Book Reviews

Our reviews of the latest in literature

Saturday

Lucy Vickery

Spectator competition: female chauvinist pigs on men behaving badly (plus: when Damon Runyon met John Bunyan…)

There are man-haters everywhere, it seems, from children’s telly to high culture. Charges of sexism have been levelled against the creators of the Daddy Pig character in Peppa Pig — daddy is portrayed as a hopeless bumbling idiot while Mummy Pig is the embodiment of good sense — and the literary critic Harold Bloom argues that there is ‘a strong element’ of misandry in Shakespeare (whereas misogyny, he says, is hard to find). The latest challenge invited you to climb aboard the bandwagon and compose an extract from an imaginary novel written from the perspective of a female chauvinist author. In a small but accomplished entry, Sergio Michael Petro, Frank

Thursday

Andy Miller

Ray Davies: part of Swinging Sixties London — and apart from it too

As Johnny Rogan notes in this new biography of Ray Davies and the Kinks, it is almost 50 years since the term ‘Swinging London’ was first used by a newspaper to describe ‘the most exciting city in the world … all vibrating with youth’. Those smashing times may not have lasted long but the vibrations carry on to the present day. Happily, many of the protagonists are still with us — David Bailey, Mary Quant — and so is Ray Davies CBE, part of the swinging city scene but apart from it too. The Kinks were a superb proto-rock group but they were also, in the words of George Melly,

Redmond O’Hanlon

All in the name of science: three young naturalists go on an Amazonian killing-spree

John Hemming is our greatest living scholar-explorer. He is best known for his extraordinary first book The Conquest of the Incas, published in 1970 when he was 35 — a work of vivid, monumental scholarship that is still unsurpassed. His love for the peoples of the Amazon produced a remarkable historical trilogy: Red Gold (1978), Amazon Frontier (1987) and Die If You Must (2004), which together cover the years from 1560 to the end of the 20th century. They are big, magisterial, powerful works, perhaps driven by one intense memory… In 1961 with his friends from Oxford, Richard Mason and Kit Lambert, he mounted an expedition to map the course

William Leith

Stuck at K: we know very little about vitamins except that they’re good for us (in small quantities)

Before I read this book about vitamins, I thought I knew what it would be like. It would be vaguely reassuring. It would tell me that I was consuming the right vitamins, but perhaps in the wrong quantities. Medically speaking, I expected it to point me in a certain direction. There would be chapters about scurvy and beriberi, and how these diseases can easily be cured, now we know about vitamins. There would be stuff on cancer. For a while, I would eat a lot of carrots. Well, I was partly right. Catherine Price, a fastidious reporter, has given us the stories of scurvy and beriberi, and how these scourges

Mary Kenny

The Irish Times: read by the smug denizens of Dublin 4 and responsible for the Celtic Tiger property bubble

The most successful newspapers have a distinct personality of their own with which their readers connect. In Britain, the Daily Mail and the Guardian are perhaps the best examplars of that. In Ireland, the decent, if slightly smug, denizens of Dublin 4 know exactly where they are with the Irish Times, and that it will connect with them and reflect their values. Sometimes a newspaper’s personality even defies its actual content, and change encompasses an unexpected continuity. The Guardian moved seamlessly from being the organ of non-conformist opponents of horse-racing to the first newspaper in Britain to print the word ‘cunt’. And yet the personality remains intact — priggishness being

Charlotte Hobson

Life after Vera: Patrick Gale’s hero finds happiness towards the end of the Saskatchewan line

Patrick Gale’s first historical novel is inspired by a non-story, a gap in his own family record. His great-grandfather Harry Cane spent the first part of his life as a gentleman of leisure among the Edwardian comforts of Twickenham. What then suddenly prompted him to abandon his wife and small daughter and emigrate to the Canadian wilderness? The official line was that he had money troubles, yet he doesn’t seem to have been short of cash in Canada. As far as we know, Harry Cane’s motives went with him to the grave. In this re- imagining of his life, however — partly because homosexual love is a theme throughout Patrick

Charlotte Moore

Monstrous, beautiful, damaged people make for tiresome company in Polly Samson’s The Kindness

Julian is clever, handsome and spoiled, a gilded youth who has all the girls wanting to mother him, and a mother who wants to mother him even more than they do. Part of his appealing vulnerability is that he has no father; another part is that he has a potentially fatal allergy to wasps. One hot summer day he is saved from anaphylactic shock by Karl, a medical student who is researching sperm motility. They become friends. Julian provides samples for Karl’s research, and — well, what Karl notices under the microscope provides the basis for the plot. You can see it coming, as the actress said to the bishop.

Hermione Eyre

Men behaving badly: Nero, Claudius and even Seneca could be intensely cruel to women — and fish

They lived in barrels, they camped on top of columns, or in caves: the lives of the sages are often inconceivable to the modern reader. Seneca, however, that rich, compromised sophisticate of the first century AD, is instantly kin, his voice weary with consumerism, his problems definitively first-world. ‘Being poor is not having too little,’ he observed. ‘It is wanting more.’ Those in need might disagree. But from where Seneca was sitting, in his personal banqueting suite with 500 ivory-legged tables (all matching, no less — matching furniture in Rome was considered staggeringly smart, due to the lack of means of mechanical reproduction) he was able to cultivate the elegant

Will Nicoll

British colonialism is once again under attack in Aatish Taseer’s sprawling Indian epic

Early in the second section of Aatish Taseer’s The Way Things Were we are presented with a striking description of Delhi. The city’s bright bazaars and bald communal gardens, among them ‘the occasional tomb of a forgotten medieval official’, are ‘stitched together with the radial sprawl of Lutyens’s city’. Taseer acknowledges the landscape’s beauty, but buried in his description, with its reference to the British architect who designed much of Delhi during the empire, is the painful and stifling legacy of history. For Taseer, it is an atmosphere that infects Delhi — simultaneously a ‘submerged necropolis’ and a city where ‘the dense cold air, sulphurous and full of particles, closes

Jonathan Beckman

Symbolism and a man called U: more avant-garde fiction from Tom McCarthy

In a 2008 essay Zadie Smith held up Tom McCarthy’s austere debut Remainder as a bold exemplar of avant-garde fiction, comparing it favourably to Joseph O’Neill’s lush Netherland, which she deprecated as incarnating the worst delusions of realism. Funny how rapidly Smith’s distinction has disintegrated: McCarthy’s latest, Satin Island, bears an uncanny similarity to O’Neill’s recent novel The Dog. Both are narrated by an affectless young male professional known only by a single initial (X in the case of O’Neill, U in McCarthy’s); and both dramatise the moral and intellectual contortions imposed by commercial environments on people whose sympathies are with the left. U is a corporate anthropologist — such

Mark Cocker

Why the cheating cuckoo may finally be getting its comeuppance

In recent years there has been a fashion for so-called ‘new nature writing’, where the works are invariably heavy with emotion, while the descriptions of place and wildlife often serve as a hazy green backcloth against which the author depicts the main subject —their own personalities. It comes as something of a shock, therefore, to find a new nature book that returns to a traditional format. It’s one in which the character of the writer barely intrudes and the real subject, picked apart in meticulous detail, is nature itself. In the hands of a scholar who is also a first-rate storyteller, you realise just how entertaining such a work can

Simon Heffer

The art of political biography remains in intensive care if Giles Radice’s latest book is anything to go by, says Simon Heffer

With the odd exception — I think principally of Charles Moore’s life of Margaret Thatcher — the genre of political biography has known hard times lately. There are few faster routes to the remainder shop, other, of course, than the political memoir, most of which I presume are now written to create a tax loss for their publishers. This decline is not down to poor scholarship, but, I suspect, to the general distaste so many literate and inquiring people feel for politicians. Reading accounts of the New Labour years in particular is rather like touring an abattoir before the cleaners have been in. So those who want to write about

India Knight

This terrifying book puts me off going online ever again —except maybe to Ocado — says India Knight

Jeremy Clarkson has been getting it in the neck from Twitter’s (I was going to say) tricoteuses — but social media is both thicko mob and gleeful, literal-minded public executioner. A couple of weeks ago it was George Galloway; and the week before that — oh, I can’t remember. I had a theory about 21st-century shame before I read Jon Ronson’s book — namely that it passes quickly. A Profumo would atone for a lifetime; a Huhne leaves jail to book deals and newspaper columns. The internet fire burns more intensely but turns to ashes faster. Yeesh, was I wrong. Ronson thinks it all started well. He writes approvingly of

Ian Thomson

Life in the LA ghetto was nasty, brutish and short — until one brave detective took on the gangs

