Book Reviews Archives

Thursday

27 Mar 2014

When Mussolini came knocking on Hollywood’s door

John Ford was the first of the five famous Hollywood film directors to go to war. He went expecting to get given a sword, which he could then brandish. After all, he knew about swords; they were things that came out of props baskets in his cavalry epics, but that was in films. Unfortunately in real life he found he had an arthritic thumb, which meant that having once drawn one he needed help to put the sword back in its scabbard. It had not been like that in his films, where he had only to say the word for anything to happen. There he could put a coal mine

Tobias Grey

‘A dandy aesthete with visions of sacrificial violence’

Eschewing the biblical advertising of ‘the promised land’ or indeed ‘a land of milk and honey’, the Conservative colonial secretary William Ormsby-Gore presented a far grislier picture of Palestine on the eve of the second world war when he described it as ‘full of arms and bitterness, and there are few who do good and many that do evil’. That précis is proved sadly accurate many times over in Patrick Bishop’s gripping The Reckoning, about the fatal shooting and subsequent martyrdom of the Zionist freedom fighter (or terrorist — take your pick), Avraham Stern. As characters go Stern is compelling in a car-crash kind of way. Bishop — a former

Marcus Berkmann

When posters told us our place

As a sign of the way things have changed, nothing could better this. Hester Vaizey, Cambridge history don and ‘publishing co-ordinator’ at the National Archives, has collated this splendid collection of posters issued by various government agencies in the 30 years or so after the second world war. This was, of course, the heyday and highwater mark of what furious red-faced men of my acquaintance now call ‘the nanny state’ — a phrase, incidentally, first used by an editor of The Spectator (Iain Macleod) in the pages of this magazine back in 1965. Although I never had a nanny myself, I know from repeated childhood viewings of Mary Poppins that

Alan Judd

Civilisation’s watery superhighway

The clue is in the title: this is not about the blue-grey-green wet stuff that covers 70 per cent of our planet’s surface. Rather, it’s about how the sea and our use of it have influenced us economically, culturally, religiously and politically: Much of human history has been shaped by people’s access, or lack of it, to navigable water …. Life on the water — whether for commerce, warfare, exploration or migration — has been a driving force in human history. Admitting that he wants to ‘change the way you see the world’, Lincoln Paine also claims that ‘The past century has witnessed a sea change in how we approach

Michela Wrong

Witnesses in the heart of darkness

When presented with a 639-page doorstopper which includes 82 pages of closely-written sources, notes and index, most of us feel a bit like a patient about to swallow a strong dose of antibiotics: ‘This isn’t going to be pleasant, but it’ll be good for me.’ First published in Dutch in 2010, translated into French and German, and only now coming out in English, Congo arrives trailing prizes and praise. And yet I quailed. What I hadn’t realised was that David Van Reybrouck, who spent a decade on this extraordinary work, is not primarily a historian. He is a playwright, poet and novelist and, if this translation by Sam Garrett is

Cressida Connolly

Samuel Beckett walks into a nail bar

It isn’t very often that a writer’s work is so striking that you can remember exactly where and when you were when you first read it. I was in a parked car in a hilly suburb of Cardiff last summer when I first became aware of George Saunders, from reading a speech he’d addressed to his American students printed in that day’s edition of the International Herald Tribune. Within the first two or three lines it was evident that this was someone quite out of the ordinary, someone of unusual intelligence, curiosity and compassion. This speech — an exhortation to be kind — is wonderful. And so are these short

Mark Mason

Whistling is a bloody nuisance

Paul McCartney says he can remember the exact moment he knew the Beatles had made it. Early one morning, getting home from a night on the tiles, he heard the milkman whistling ‘From Me to You’. This incident isn’t recounted in A Brief History of Whistling. The record in question was a huge pop hit, and these authors prefer to concentrate on working-class culture, folk songs, music hall and the like. They also cover whistling at work (two blasts to your sheepdog for ‘go left’, one for ‘go right’), whistling in science fiction (it’s the one human skill that stumps an android in Star Trek) and whistling as language (the

Philip Ziegler

Was Roy Jenkins the greatest prime minister we never had?

