Book Reviews

Our reviews of the latest in literature

James Delingpole

Standing firm is the price of civilisation. Are we still ready to pay it?

Reading Memoirs of a Fox-Hunting Man, as I have recently, you cannot help but be struck by what a perfectly idyllic place rural England must have been (at least for a young man of independent means) in the run-up to the first world war. Sassoon wrote it, of course, in middle age after he’d served his time in the trenches. But none of his wartime experiences are allowed to colour the innocent tone of his fictionalised memoir. As far as his narrator George Sherston is concerned, the bliss is going to last for ever. Because the first world war is now very familiar history, the mistake I think we’re inclined

Patrick George: painting some of his best work at 91

‘If I see something I like I wish to tell someone else; this… is why I paint.’ Patrick George is 91, still painting ‘some of the best work he’s ever done’, in Andrew Lambirth’s view. ‘His principal aim is to point out, to those of us less well-trained to observe, how marvellous the appearance of things is, and he does this through exquisite landscapes, figure and still-life paintings, of unassuming but stringent beauty.’ After four years in the Navy (he commanded a landing craft in the D-Day landings) George went to Camberwell art school where he imbibed the strict measuring technique associated with William Coldstream, which he has continued to

Time-travel, smugglers, arsenic — what’s not to like in Sally Gardner’s novel for teenagers?

Which of us, as an adolescent, did not experience at some point a terrible sense of not belonging? Which of us did not yearn for a door to open into a place entirely elsewhere? At that liminal time in our lives, we constantly search for new thresholds, over which we might find ourselves — or another. For most of us the door lies in our imaginations; for A.J. Flynn, the hero of Sally Gardner’s striking, elegant new time-travelling novel for young adults, it actually exists, in the unprepossessing environs of the post office centre in Mount Pleasant. A.J. is the heir to a key to a door which leads backwards

The really shocking thing about Michel Houllebecq’s Soumission — he rather likes Islam

Michel Houellebecq’s sixth novel, imagining an Islamic government taking power in France in 2022, has been widely assumed to be an act of pure provocation. He is, after all, the author who faced legal trouble after having said in an interview in 2001: ‘La religion la plus con, c’est quand même l’islam.’ Soumission (Submission) was announced quite suddenly by Flammarion in December for the first week of the New Year, with an initial print run of 150,000 copies. So keen was the interest that it was pirated online before publication. It’s an event — but a literary event, it turns out. For Soumission is a fine, deeply literary work, not

Politics as an aphrodisiac: the secret of the Disraelis’ happy marriage

The long, happy and unlikely marriage of the great Conservative leader Disraeli and his wife Mary Anne, 12 years his senior, is analysed thoughtfully in Daisy Hay’s new book. Reading between the lines, it is possible to see the Disraelis as a Victorian power couple not unlike the Underwoods in Netflix’s remade House of Cards — he, high on his own oratory; she, a valuable campaign asset; together, a marriage that is child-free and (with his sexuality in question) built on blackberries at bedtime. Yet — here’s the twist — they truly loved one another. The Underwoods are bound together in sinister ambition, but the Disraelis make an inspiring emblem

An ill-waged war against the war on drugs

Since drugs became popular, there have been countless books on what to do with them. The most interesting are those of a creative kind by high-profile writers: De Quincey, Baudelaire, Aldous Huxley, Henri Michaux, William Burroughs, Carlos Castaneda. The most useful, so far as social policy is concerned, are those by low-profile operators in the field: scientists, doctors, psychiatrists, social workers, police. The least interesting or useful prove to have been the polemical books in neither category, so I wasn’t thrilled by the prospect of this one, written by a political journalist, and hyped by Elton John, Noam Chomsky, Stephen Fry and Naomi Klein. My unease was aroused, but not

Sam Leith

A window on Chaucer’s cramped, scary, smelly world

Proust had his cork-lined bedroom; Emily Dickinson her Amherst hidey-hole; Mark Twain a gazebo with magnificent views of New York City. Where, then, did the father of English poetry do his work? From 1374 till 1386, while employed supervising the collection of wool-duties, Chaucer was billeted in a grace-and-favour bachelor pad in the tower directly above Aldgate, the main eastern point of entry to the walled city of London. ‘Grace and favour’ makes it sound grander than it was. With the help of a wonderfully ingenious pattern of inferences — in particular an architectural drawing from 200 years later which happened to include a sketch of Aldgate’s north tower at

This Winter Journey goes far beyond expectation

You can tell a lot about a book from its bibliography. It’s the non-fiction equivalent of skipping to the final page of a novel. Turn to the end of Ian Bostridge’s Schubert’s Winter Journey — a study of the composer’s celebrated song cycle Winterreise — and you’ll find monographs on ornithology, weeping as a cultural phenomenon and wood sculpture in Renaissance Germany, essays on Samuel Beckett and the history of the mail coach, and the rather forbidding ‘Regulation of floral organ abscission in Arabidopsis thaliana’. Intrigued? Who wouldn’t be? As academic disciplines go, musicology was a slow starter. It took until 1985 for Joseph Kerman to startle academics into looking

The hidden history of one of the greatest treasures of the early Renaissance: Florence’s Brancacci chapel

In 1439 Abraham of Souzdal, a Russian bishop visiting Florence, was in the audience in Santa Maria del Carmine for the famous Ascension play, arranged by the members of the lay confraternity, the Sant’Agnese. Sitting in the body of the church, Abraham looked up and saw, on top of one end of the huge stone choir screen, a castle with towers and ramparts, and at the other a Mount of Olives. From here the ascending Christ was drawn up through celestial curtains to be united with God the Father, suspended ‘in a miraculous fashion’ in the far distance above the altar. Invisible ropes and pulleys and visible local children, ‘who

Dominic Green

The turbulent reign of King Cotton: the dark history of one of the world’s most important commodities

If not for cotton, we would still be wearing wool. To equal current cotton production, we would need seven billion sheep, and a field 1.6 times the area of the EU. Capitalism has spared us this itching, bleating nightmare. But capitalism, Sven Beckert writes in his hair-shirted history, Empire of Cotton, has wrought other horrors. For medieval Europeans, cotton was a luxury import. Prices fell as Europe’s maritime empires bypassed the Ottoman middleman. They fell further after the 1780s, when the East India Company increased its imports, and British inventors developed water-powered spinning machines. Cotton became the first global commodity, woven into the ‘triangular trade’ that shuttled African slaves to

Cowboys and Muslims: that’s the new global power struggle, according to the latest great American novel

‘I’m pleading with you, with tears in my eyes: if you fuck with me, I’ll kill you all.’ When ‘The Bumper Book of American Foreign Policy’ gets written, General James Mattis’s line to Iraqi leaders after the 2003 invasion will be an obvious choice for the cover blurb, but meanwhile it makes a striking epigraph to Bob Shacochis’s furious, sprawling novel about a half-century of US espionage and powerbroking. Like Norman Mailer’s Harlot’s Ghost, Don DeLillo’s Libra and Denis Johnson’s Tree of Smoke, this is the spy story tricked out as the great American novel, vaulting over the conventions of the cloak-and-dagger genre in dogged pursuit of larger questions of

The short story in Britain today: enough to make Conan Doyle weep

I am not sure if it’s properly understood quite what a crisis the short story is now in. Superficial signs of success and publicity — such as Alice Munro winning the Nobel, or the establishment of another well-funded prize — are widely mistaken for a resurgence. But what has disappeared — and disappeared quite recently — is the wide spread of journals willing to pay for a single story. That is what sustained the genre in its glory days. Edwardian magazines such as the Strand happily paid their star writers the equivalent (or even more) of a doctor’s annual income for a single story. There were dozens of such publications

The damning, shocking, depressing life of Jeremy Thorpe

Jeremy Thorpe by Michael Bloch Little, Brown, pp.606, £25 The back story of Michael Bloch’s biography of Jeremy Thorpe is a story in itself.  The book’s appearance, in the same month as its subject’s death, is only possible because it has been on ice for many years. In the 1990s the author had numerous meetings with the former Liberal party leader and gained access to many of his circle with a view to writing a vaguely official biography. But after reading a draft in the 1990s Thorpe said words to the effect of ‘over my dead body’, and this took longer to come about than expected. Thorpe died last month at

Answers to ‘Spot the Booker Prize Winners’

1. Life of Pi by Yann Martel (2002) 2. Amsterdam by Ian McEwan (1998) 3. The Sea, The Sea by Iris Murdoch (1978) 4. The English Patient by Michael Ondaatje (1992) 5. Heat and Dust by Ruth Prawer Jhabvala (1975) 6. The White Tiger by Aravind Adiga (2008) 7. Midnight’s Children by Salman Rushdie (1981) 8. In a Free State by V.S. Naipaul (1971) 9. Wolf Hall by Hilary Mantel (2009) 10. Paddy Clarke Ha Ha Ha by Roddy Doyle (1993)

Touring America in Steinbeck’s footsteps

In 1960 John Steinbeck set off with his poodle Charley to drive around the United States in a truck equipped with a bed, a desk, a stove and a fridge. To renew his acquaintance with that ‘monster of a land’, he planned to cross the northern states from the east coast to the west, then drive down the Pacific and across the southern states. He was 58, and recovering from a mild stroke. Having recently abandoned his attempt to write an American Don Quixote, he called his project ‘Operation Windmills’, cast Charley as his Sancho Panza, and named his truck Rocinante. Travels with Charley was published in 1962. It was

Julie Burchill

Mark Steyn: a hairy, successful version of myself, says Julie Burchill

For those of you who haven’t had the pleasure, Mark Steyn is sort of a hairy, successful version of me— a civilised, larky type of chap who was just tootling along minding his own biz and scribbling about his favourite show-tunes when — crash, bang, wallop! — he found himself on the frontline of commentating on the clash of civilisations. He is obsessed with the fact that Islamism poses the greatest risk to peace, progress and piano bars since the second world war and is unable to comprehend why so many people seem so bovinely oblivious to this fact. Like Richard Littlejohn — another fine, undervalued writer — he is

Sunday roasts and beaded bubbles: dining with the poets

In December 1817 Benjamin Robert Haydon — vivid diarist and painter of huge but inferior canvases of historic events — held a Sunday luncheon to which he invited John Keats, Charles Lamb and William Wordsworth. Nearly a century later, in January 1914, seven poets and Lord Osborne de Vere Beauclerk met in Sussex to eat roast peacock at another Sunday lunch. Six of the poets (Yeats, Ezra Pound, Richard Aldington, Sturge Moore, Frank Flint and Victor Plarr) came from London to honour the seventh, Wilfred Scawen Blunt, at his manor house. Hilaire Belloc joined them for tea afterwards, and sang a ballad about cuckoldry. Robert Bridges and John Masefield declined