Los Angeles ghetto life — thrashed, twisted and black — is not a world that most Americans care to visit. Black Angelinos can be — and for a period in the 1980s and early 1990s, were — murdered for a trifle. The slightest act of ‘disrespect’ may call for a tit-for-tat killing, where an entire family is rubbed out to avenge a perceived affront. Such disregard for human life is unknown in the white neighbourhoods of LA. Is there a specifically black predisposition to gun crime? Or is that too narrow an assumption? The violence endemic to Watts, Compton and other black LA suburbs is reckoned (by some) to be

Melanie McDonagh Melanie McDonagh

Love child or bastard: the lottery of being born on the wrong side of the blanket

My father was handed over a shop counter when he was a day old. His aunt had tried to pass him off to a hospital and couldn’t find any takers so she brought him into a draper’s shop, put him down on the counter and declared she didn’t know what she was going to do with him. The shop assistant piped up to say that her sister didn’t have any children of her own and would quite like a baby. So off she went to fetch her sister, who took him off, tucked inside her cardigan, and that, dear reader, is how he ended up with his mother and father.

James Mcconnachie

Dickens’s dark side: walking at night helped ease his conscience at killing off characters

In England, walking about at night was a crime for a very long time. William the Conqueror ordained that a bell should be rung at 8 p.m., at which point Londoners were supposed to put their fires and candles out and their heads down. Again and again, until modern times, Matthew Beaumont tells us, specifically nocturnal laws were promulgated against draw-latchets, roberdsmen, barraters, roysterers, roarers, harlots and other nefarious nightwalkers — including those ‘eavesdroppers’ who stood listening in the close darkness where the rain dripped from a house’s eaves. Beaumont reads such laws as being designed to exert political and social control. To walk the city streets at night, by

Monday

A.S.H. Smyth

‘Magna Carta Unification Event’ at the British Library: a magna balls-up

Early last month I tripped on up to the British Library for the ‘Magna Carta Unification Event’. Manuscripts had been choppered in from Salisbury, Lincoln, and indeed (x2) from the British Library’s own collection. It was my chance to catch ‘all four surviving original 1215 Magna Carta Manuscripts in one place for the first time’. Now, I don’t have any strongly-held views on how you pull out all the stops when it comes to exhibiting a handful of 800-year-old documents. But given the much-vaunted constitutional impact of King John’s power-wrangling at Runnymede, the Magna Carta’s reputation as ‘one of the most famous documents in history’, and the habitual cross-referencing to other momentous world events

Thursday

Ian Thomson

Anders Brievik: lonely computer-gamer on a killing spree

In 2011, Anders Breivik murdered 69 teenagers in a socialist summer camp outside the Norwegian capital of Oslo, and eight adults with a bomb attack. His hatred was directed at the children of Norwegian politicians who had allowed immigration to contaminate the sturdy bond (as he saw it) of Nordic race and nationhood. ‘You will all die today, Marxists!’ he hurrahed as he stalked and shot his way to infamy. Inflated with self-importance, Breivik was a self-styled ‘Justicious Knight Commander’ come to cauterise Norway of bloody foreigners. He advocated the racial rejuvenation of his homeland through the expulsion of Muslims, and to this end he photographed himself in masonic Crusader

Alex Clark

Hock and partridge help fascism go down in 1930s London

Anthony Quinn’s fourth novel, set in London’s artistic and theatrical circles in 1936, is not the kind in which an anguished protagonist sits in lonely contemplation for 80 pages at a stretch. It moves along at a clippy pace, introducing us to a succession of appealing characters and throwing in a lurid murder for extra oomph. But despite its wealth of detail — the lino-clad corridors and ‘mournful furniture’ of a Marylebone boarding-house, lamplighters doing their rounds, actresses wearing Guerlain’s Jicky — it is more substantial than a period romp. As the ‘Tiepin Killer’ — so-called because he pierces the tongues of his victims with a tiepin once he’s strangled

Keith Miller

First novel choice: do you prefer your author on a skateboard, or in a vineyard?

I’m not sure I know what the mark of merit is in a first novel, any more than in a fourth or a 14th. If nothing else, though, it’s surely an opportunity to make a new friend, to lock eyes with a stranger across a crowded room. So it was, one enchanted evening in February, that I carted a hodload of literary debuts across the threshold. Somewhere within, I hoped, was the beginning of a beautiful lexical relationship, or possibly several. Four weeks later, I’m not so sure. For one thing, most of the books were baroquely overpackaged and strenuously oversold. Publishers may have sound commercial reasons for pretending that