Book Reviews

It might seem to some a bold move to base a book on any kind of journey at all when its hero entered the monastery at Wearmouth, Northumbria at the age of seven and, as far as we know, never left. Not that Bede was entirely parochial, distributing what was then an exotic luxury, pepper, amongst his peers on his deathbed. But his was essentially a virtual and vicarious world, reliant on a network of informants and an unrivalled library largely collected by its founder, Benedict Biscop, here memorably described as ‘the “millionaire” monk’, even if the more than 200 books we know Bede knew will seem small beer to

Jonathan Galassi is an American publisher, poet and translator. In his debut novel Muse, his passion for the ‘good old days’ of the publishing industry is palpable: a time when books were books, with glued or even sewn bindings, cloth or paper covers, with beautiful or not-so-beautiful jackets and a musty, dusty, wonderful smell … their contents, the magic words, their poetry and prose, were liquor, perfume, sex, and glory to their devotees. The halcyon days of print publishing were not, in fact, so very long ago, with the first e-reader going on sale only in 2004 and Amazon’s Kindle in 2007; it is astonishing that the digital revolution has

They don’t make Englishmen like the aptly named John Freeman any more. When he died last Christmas just shy of his centenary, the obituaries — once they had expressed astonishment that this titan from the age of Attlee and empire had still been around —paid tribute to a polymath whose achievements could fill nine more ordinary lives. Freeman was a pioneer of television, virtually inventing the TV celebrity interview. He was a leading politician — the last surviving member of the 1945 Labour government; a diplomat — at one time our man in Washington and High Commissioner in India; a much decorated war hero; and — not least — a

In June 2009, the good people of South Carolina lost Mark Sanford, their governor. Per his instructions, his staff told the press that he was ‘hiking the Appalachian trail’. When he turned up six days later at an airport in Atlanta, Georgia, he said that he had scratched the hike in favour of something more ‘exotic’. When it became clear that ‘exotic’ meant visiting his 43-year-old polyglot divorcée mistress in Argentina, things got bad. ‘I will be able to die knowing that I found my soulmate,’ he told the Associated Press, sobbing. Barton Swaim has written a memoir of his three years working as a speechwriter for Sanford, who is

Michael Moorcock has put his name to more books, pamphlets and fanzines than, probably, even Michael Moorcock can count, but nothing ‘major’ over the past ten years. He’s now 75. But not, as this eruption witnesses, extinct. A cult has formed around him — Moorcockians who can discourse knowledgeably on the second aether and the ‘weirdness’ of Elric of Melniboné. Inexhaustibly inventive, Moorcock proudly calls himself a ‘bad writer with big ideas’. He is interested in ‘New Worlds’ (the name of the science fiction journal he edited which injected 1960s postmodernism into the genre, banishing little green men and spaceships); ‘Other Worlds’ (e.g. his Pyat Quartet, which inhabits a comically

This novel comes with two mysteries attached, one substantial, the other superficial. The big mystery is the author’s identity. Gender-neutral, nominally Anglo-Saxon, almost provocatively bland, ‘C.B. George’ screams ‘pseudonym’ to any reader. A call to the literary agent confirms the suspicion: the author is keeping his identity secret ‘for personal reasons’, which may or may not be connected to Zimbabwe’s political situation. The second puzzle is why said author chose The Death of Rex Nhongo as his title. The preface explains that ‘Rex Nhongo’ was the nom de guerre of Solomon Mujuru, the Zimbabwean general whose body was discovered lying in the charred debris of a farmhouse he had seized