In any list of the-best-prime-ministers-we never-had, the name of Roy Jenkins is likely to be prominent. He was intelligent, moderate, courteous, thoughtful: he was exactly the sort of man whom any civil servant would wish to see installed in No.10. That, no doubt, is why he never got there. John Campbell makes no bones about the fact that he is a fan of Jenkins. He was, writes Campbell, ‘the first public figure I was aware of and always the one I most admired’. Campbell is far too sensible a man and good a biographer, however, to allow his book to degenerate into a paean of praise. Jenkins’s frailties are unsparingly

Saturday

22 Mar 2014

Lucy Vickery

Competition: Write a book blurb to repel readers

You were on stellar form this week on the darker side of spring: the entry was full of wit and invention. There were references to Larkin, who could always be relied on to see the bleaker side of things (‘their greenness is a kind of grief’), as well as to Eliot and Thomas Edward Brown. There were also nice echoes of Ogden Nash and Wordsworth. Nicholas Holbrook and Josephine Boyle were unlucky losers and I especially liked Ray Kelley’s heartfelt closing couplet: ‘It’s not by mere coincidence that vernal/ Rhymes so immaculately with infernal.’ The winners, printed below, earn £25 each. Bill Greenwell takes the extra fiver. Bill Greenwell At night

Thursday

20 Mar 2014

Eric Christiansen

Memoirs of an academic brawler

It’s a misleading title, because there is nothing unexpected about Professor Carey, in any sense. He doesn’t turn up to parties uninvited, like some of his less organised colleagues. As for his appointment, he was tailor-made for the job. Right class (middle); right school (grammar); right military service (guarding sand); right religion (books). An unsullied record of diligence as undergraduate, graduate, lecturer and tutor was combined with engaging resilience: ‘Teaching at St John’s was so enjoyable that I felt it was wrong to be paid for it.’ His outlook was just right for 1974; he was against ‘Old Oxford’, public schoolboys, compulsory Anglo-Saxon and all manifestations of waste, idleness and

James Walton

Caught between a New Age rock and a theory junkie hard place

Siri Hustvedt’s new novel isn’t exactly an easy read — but the casual bookshop browser should be reassured that it’s nowhere near as punishing as the opening pages might suggest. In the ‘editor’s introduction’ we’re told that what follows is an anthology of writings by and about the late artist Harriet Burden — known to friends as Harry — with her own contributions taken from a series of notebooks labelled by letters of the alphabet: Notebook H, on Edmund Husserl, has pages on Husserl’s idea about ‘the intersubjective constitution of objectivity’ and the consequences of such an idea on the natural sciences… Q is devoted to quantum theory and its

Honor Clerk

The selfie from Akhenaten to Tracey Emin

If ever there was a time to write a book about self-portraits, this must be it. ‘Past interest in the genre,’ James Hall tells us in his introduction to this cultural history, ‘is overshadowed by the obsession with self-portraiture during the last 40 years.’ What he could not have foreseen was that self-portraiture would feature in the mainstream news as never before over the last six months or so. Firstly, the Oxford English Dictionary announced that ‘selfie’ was their word of the year for 2013, spawning a noisy debate about photographic self-portraiture. Next, David Cameron, Barack Obama and Helle Thorning-Schmidt were spotted taking a selfie at Nelson Mandela’s memorial service

Paul Binding

The making of a novelist

Karl Ove Knausgaard was eight months old when his family moved to the island of Tromøya; he left it aged 13, because of his father’s higher-grade teaching appointment on the mainland. As they drove over the bridge linking the island with the southern Norwegian port of Arendal, ‘it struck me with a huge sense of relief that I would never be returning, that… the houses and the places that disappeared behind me were also disappearing out of my life, for good.’ Only in a literal sense did they disappear. And the six-volume autobiographical novel sequence, My Struggle, on which Knausgaard embarked after the success of his first two books, demanded

William Leith

The thrill of cutting into a human brain

In the first sentence of the first chapter of this book, Henry Marsh, a consultant brain surgeon, says, ‘I often cut into the brain and it is something I hate doing.’ What a compelling start! Marsh takes us through an operation. First, he looks at a scan. A middle-aged man has a tumour of the pineal gland, which means a very tricky operation. Brain surgeons, says Marsh, look at pineal tumours ‘with both fear and excitement, like mountaineers looking up at a great peak they hope to climb’. And with this, he sets the tone for the book, which is excellent. For Marsh, brain surgery is terrifying, but also addictive.

Ben Hamilton

The talent and tragedy of Richard Pryor

The troubles of Richard Pryor’s life are well known — from his childhood in a brothel to his self-immolation via crack pipe — but arranged in a biography their impact is renewed. So grotesque was his upbringing that an early encounter with a dead baby in a shoebox warrants but a single sentence in David Henry’s and Joe Henry’s addictive, frenzied book (Furious Cool, Algonquin Books,£17.99, Spectator Bookshop, £16.19). The authors are fans who have the tendency to swoon, and they hold back from condemning Pryor’s numerous wrong turns (he was a serial wife-beater who fled responsibility wherever he found it). But that hardly matters when there’s so much to

Victoria Glendinning

Recycling Sackville-West style

Here’s a book co-authored by one dead woman and one living one. Sarah Raven is the second wife of Adam Nicolson, grandson of Vita Sackville-West. In 1930 Vita bought Sissinghurst, the ruins of a great 16th-century house, and with her husband Harold Nicolson created the world-famous garden. Tell me the old, old story. Vita died in 1970, and in 1983 Adam’s mother published a similar volume, co-authored ‘by Vita Sackville-West and Philippa Nicolson’; and there are several other good books about the making of this garden. So here is yet another well-illustrated hommage, from an intimate perspective, to Vita and to her gardening style. It is basically a compilation of

Magnus Linklater

Fleet Street’s ‘wild Irish girl’

In her early days on Fleet Street, Mary Kenny, as she herself admits, was cast as ‘the wild Irish girl’, and did her best to live up to it. She held her own with the drinkers at El Vino’s, gave new meaning to the phrase ‘talking about Uganda’ when discovered in flagrante with an African lawyer, and later rode the ‘condom train’ to flout Ireland’s contraception laws. Some of these stories surface in her memoir, Something of Myself and Others; others she draws a veil over, with a Catholic reticence of which her mother would doubtless have approved. Or perhaps she simply cannot remember them all. ‘Like much of my

Alan Judd

‘A public urinal where ministers and officials queued up to leak’

Anyone brought up as I was in a Daily Express household in the 1950s — there were approaching 11 million of us readers — knew the writings of Chapman Pincher. His frequent scoops, mostly defence- or intelligence-related, sometimes political, scientific or medical, were unusually well-sourced and headline-grabbing. Now, aged 100, he has written his autobiography. He writes as directly and vividly as ever. After an enjoyable Darlington childhood, he progressed through grammar school to King’s College, London, where he won prizes for zoology and botany and published research papers as an undergraduate. He became a teacher and got into freelance journalism via the Farmer & Stockbreeder. A scientific future beckoned

Sam Leith

Management consultancy! Sculpture park! Sports stadium! The many faces of the Delphic Oracle

‘In ancient times … hundreds of years before the dawn of history, lived a strange race of people … the Druids. No one knows who they were … or what they were doing. But their legacy remains … hewn into the living rock … of Stonehenge.’ The unforgettable opening of Spinal Tap’s song ‘Stonehenge’ was much in my head as I read this scholarly history of Delphi. We use the word ‘delphic’ to mean riddling, ambiguous, difficult to parse. It applies just as much to the history of Ancient Greece’s most sacred site as it does to the pronouncements of its oracle. No one knows who they were … or

Wednesday

19 Mar 2014

Kate Maltby

‘Nijinsky disguised as Nigel Farage’: Angela Lansbury stars in Blithe Spirit. Review.

Blithe Spirit Gielgud Theatre If you’d asked me before this week, I’m afraid I’d have guessed Angela Lansbury had already reached the spirit world. I’ve always imagined her eternally inhabiting the mid-twentieth century, as the prim but decidedly experimental home front heroine in Bednobs and Broomsticks (1971) or the icy Cold War matriarch in The Manchurian Candidate (1962). Yet at the age of 88 she’s alive and kicking – nigh twerking – at the Gielgud Theatre in Blithe Spirit, Noel Coward’s tale of a newly re-married widower, who inconveniently rouses the ghost of his first wife and finds himself committing “astral bigamy”. In 1941, Blithe Spirit constituted wartime escapism for Coward, so with her clipped vowels and Queen Mother