Book Reviews

Our reviews of the latest in literature

How to get old without getting boring

When one notices the first symptoms of senile dementia (forgetting names, trying to remember the purpose of moving from one room to another, and so on), books can be wonderfully helpful. At the age of 80, Penelope Lively, the prolific, generally esteemed, novelist, has written an encouraging guidebook for the ageing: For me, reading is the palliative, the daily fix. Old reading, revisiting, but new reading too, lots of it, reading in all directions, plenty of fiction, history and archaeology always, reading to satisfy perennial tastes, reading sideways too — try her, try him, try that. Born Penelope Low in Cairo and brought up there and in England, she read

Is your dog enjoying more than physical exercise when you walk him?

Skip this book if you dislike dogs, or even if you are indifferent to them, or echo an acquaintance of Brian Sewell’s who told him: ‘We expected better of you than such silly, sentimental anthropomorphism.’ If you are such a person, you will be horrified by Sewell’s habits — starting with the one of the title (sometimes he sleeps with four dogs together). He also feeds his dogs from the table, doesn’t care when they destroy his rarest books to devour the animal-based glue in the bindings, and dislikes being advised to ‘get another dog’ when one of them dies, About the death of one of his favourites, he has

What happens when journalists take sides

This is a curious book. Its title and the name of its publisher suggest that it is going to be an indictment by two journalists of their old profession. These two are now safe and snug in higher education: Stewart Purvis, a former chief executive of ITN, became Professor of Television Journalism at City University in London, where Jeff Hulbert is an honorary research fellow. For here the roll-call begins: up first is W.N. Ewer, who between the wars wrote for the Daily Herald and is mysteriously thought to have been responsible for the lines ‘How odd/ Of God/To choose/The Jews’, though Purvis and Hulbert do not mention this. Instead,

How to avoid bankers in your nativity scene

In the vast Benedictine monastery of Monte Oliveto Maggiore between Siena and Rome, the cycle of frescoes depicting the life of St Benedict by Giovanni Anionio Bazzi includes a charming self-portrait of the artist standing with a couple of pets at his feet, for all the world a 16th-century Italian Dorothy with a brace of Totos. (A detail of the painting is reproduced overleaf.) Bazzi did not earn his popular soubriquet of ‘Sodoma’ for nothing — though Vasari is not always reliable — but if his life was the scandalously licentious and dishonourable thing that Vasari would have us believe, then this only places him in the mainstream of the

Gower vs Boycott

Ask any England cricket fan in his fifties to name his favourite batsman and chances are he will say David Gower. (Unless he says Geoffrey Boycott: the cavaliers and roundheads tend to divide along these lines.) In 114 Tests between 1978 and 1992, Gower’s elegance, timing and grace bewitched us all, not least because we knew that he would probably steer something innocuous to second slip two balls before tea. His latest autobiography, An Endangered Species (Simon & Schuster, £18.99), reveals the vast fluctuations of confidence suffered at the crease by this most apparently nonchalant of characters, who now spends his days fronting Sky Sports coverage and clearly looking forward

Competition: Following in the footsteps of Virgil

Spectator literary competition No. 2821 Following in the footsteps of Virgil This week, in a challenge inspired by Virgil’s Georgics, you are invited to supply a poem that provides instruction or useful information. The Georgics, a didactic poem that spans four books, is part agricultural manual, part political poem. Although it was published way back in 29 BC, or thereabouts, its lessons can still be applied today: a team of Italian archaeologists recently planted a vineyard using wine-growing techniques prescribed by Virgil. Please email entries, of up to 16 lines, to lucy@spectator.co.uk by midday on 23 October. Here are the results of this week’s challenge, in which competitors were invited to merge

Jenny McCartney

Malcolm Gladwell is wrong about the Irish

Malcolm Gladwell, the curly-haired, counter-intuitive guru of modern thought who wrote The Tipping Point and Blink, certainly has a readable style, and often a striking way of turning received notions on their head. His latest book, David and Goliath — about the inspiring advantages of perceived disadvantage — is accompanied by a much-hyped speaking tour, the blurb for which describes him as a ‘global phenomenon’. In it, among other topics, he plunges into the origin of the Troubles in Northern Ireland, but the location wasn’t his first choice. He recently told the Telegraph’s literary editor, Gaby Wood, that he had wanted to write about Israel but chose Northern Ireland instead

The Empress Dowager was a moderniser, not a minx. But does China care?

For susceptible Englishmen of a certain inclination — like Sir Edmund Backhouse or George Macdonald Fraser — the Empress Dowager Cixi was the ultimate oriental sex kitten, an insatiable, manipulating dominatrix who brought the decadent Manchu empire to its knees. While all seems lost, as foreign troops burn the Summer Palace in Peking, she is to be found, thinly disguised, in the pages of Flashman and the Dragon, locked in our hero’s rugged embrace. More recently, it has suited communist historians to concur with Flashman that she was ‘a compound of five Deadly Sins — greed, gluttony, lust, pride and anger — with ruthlessness, cruelty and treachery thrown in’. In

What a coincidence

If you are going to read a novel that plays with literary conventions you want it written with aplomb. In Three Brothers we are not disappointed, as Peter Ackroyd shows a deftness of touch that comes from being a real master. Here his theme is families. Or rather, it is London. Or rather, it is the use of coincidence as a plot device. In fact it is all three, but perhaps the most important is coincidence. As a literary device, coincidence is the presence of the author in the novel acting like an ancient Greek god directing events. This is apparent from the start when, in almost fairytale fashion, Ackroyd

