Book Reviews

The TV chat show, if not actually dead, has been in intensive care for a while now, hooked up to machines that go bleep. But the long-form interview, as pioneered by John Freeman’s Face to Face in the 1960s, is a tougher customer. Laurie Taylor’s In Confidence series on Sky Arts has featured the great and the good, the less great and the really quite bad, all of them attracted by the professor’s gentle sociological probing and the show’s reliably modest viewing figures, which suggest that no one will notice if it all goes terribly wrong. This book is Taylor’s artful distillation of more than 60 interviews, shaped according to

Harry Chapman Pincher, the veteran investigative journalist, has died aged 100. He was renowned for unearthing military secrets and exposing spies. Earlier this year, The Spectator published a review of his book ‘Dangerous to Know’: Dangerous to Know Chapman Pincher Biteback Publishing, pp.386, £20, ISBN: 9781849546515 Anyone brought up as I was in a Daily Express household in the 1950s — there were approaching 11 million of us readers — knew the writings of Chapman Pincher. His frequent scoops, mostly defence- or intelligence-related, sometimes political, scientific or medical, were unusually well-sourced and headline-grabbing. Now, aged 100, he has written his autobiography. He writes as directly and vividly as ever. After

There I was flexing my defensive muscles, waiting for the tsunami of hatred to come my way once my new book hit the shelves, when I discovered that not only did I have some great reviews for Straight Expectations (which rails against the complacency and conservatism of today’s gay rights movement), but the book has an American sister. Perhaps the timid capitulation to straight folk is about to turn, both here and in the US, the birthplace – and now perhaps the graveyard – of the gay liberation movement? The Tolerance Trap, by US academic and political activist Suzanna Walters, has ‘disappointment’ running right the way through it. But Walters does not

Wilhelm II: Into the Abyss of War and Exile, 1900–1941 John C.G. Röhl, translated by Sheila de Bellaigue and Roy Bridge The role of personality in politics is the theme of this awe-inspiring biography. This is the third volume, 1,562 pages long, of John Röhl’s life of the Kaiser. It has been brilliantly translated — the labyrinth of imperial Germany navigated by many headed subdivisions in each chapter — by Sheila de Bellaigue. The fruit of what Röhl calls a ‘dark obsession’ with the Kaiser, it had its origin when, writing about Germany after the fall of Bismarck at the apogee of social and institutional history in the 1960s, he realised

The recent challenge to unmask a secret poet among well-known figures from 20th-century history produced a postbag full of politician-bards, which included poignant lines from the pens of Edward Heath and Michael Foot. The real life poetic efforts of politicians such as Jimmy Carter have not gone down well with the critics. Harold Bloom branded him ‘in my judgment literally the worst poet in the United States’. I’m not sure that Bloom would have been any kinder to the winning entries below — or to Adrian Fry’s John Prescott. Here he is, just getting into his stride: ‘Don’t call me unsophisticated, I’ve been to Villanelle,/ I know me assonance from

When Haruki Murakami — Japan’s most successful novelist at home and abroad — was interviewed by the Paris Review in 2004, the questions weren’t always characterised by their pithiness. Many of his novels, the interviewer suggested at one point, are variations on a theme: a man has been abandoned by, or has otherwise lost, the object of his desire, and is drawn by his inability to forget her into a parallel world that seems to offer the possibility of regaining what he has lost, a possibility that life, as he (and the reader) knows it, can never offer. Would you agree with this characterisation? Murakami’s answer, in full, was ‘Yes’.