, that Tom Clancy needed to appear on Good Morning America (‘Sorry to wimp out, but, shit, I was scared’). The illustrations are beautiful. Very often they are simply the letters themselves (don’t worry about handwriting, there are transcripts too), but sometimes they reference the content. For instance a photograph of butterflies accompanies the biologist Rachel Carson’s letter about watching said creatures with a friend.. The butterflies were on their final migration, and Carson was dying of cancer: