Book Reviews

Our reviews of the latest in literature

Boliver, by Marie Arana – review

So here we go again into a heart of darkness:  the humbug and horror which is the history of Spanish South America ever since Columbus landed on the island of Hispaniola. Now modern Haiti and the Dominican Republic, the island’s population had within a few decades of Columbus’ arrival, through genocide and disease, been reduced to barely 200. And that was just the beginning. No Christian nation has ever trailed such a shameful colonial past, which is why the colonists must feel the need to assemble what they see as its glories. This, the 2,684th book about Simon Bolívar, is subtitled ‘The Epic Life of the Man Who Liberated South

The Girl from Station X, by Elisa Segrave – review

On her seventh birthday, Elisa Segrave’s five-year-old brother Raymond drowned in their grandmother’s swimming pool. From that day onwards, her mother Anne was emotionally detached and alcoholic. ‘My mother was only 42 when I, my father and my two remaining brothers lost her — to grief.’ Rebuffed by her mother in the days after Raymond’s death, Segrave writes chillingly of the moment she began to hate her dead brother. Years later, when Anne was suffering from Alzheimer’s, Segrave came upon her diaries and discovered that her mother had been one of the highest-ranking women at Bletchley Park, had worked in bomber command and had visited Germany as part of the

The Flamethrowers, by Rachel Kushner – review

This bright, burning flame of a novel takes place in the art world of 1970s New York. Our guide to this scene of glittering parties and eccentric characters — such as the White Lady, who wears white and goes to a grocery store to buy ‘milk, white bread, a can of hominy, and two jars of mayonnaise’ — is Reno, a young aspiring artist. Alone and new to the city, Reno asks herself, ‘How do you find people in New York City?’ She relies on chance: ‘Chance shaped things in a way that words, desires, rationales could not. Chance came blowing in, like a gust of wind.’ She chances her

The Spinning Heart, by Donal Ryan – review

Despite being so short, The Spinning Heart certainly can’t be accused of lacking ambition. Over the course of its 150-odd pages, Donal Ryan’s first novel introduces us to no fewer than 21 narrators living in or around the same small town in the west of Ireland. One by one, they reflect on their lives, past and present. Between them, though, they also tell us the story of a local kidnap and then of a local murder. This plot element is handled with considerable deftness — the various clues, perspectives, overlaps and contradictions duly coalescing into a single, comprehensible account. Yet, in the end, it only ever seems a handy framework

Edwardian Requiem, by Michael Waterhouse – review

The photograph on the jacket, reproduced above, says it all — or at least all of what most of us think we know about Sir Edward Grey. Patrician, reflective, dignified, he stares into the future with the uncompromising honesty of one who has never even contemplated straying from the paths of rectitude. In fact, he was more interesting than that, but Michael Waterhouse’s thoughtful biography reveals that the image and the reality were not so very different. Grey’s private life was a little more chequered than might have been expected.  Though properly cautious about what can be no more than surmise, Waterhouse credits Grey with several extramarital affairs and at

The Men Who Lost America, by Andrew O’Shaughnessy – review

On Christmas Day 1776, the ambitious, well-connected war hero, General John Burgoyne, soon to be appointed commander of British forces in Canada, agreed a wager of 50 guineas with Charles James Fox ‘that he will be home victorious from America by Christmas Day 1777.’ Nine weeks short of that date, on 17 October, Burgoyne surrendered his sword and an army of more than 8,000 men, together with 50 cannon and vast quantities of muskets and gunpowder, to an American general, Horatio Gates, after defeat and encirclement at the battle of Saratoga in upstate New York. No bet was ever more comprehensively lost. The victory at Saratoga, won by citizen-soldiers over

Jane Austen and Winston Churchill are practically the only credible banknote candidates

Silly season is here. A minor row has broken out over which long-dead figures should appear on the reverse side of Bank of England notes. I can’t be bothered to relate the details because you’ve all got better things to do like water the garden, fix lunch or watch Loose Women. Basically, Sir Mervyn King’s got it in the neck from the Continuity Bien Pensants by seeming to back Winston Churchill and Jane Austen for this dubious accolade. So far, so ludicrous. But there’s one more point worth making. The criteria for this banknote business are that the subject must be enduringly famous and recognisable. This does rather limit the field, particularly

Timothy Beardson interview: It’s urgent that China reforms

Recent convulsions in China’s banks will not, I suspect, have surprised Timothy Beardson, a sinophile, veteran Hong Kong financier and author of Stumbling Giant: The Threats to China’s Future. He argues that China’s extraordinary growth over the last 30 years has come in spite of its banking system. A dinner party might speculate where China would be if not for Mao; but a more immediate question is: where would China be if its banking system supported the private sector? “If the economy has grown by 10 per cent for 30 years, as is reported (and I think that the data in China is very frail – it probably hasn’t grown

The week in books | 24 June 2013

This week’s issue of the Spectator is packed with book reviews. Here’s a selection of quotes to whet your appetite. Old China hand Jonathan Mirsky finds much to applaud in Rana Mitter’s history of the Sino-Japanese war. ‘Into the Fifties, as Mitter outlines, a storm gathered in the US over ‘who lost China’; and those Americans who had praised Mao and had urged Washington to deal seriously with him were vilified — chiefly by Senator McCarthy — as ‘Comsymps’ who had engineered the ‘loss’. All this is well handled by Mitter. But he appears not to know that one significant figure, John Service, a China-born foreign service officer, more than

