Book Reviews

Fobbit, by David Abrams, is an attempt at describing a wartime tour from different perspectives, including soldiers and support personnel. Chapter by chapter our viewpoint rotates within this cast of characters.  Indeed, for every three infantrymen, five soldiers are required in forward deployed locations to cook, care for wounded, file paperwork, et cetera. Abrams himself performed such a support role as a public affairs officer deployed to Baghdad in 2005. Spending most of his time on Forward Operating Bases or FOBs, Abrams was one of many Fobbits, a kind of GWOT technocrat, fighting the war from behind a desk. Two characters feature in the narrative, the Fobbit Staff Sergeant Chance

The Exiles Return has been published as a beautiful Persephone Book, with smart dove-grey covers and a riotously colourful endpaper. Before this glorious incarnation, it existed for many years as a ‘yellowing typescript with some tippexed corrections’, one of the few things that Elisabeth de Waal held on to during her ‘life in transit between countries’, one of the few things eventually handed down to her grandson, celebrated author and potter Edmund de Waal. In The Hare with Amber Eyes, Edmund de Waal told the astonishing and very moving story held in his collection of netsuke, which was also passed down through the generations. Now, in getting Persephone Books to

There is a poignant passage in Margaret Thatcher’s memoirs during which she contemplates her failure in Scotland. She seemed puzzled by this, noting that, in her view, many of her ideas and principles had at least some Caledonian ancestry. And yet, despite her admiration for David Hume and, especially, Adam Smith, there was no Tartan Thatcherite revolution. Sure, there were some true believers – Teddy Taylor, Michael Forsyth – but Scotland never warmed to the Iron Lady. And she never quite knew or understood why. Two issues, above all, led to her downfall. Europe and the Poll Tax. The former was a Westminster affair and a matter of internal internecine

Kevin Maher’s debut novel The Fields is set in the suburban streets of south Dublin in 1984. The story is narrated by Jim Finnegan: an innocent 13-year-old boy who lives in a carefree world that consists of hanging out in the local park and going on nightly bike rides with his geeky friend Gary. But shortly after his fourteenth birthday, Jim’s life drastically changes when he falls in love with a beautiful 18-year-old woman, Saidhbh Donoghue. After a brief honeymoon period their relationship turns sour when the young couple are forced to take a boat to Britain to arrange for Saidhbh to have an abortion. Both Jim and Saidhbh decide

Precocious genius will never fail to impress. But it is also very hard to relate to. Aged 14, Anthony Van Dyck painted a Portrait of a Seventy-Year-Old man that looked like a portrait by a seventy-year-old man, signed it, and marked it with his age, the idea being that the younger you are, the more impressive you are. And Van Dyck was impressive. Looking at the work he produced in his teenage years, it’s hard not to think of Julius Caesar, sniveling before a statue of Alexander the Great because he achieved so much, so young. Frankly, I feel like a loser. Which is why The Young Van Dyck, edited

Zero Six Bravo tells of 60 Special Forces operators forced to remain silent in the face of accusations of ‘cowardice’ and ‘running away from the Iraqis’ in the 2003 war. In the face of such savage media criticism, and being branded as ‘incompetent cowards’ who ran an ‘operation cluster f___’ in Iraq, the men who served in this epic mission had no way to tell their own side of the story and clear their names. Why? For two main reasons. First, because the MOD operates a policy of ‘neither confirm nor deny’ anything regarding UK Special Forces. This extends to neither confirming nor denying the very existence of such elite

‘To Oliver Cromwell’ Cromwell, our chief of men, who through a cloud Not of war only, but detractions rude, Guided by faith and matchless fortitude To peace and truth thy glorious way hast ploughed, And on the neck of crowned fortune proud Hast reared God’s trophies and his work pursued While Darwen streams with blood of Scots imbrued, And Dunbar field resounds thy praises loud, And Worcester’s laureate wreath; yet much remains To conquer still; peace hath her victories No less than those of war; new foes arise Threatening to bind our souls in secular chains: Help us to save free conscience from the paw Of hireling wolves whose gospel

If you thought that winter in Britain had gone on long enough this year, then spare a thought for the Norwegians. Winters in Norway are famously long, dark and bitter, and – for those who experience them year upon year – can be incredibly boring. During one such winter, in February 1923, two Norwegians called Nordahl Grieg and Nils Lie decided to alleviate their boredom by writing a book. The theme? A train robbery; or more specifically, a looting of the train to Bergen. The title of the book? The Bergen train was robbed in the night (or, in its original Norwegian: Bergenstoget plyndret i natt). Having written the book,

Sometimes, in the joyous lotteries we call ‘secondhand bookshops’, you find a volume that takes you back to a different era because of its physical appearance. Sometimes you find one that adds to the effect by its content – a book about Victorian cricket, perhaps, or 1950s industrial policy. But sometimes you find one that goes beyond even that: it shows you a world where books mattered in a way they simply can’t today, and indeed never will again. That’s what happened to me recently, when I bumped into a copy of the sublimely archaic How To Pronounce It by Alan S.C. Ross. Published in 1970, it has a dust-jacket