Book Reviews

Our reviews of the latest in literature

Tuesday

Olivia Potts Olivia Potts

The pleasure of reliving foreign travel through food

The idea of the kitchen as a space for transformation and transportation is not a new one. Many writers have explored the room’s ability to offer both domesticity and alchemy at the same time – how it allows cooks to travel vicariously through the food they make. This is the subject of Cold Kitchen, Caroline Eden’s memoir of her time spent in her kitchen in Scotland and of her travels to Eastern European and Central Asian cities – and somehow she makes it fresh and compelling. She is an author and critic who has written extensively about the food and culture of the countries of the former Soviet Union. Black

Tibor Fischer

What will we do when all our jobs are done for us?

Laughs are in short supply in the academic world unless that world is serving as the victim of satire. So full marks to the Swedish philosopher Nick Bostrom for loading Deep Utopia – his reflections on life in a ‘solved world’, perfected by technology and science – with self-mockery and slapstick. Bostrom isn’t the first to fret about the travails of extreme leisure. John Maynard Keynes feared that economic abundance would produce more disgusting aristo-like behaviour. It’s nice to see how mighty minds can be so wrong. Bostrom cites John Stuart Mill being seriously depressed by the prospect, as humanity solved its problems, of there not being enough music to

Dorian Lynskey

When it comes to krautrock, it’s impossible not to mention the war

In recent years, sensitive music critics have attempted to replace krautrock with kosmiche as the consensus term for the wild and wonderful music that exploded out of West Germany during the 1970s: Can, Neu!, Cluster, Faust. A word that literally translates as herb-rock, cooked up by glib Brits who had read too many war comics, lacks a certain gravitas, and nobody would describe Tangerine Dream or Kraftwerk as rock anyway. The Hamburg journalist Christoph Dallach opens his invigorating oral history with a spirited argument about the label, but sticks with it anyway. So krautrock it remains. In this story, it is impossible not to mention the war because no country

Christopher Akers

The roots of anti-Semitism in Europe

The medieval trope that Jews are inherently bloodthirsty has echoed down the ages. Forms of the blood libel have been disseminated ever since the myth emerged in England in the 12th century with claims that Christian children were being ritually murdered by Jews in re-enactments of the crucifixion of Jesus. In the aftermath of 7 October, Labour’s Rochdale by-election candidate Azhar Ali accused Israel of lowering its defences so that it could justify the shedding of innocent Palestinian blood. Gigi Hadid, the American model, shared a video which alleged that Israel is harvesting the organs of Palestinians. The International Criminal Court’s pursuit of arrest warrants for the Israeli Prime Minister

Owen Matthews

Distrust and resentment have plagued Anglo-Russian relations for centuries

Has a book ever been more bizarrely mis-titled than this one? The First Cold War: Anglo-Russian Relations in the 19th Century has nothing whatever to do with the actual Cold War, nor is it for the most part concerned with the 19th century. Rather, Barbara Emerson has written a thorough and often diverting diplomatic history of Anglo-Russian relations from the 16th to the early 20th century. This period encompasses at least 14 wars in which British and Russian troops found themselves embroiled, sometimes on the same side, sometimes on opposite sides. None of these wars was remotely ‘cold’. Nor does Emerson attempt to make any argument that the shifting great

Anna Aslanyan

Citizens of nowhere: This Strange Eventful History, by Claire Messud, reviewed

Any personal history is hard to fictionalise, not least because the story needs to be both universal and unique. Claire Messud manages to find the right balance in her latest novel, reconstructing her family’s past in vivid episodes that open a multitude of windows on to the world. Continents and decades chase one another as the narrative traces the movements of the Cassar family. Hailing from Algeria, for much of the book they are citizens of nowhere. Their tribulations begin in 1940, when Lucienne and her children, François and Denise, flee Greece (where their father, Gaston, has been posted as the French naval attaché) to wait out the war in

James Campbell

Paris is perhaps the greatest character in Balzac’s Human Comedy

Open one of the major novels by Honoré de Balzac and you are likely to encounter a sentence such as this, from Cousin Bette: ‘Towards the middle of July, in the year 1838, one of those vehicles called milords, then appearing in the Paris squares for the first time, was driving along the rue de l’Université.’ Or this (from César Birroteau): ‘On winter nights there is no more than a momentary lull in the noise of the rue Saint-Honoré.’ It is the same story in Père Goriot (rue Neuve-Sainte-Geneviève), Cousin Pons (Boulevard des Italiens) and others. From the first words of the tale, the reader is cast into the drama

