Book Reviews

Chan Koon Chung’s previous novel, The Fat Years, was set in a gently dystopian Beijing of 2013, when a whole month is missing from the Chinese public’s awareness, and everyone is inexplicably happy. Since it first appeared in 2009, the novel has enjoyed cult success in both Chinese and English translation, even becoming, as Julia Lovell notes in her preface, a chic take-home gift from society hostesses in mainland China. It has shades of George Orwell’s Nineteen Eighty-Four and Aldous Huxley’s Brave New World, although the setting of The Fat Years may not be as brutal as either of those. Certainly, to read it now is eerie, so much has

This is the third entry in an occasional series by Christopher Fletcher, Keeper of Special Collections at the Bodleian Library. You can read the other instalments here. It’s almost two years since the Bodleian celebrated its hard-fought acquisition (nail biting auction) of Jane Austen’s manuscript draft of her abandoned novel, The Watsons. Thank you again National Heritage Memorial Fund, Friends of the Bodleian, Friends of the National Libraries, Jane Austen Memorial Trust and all supporting Janeites everywhere. Once a manuscript has been fetched into the bosom of the Bodleian, repaired, shelf-marked, and safely housed, it needs to be studied. So it was that at a seminar with Professor Kathryn Sutherland,

When he arrived in London, Burke had a very brief career in law. He soon dedicated his time to critical thinking, writing and politics. Burke published a number of ground breaking books, including: A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, and Reflections on the Revolution in France. In his new book, Edmund Burke, Jesse Norman dissects Burke’s outstanding intellect, and his career. He then asks how these ideas might be applied to modern politics. Jesse Norman is Conservative MP for Hereford and South Herefordshire. In 2012 he was named as the Spectator’s Parliamentarian of the Year. He is a member of the Treasury

Michael Sandel is a political philosopher and a professor at Harvard University. He is best known for his  ‘Justice’ course, which he has taught for over two decades. Sandel first came to prominence in 1982 with his book Liberalism and the Limits of Justice. The book offers a critique of liberalism, arguing that individuals’ needs are rooted with a sense of community and obligation to others, rather than the self. Last year, Sandel published What Money Can’t Buy: The Moral Limits of Markets. When one initially begins to read this book, it seems as if Sandel is simply stating the obvious. He asks questions that many of us think about

‘The bus company’s yellow tin sign on its concrete post seemed for a long while a forlorn flag announcing nothing,’ notes Stella, the narrator of Tessa Hadley’s new novel Clever Girl. Stella moves from childhood in 1950s Bristol through a series of episodes to end up married and financially secure. However, a ‘flag announcing nothing’ might describe some of these discrete episodes, which sometimes fail to contribute to the larger narrative of Stella’s life. It’s as if the book is a study in the misunderstanding of consequence, where this misunderstanding is played out at a formal level. An early encounter between a child and a seemingly dangerous man appears to