Queen Victoria, by Matthew Dennison – review

When Prince Albert died in 1861, aged 42, Queen Victoria, after briefly losing the use of her legs, ordered that every room and corridor in Windsor Castle should be draped in black crepe. As a result, the country’s entire stock of black crepe was exhausted in a single week. One of the key factors of Victoria’s reign for Michael Dennison is that it was — not always consciously — a ‘performance monarchy’, in which the Queen sat in carefully fashioned stage-sets at Windsor, Balmoral or Osborne being discreetly ogled by the populace. This public posturing helped gloss over Victoria’s ‘dizzying’ contradictions, and the purpose of this short biography is to

Mastering the Art of Soviet Cooking, by Anya von Bremzen – review

The early 1990s in Russia were hungry years. At the time, I was a student, too idle to barter and hustle for food, and the collapse of the planned economy had left the shops empty. Instead, we staved off hunger- pangs with cigarettes, and if edible matter came our way, we fell upon it like locusts. More often than not, it took the form of the Soviet staple, Salat Olivier — Russian salad, plastered so thickly with mayonnaise that the ingredients were unidentifiable. (I notice that even the act of typing these words makes my mouth water; a complicated rush of nostalgia, anxiety and greed.) Like most aspects of late

Clumsy and heavy, Goliath never stood a chance

When we think of David and Goliath, we think of a young man, not very big, who has a fight with a terrifying opponent, and wins. We think of David as puny and Goliath as towering and strong — not to mention heavily armed. We see David’s victory as something that happened against all odds. The story of David and Goliath is, as Malcolm Gladwell puts it, ‘a metaphor for improbable victory’. Well, that’s how we think about it, anyway. But the thing is, apparently, we’ve got it all wrong. Gladwell, one of the most influential non-fiction writers in the world, often asks his reader to take a closer look

Breakfast with Lucian, by Geordie Greig – review

According to the medical historian Professor Sonu Shamdasani, Sigmund Freud was not the best, nor actually the most interesting, psychoanalyst in early 20th-century Vienna.  Rather, Freud’s genius lay in creating a loyalty cult around himself, collecting a group of acolytes who would ensure his reputation.  This is worth bearing in mind when considering the life of his grandson, the painter Lucian Freud, who died in 2011. Lucian was famous for his secrecy. ‘Devious and secretive. I have been described as that,’ he tells Geordie Greig, not without a certain pride. He demanded a strict omertà of his intimates. There was a great deal to be furtive about: vast gambling debts,

A Strong Song Tows Us, by Richard Burton – review

How minor is minor? ‘Rings a bell’ was more or less the response of two English literature graduates, now successful fifty-somethings, when asked what the name Basil Bunting meant to them. It is, after all, a good name, a memorable name. I asked a younger friend, about to start his Eng. Lit. degree at Keble: ‘Nothing.’ I asked a former literary publicist: ‘No, nothing.’ I quizzed a chap from the FCO: ‘Nothing, I’m afraid. Sorry.’ Perhaps not deep research, but I’d be surprised if Basil Bunting’s work was familiar to anyone not a poet or scholar of English modernism. Is this as it should be? Does he deserve a 600-page

Darling Monster, edited by John Julius Norwich – review

It must have been awful for Diana and Duff Cooper to be separated from their only child during the war, but we can be grateful for it because it’s a joy to read the correspondence it gave rise to. The letters in this book span the years 1939 to 1952 and take in the Blitz, Diana’s short spell as a farmer in Sussex, a trip to the Far East, when Duff was collecting intelligence on the likelihood of a Japanese invasion, the couple’s three years in the Paris embassy, and several more in their house at Chantilly, as well as a great number of journeys around Europe and North Africa.

What caused the first world war?

The centenary of August 1914 is still almost a year away, but the tsunami of first-world-war books has already begun. The government tells us that 1914 must be commemorated, not celebrated, and ministers worry about British triumphalism upsetting the Germans. But the debate about Germany’s responsibility for the outbreak of war in 1914 won’t go away. Historians are divided into those who blame Germany — John Rohl, Max Hastings — and those who point the finger at someone else, such as Serbia (Christopher Clarke) or Russia (Sean McMeekin) or even Britain (Niall Ferguson). The blame game is of course conceptually flawed. The international system in 1914 was seriously dysfunctional. The

Competition: provide a PS to a classic

Spectator literary competition No. 2820 Barbara Hardy’s Dorothea’s Daughter and Other Nineteenth Century Postscripts is a collection of short stories in which Professor Hardy imagines significant conversations between characters some time after their novel has ended. These postscripts enter into dialogue with the original narratives by developing suggestions in the text rather than changing the plot in any way. How about coming up with your own postscript to any well-known novel? Please email entries, of up to 150 words, to lucy@spectator.co.uk by midday on 16 October. Here are the results of this week’s challenge, in which competitors were invited to provide poems, in the manner of Harry Graham, questioning the

Steerpike

Take 2 for Godfrey Bloom’s book

Godfrey Bloom has finally rescheduled his postponed book launch. The Ukip MEP, who resigned after his unguarded comments at the party’s recent conference, was due to launch his book A Guinea a Minute in London, but the event was cancelled when the media scrum engulfed the Ukip conference. Well, the invitations have gone out again. They state very clearly that the event is ‘Guest List Only’ and that there will be ‘no pre-launch interviews’. Rather wisely, perhaps. And, as an added precaution, the event will be held in Yorkshire. It seems that the old boy doesn’t want us hacks to come!