Saturday

Natasha Feroze

Natasha Feroze, Robert Ades, Lucasta Miller, Sam McPhail, Toby Young and Catriona Olding

38 min listen

On this week’s Spectator Out Loud: Natasha Feroze reports on the return of ex-Labour MP Keith Vaz (1:10); Robert Ades presents the case against sociology A-level (7:39); Lucasta Miller reviews Katherine Bucknell’s book, Christopher Isherwood Inside Out (15:24); Sam McPhail provides his notes on the lager Madri (23:16); Toby Young explains why he will be voting Reform (26:23); and, Catriona Olding reflects on love and friendship (31:17). Presented by Patrick Gibbons.  

Wednesday

Sam Leith Sam Leith

Marlon James: A Brief History of Seven Killings

40 min listen

My guest in this week’s Book Club podcast is Marlon James, who ten years ago published his Booker Prize winning novel A Brief History of Seven Killings. He tells me how that remarkable book came about, how he feared it would be ‘my Satanic Verses’, what genre means to him, the importance of myth, and what he learned from the X-Men.

Tuesday

Caspar Henderson

The good old ways: nature’s best chance of recovery

Britain is one of the most nature-depleted places on Earth. The consequences for human wellbeing and resilience, as well as for non-human life, are grave. Conservationists and others say it doesn’t have to be this way. But when it comes to recovery, what should we aim for? How much can we know about what was once present? How much is it practicable or sensible to restore? What does recovery, let alone ‘rewilding’, really mean in a rapidly heating world? Sophie Yeo does not have the answers to all of these questions. Nobody does. What she does offer in Nature’s Ghosts are insights that could help shape a better informed and

Marcus Nevitt

Disgusted of academia: a university lecturer bewails his lot

There’s a beautiful moment in I Am the Secret Footballer (2012), a Guardian column turned whistle-blower memoir, when the anonymous author is momentarily freed from an enveloping depression caused by his career as a professional sportsman. He’s at Anfield to play against Liverpool in one of the biggest games of the season when he picks up a pristine, unused football before a warm-up drill and, inexplicably, sniffs it. With that inhalation he’s transported from the corruption, pressure, scandalous abuse and monstrous egos of elite sport and for a few seconds becomes a kid uncontainably excited at the prospect of kicking a new ball around his council estate. This Proustian reverie,

Stuart Kelly

Kapows and wisecracks: Fight Me, by Austin Grossman, reviewed

Superheroes are the trump card of genres. As a rule of thumb, if a novel has a murder, it’s ‘Crime’; if it has a murder on a space station, it’s ‘Science Fiction’; and if it has a murder on a haunted space station, it’s ‘Horror’. But a novel with crimes, robots, faeries, cavemen, magic, cyborgs and time travel can only be ‘Superhero’. It is rarely successful outside the graphic variety, possibly because such strenuous suspension of disbelief is best managed in comics. Yet it can be done. Michael Chabon’s The Amazing Adventures of Kavalier and Klay is one, while Lavie Tidhar’s Our Violent Century and Nick Harkaway’s Titanium Noir are

Elizabeth Goldring

At last we see Henry VIII’s wives as individuals

Divorced. Beheaded. Died. Divorced. Beheaded. Survived. Nearly 500 years after the death of Henry VIII, can there be anything new to say about his queens: Katherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Katherine Howard and Katherine Parr? Does the world need another book about this sextet? The answer to both questions, as this elegantly written and sumptuously illustrated volume makes clear, is a resounding yes. Published to coincide with the National Portrait Gallery’s exhibition of the same name (20 June-8 September), Six Lives is a collection of concise, accessible essays written by experts with specialist knowledge of Tudor painting, music, jewellery, manuscript illumination and book binding, among

