Book Reviews

The first biography of Vaslav Nijinsky, which appeared in 1934, was written by his wife Romola with the help of two ghosts — the young Lincoln Kirstein and Little Blue Bird, an obliging spirit called up by a psychic medium to provide information from beyond the grave. Needless to say, the book wasn’t entirely accurate; and nor, two years later, was her edition of Nijinsky’s confessional diaries, a stream-of-consciousness record of his descent into madness, which she censored, restructured and cut by over a third. It took Richard Buckle’s now classic life of the dancer (published in l971 and amended after Romola’s death) to sort fact from fiction and recreate

As an early dedicated fan of the Doors, who ran away from boarding school just so that I could catch my idols playing the massive Isle of Wight festival (a gathering of the Hippie tribes that in retrospect marked the end of the peace ‘n love era) I approached this book with more than casual interest. I saw and heard two of its subjects – Jimi Hendrix and my hero Jim Morrison – give what turned out to be their swansongs that sweaty August night on the island. Both were dead within the year. Both were aged 27, as were rock biographer Howard Sounes’s other subjects: Brian Jones of the Rolling

Writing, as I have done, about the Bodleian’s holdings of Jane Austen or Byron is all very well, but our most prolific author is Anon. He (or she) leaves his (or her) elusive  traces everywhere – in ancient papyrus fragments, clerkly rolls of the middle ages, early-verse anthologies, copperplate accounts of long lost estates. Or, in one case, a manuscript volume of rhymes and songs just acquired from our friendly neighbour, Blackwell’s. The book dates from around 1800 and is barely bigger than a playing card. Its physical format suits the person for whose little hands it was intended, an infant girl in the nursery. It is barely holding together

It’s refreshing to hear an eminent scientist like Professor Steve Jones concede that their discipline has delivered less than it promised, and to hear him voice scepticism about the pace of technological development. Society’s reverence for the digital, the technological or the scientific often reaches unnerving degrees; so it’s instructive to hear someone at the vanguard of progress caution that it is ‘always a big mistake’ for technology to run ahead of human understanding. I’d be interested to know what he thinks should be done about this problem. But, what is it about certain people’s attitude to religious faith? I reproduce Jones’ answer to JP O’Malley’s final question in full:

I was on a train when it happened. I was bent double with my head between my knees, gasping for air and unable to speak. The Surrey matriarch sitting opposite leant forward to ask me if she could help. I imagine she thought that I was choking, or perhaps suffering cardiac arrest. In fact, I was laughing. Laughing so hard I couldn’t stop. And the more I wanted to stop, the worse it got. It was painful. My lungs rasped and the muscles in my sides contracted of their own free will. I was no longer master of myself, so you might say that I was in ecstasy. It was

It only took me twelve years as a published writer to get round to seeing one of my own books being printed. But when it came the experience set off all sorts of thoughts about books, how we see them and what their future might be. From the outside, the CPI Mackays factory on a small industrial estate outside Chatham looks just like any other factory. In fact from the inside it looks just like any other factory. Long rows of clean, modern machinery shunt products along the production line, partially hidden at just about every stage by glass-sided covers. It’s only when you peer through those glass sides that