The odd couples

This is the first post in an occasional series about rediscovering old science books. Twins, Lawrence Wright posits, pose a threat to the established order. People have long been scared of, and intrigued by, them. The doppelganger holds a special place in the gothic canon, whilst some cultures have even seen men cutting off a testicle in the hope it would eliminate the possibility of twin-bearing. Conversely, twins have been held up in voodoo ceremonies as objects of worship or been the subject of televised wonder and investigation. Whether the sentiment is positive or negative, we see them as an aberration and have tended to hold such specimens at arm’s

Constance, by Patrick McGrath – review

Patrimony and infidelity are defining themes of the Anglo-American relationship, as they are of Constance, a novel with alternating narrators: Sidney Klein is English, in his forties, and an authority on Romantic literature. Constance Schuyler is American, 22, and believes her father hates her. Their new marriage enters crisis when Constance’s family reveals her origins in a Lady Chatterley-like tryst between her English mother and the groundsman at the family’s Hudson Valley estate, who committed suicide before she was born. (Did her parents know that ‘Constance’ was Lady Chatterley’s first name?) New York in the 1960s hosts a tale dense in literary and historical allusion. Anglo-American themes are complicated: Constance

The Astronaut Wives Club

There I was, slowly and not ungrumpily coming to terms with the fact that there weren’t going to be any more decent books about the Apollo missions. Only 12 men ever walked on the Moon, and the ones that were interested in writing autobiographies had already done so. There’d been the brilliant one-volume history of the whole project (Andrew Chaikin’s A Man on the Moon), and the personal memoir of what it meant to an ordinary kid growing up at the time (Andrew Smith’s Moondust). There were the big glossy coffee-table jobs showing every crater, and Norman Mailer’s over-written but still revealing account of being at Houston and Cape Kennedy,

‘The Shakespeare of the lunatic asylum’ – review of The Dostoevsky Archive by Peter Sekirin

After you decapitate someone, might their severed head continue thinking? Prince Myshkin holds his audience spellbound with this macabre inquiry in The Idiot, a great novel whose author, Fyodor Dostoevsky, was once called the Shakespeare of the lunatic asylum. Each of his great novels concerns a murder (one a parricide); most also touch upon the sickening theme of the rape of a child. The writer Lafcadio Hearn warned that reading him might actually drive you mad: it can certainly invoke pity and terror, embarrassment and laughter. Dostoevsky’s life was even weirder than his fiction. He was born in 1821, the son of a surgeon whom he believed to have been

Song Without Words, by Gerald Shea – review

At the age of six, Gerald Shea had scarlet fever. The sounds of birds passed into memory to be replaced by the sound of locusts. Not only had Shea developed tinnitus, he had lost the ability to hear high frequencies.   Broadly speaking, he could only hear vowels, not consonants. If you can hear vowels, you can grasp the intonation and the feel of what is said, but not get much meaning. He calls this his ‘language of lyricals’. Neither Shea nor his family realised that he was now partially deaf, and thus slightly out of sync with the world. My own experience of deafness is different: I was born deaf,

Paul Nash, by Andrew Causey – review

Andrew Causey opens his book on a slightly defensive note: Paul Nash, he says is often identified as Britain’s outstanding 20th-century landscape painter, as if painting the natural scene was the only thing he did, or landscape art as a genre is entirely separable from others, such as portraiture or history painting. It is unexpected to find that at least among art historians the idea of landscape painting as a lesser genre still lingers. To the general public Paul Nash is as likely to be familiar as an official war artist of both world wars, author of one of the most indelible images of the Great War, ‘We are Making

China’s War with Japan, by Rana Mitter – review

The Sino-Japanese struggle that began in 1937, two years before the rest of the world plunged into war, is not as unknown as Rana Mitter, a professor of Chinese history and politics at Oxford, contends in this comprehensive new book. His copious notes, after all, display how well that conflict has been studied by many scholars. But in the sense that few Westerners under the age of 80 can string more than two sentences together about those terrible eight years, he is right. It is a big story, and for the most part Mitter tells it well. The scene — China — is vast. Two competing leaders, Chiang Kai-shek and

Things I Don’t Want to Know, by Deborah Levy – review

In her powerful rejoinder to Orwell’s 1946 essay ‘Why I Write’, Deborah Levy responds to his proposed motives for writing — ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ — with illuminating moments of autobiography. Levy begins one spring when she was crying on escalators, ‘at war with my lot’. She flies to Majorca, where, stuck on a mountain the night she arrives, she takes comfort in ‘being literally lost when I was lost in every other way’. Reading her notebooks later, she alights on a Polish director’s advice to a young actress: ‘to speak up is not about speaking louder, it is about feeling entitled to voice a

Backing Into the Light, by Colin Spencer – review

Colin Spencer first came to my notice in the Swinging Sixties when a fellow undergraduate alerted me to his larky romp Poppy, Mandragora and the New Sex, the first novel since Woolf’s Orlando to treat of transexuality. It was published in 1966, two years before Gore Vidal’s Myra Breckinridge, and I associated Spencer with the ‘sexual allsorts’ group around the publisher Anthony Blond at that time. But he didn’t build on it and seemed to fade away. Now I know why: he never quite knew what he wanted to be — gay or straight, a family man or a rover, a writer, musician, painter or horticulturalist. The next time I