Leyla Sanai

The diary of a dying man: Graham Caveney’s poignant cancer memoir

Reading this third memoir by Graham Caveney, a knot in my chest tightened. It wasn’t only because it’s a cancer memoir; it was because the unfolding of history so often shows that abuse begets self-destructive behaviour. To parody Auden: I and the public knowWhat all healthcare staff learnThose to whom evil is doneDestroy themselves in turn. Caveney’s two previous memoirs, The Boy with the Perpetual Nervousness and Agoraphobia, outlined his working-class childhood in Accrington, Lancashire, and his winning of a place at a Catholic grammar school. But where the school succeeded in helping him achieve his aim of becoming a writer, it also screwed with his head, because he was

Tim Newark

Jam-packed with treasures: the eccentric Sir John Soane’s Museum

Sir John Soane’s Museum is one of London’s most eccentric buildings, containing a riot of classical fragments, paintings, architectural models and plaster casts jammed in to overflowing narrow galleries packed into a Georgian town house in Lincoln’s Inn Fields. Soane viewed it as a reflection of his busy intellect, ‘studies for my own mind’, he said, and Bruce Boucher’s new book reveals how the architect, famous for designing the Bank of England, put together the remarkable collection that visitors can still see today. The author was director of the Soane Museum from 2016 to last year, and his privileged access to its archives ensures we get an insider’s view of

Mike Jakeman

The sheer drudgery of professional tennis

Wimbledon’s starched whites, manicured flower beds and hushed silence enable tennis to present itself as a genteel sport. But Wimbledon only represents tennis in the way that an Olympic 100m final represents athletics. It is the best players in the best setting for a brief period. Actual tennis, the day-to-day life of a regular player on the circuit, is very different. It is relentless, stingy and unsentimental. The most surprising thing about The Racket, Conor Niland’s bruising account of his career as a good (but not great) tennis player, is that he emerges with both his sanity and his compassion intact. Tennis is not an easy game to break into.

Nick Macpherson

The costly legacy of Margaret Thatcher’s monetarism

Post-war British economic history is littered with failed policy panaceas. Keynesian demand management would solve the unemployment problem; the Exchange Rate Mechanism would provide an anchor for stability and end sterling’s perennial weakness; the Barber and Kwarteng budgets – separated by 50 years – would throw off the shackles of Treasury orthodoxy and put the country on a path to higher growth. On the face of it, monetarism – the theory that if you control the money supply, you control inflation – fits squarely into this paradigm. As soon as government sought to control the money supply, the historic relationship between money and inflation broke down. But partly because inflation

Lucasta Miller

A long goodbye to Berlin

Christopher Isherwood pioneered what is now known as ‘autofiction’ long before it acquired that label. His best known work, Goodbye to Berlin (1939), which later inspired the musical Cabaret, was based on the diaries he kept while living in the Weimar Republic in his twenties. He’d already used the material before in Mr Norris Changes Trains (1935), a brilliant black comedy thriller that deserves to be read alongside more supposedly serious works of modernism. Forty years later, he reworked the experiences yet again in Christopher and His Kind (1977), in which he finally made explicit, for the new gay liberation era, what had been suppressed in the earlier works: his

Saturday

Max Jeffery Max Jeffery

Max Jeffery, Melanie McDonagh, Matthew Parris, Iain MacGregor and Petronella Wyatt

28 min listen

On this week’s Spectator Out Loud: Max Jeffery reports on the rise of luxury watch thefts in London (1:18); Melanie McDonagh discusses the collapse of religion in Scotland (5:51); reflecting on the longevity of Diane Abbott and what her selection row means for Labour, Matthew Parris argues that shrewd plans need faultless execution (10:44); Iain MacGregor reviews Giles Milton’s book ‘The Stalin Affair’ (17:30); and, Petronella Wyatt ponders her lack of luck with love (21:49). Presented and produced by Patrick Gibbons. 

Thursday

Lara Prendergast Lara Prendergast

The Farage factor

45 min listen

This week: The Farage factor. Our cover piece looks at the biggest news from this week of the general election campaign, Nigel Farage’s decision to stand again for Parliament. Farage appealed to voters in the seaside town of Clacton to send him to Westminster to be a ‘nuisance’. Indeed, how much of a nuisance will he be to Rishi Sunak in this campaign? Will this boost Reform’s ratings across Britain? And could it be eighth time lucky for Nigel? The Spectator‘s political editor Katy Balls joins the podcast to discuss, alongside former Clacton and UKIP MP, Douglas Carswell (2:32). Then: Gavin Mortimer reports from France ahead of the European and local