Book Reviews

Mick Jagger, the Danny La Rue of rock, impersonates a woman on the cover of the 1978 Stones album Some Girls. Vaudeville performers in the Jagger mould love to put on lipstick and ‘false bubbies’ (as Neil McKenna calls them). Boy X-Factor contestants, with their shaved eyebrows, diamond earrings and nails lovingly manicured, present an almost Gloria Swanson-like image of adornment. Perhaps it is merely romantic to suggest that the stylised wigs and gowns worn by our bishops and high court judges also have a homoerotic component. The former Pope Benedict XVI’s ruby-red pumps were nothing compared to the faux ermines worn in the House of Lords. Frederick ‘Fanny’ Park,

For a country often conceived of only in terms of its troubles with terrorism, extremists and bombs, you could easily be forgiven for thinking that, in Pakistan, all forms of cultural expression have long ceased. But, in the latest edition of Time, there’s an interesting piece by Omar Waraich about the cultural flipside of Pakistan that caught my eye. As the world’s attention has been drawn to Pakistan’s problems with Islamist militancy in recent years, a flurry of exciting new voices have stepped forward to share with their readers a more intimate and rounded look at the country and its people — winning many plaudits along the way. Waraich was

It’s tempting to reduce the Roman Empire to a roll call of famous men and their infamous deeds. The Republic toppled with Caesar on the steps of the senate; freedom of speech was curtailed as brutally as Cicero’s tongue; democracy became an act on Octavian assuming his stage name. However Robert Knapp, Professor Emeritus at the University of California, isn’t interested in that version of history. Like Mary Beard, who pottered around Rome deciphering inscriptions for the BBC, he’s concerned with ordinary folk. His Invisible Romans range ‘from fairly wealthy to modestly well-off and downright poor, male and female, slave and free, law-abiding and outlaw’. Between the super wealthy (the

from Delia When winter snows upon thy golden hairs, And frost of age hath nipped thy flowers near; When dark shall seem thy day that never clears, And all lies withered that was held so dear;    Then take this picture which I here present thee, Limned with a pencil not all unworthy; Here see the gifts that God and Nature lent thee; Here read thyself, and what I suffered for thee.    This may remain thy lasting monument, Which happily posterity may cherish; These colours with thy fading are not spent; These may remain, when thou and I shall perish.    If they remain, then thou shalt live thereby;

Nick de Bois is the Conservative MP for Enfield North, and is part of the Tory Class of 2010. He talks spies, Eurovision and Machiavelli as he tells us about his favourite books. 1) Which book is on your bedside table at the moment? Lyndon Johnson, The Passage of Power 2) Which book would you read to your children? Harry Potter, good to read and good to listen too – win, win. 3) Which literary character would you most like to be? George Smiley – Tinker Tailor Soldier Spy 4) Which book do you think best sums up ‘now’? Joseph Heller’s Catch 22 5) What was the last novel you read? The Governor’s

In his latest book The World Until Yesterday, Jared Diamond analyses the behavioral differences between human beings in tribal stateless-societies and those living in bureaucratic nation states. Diamond says that if states only came into existence 5,400 years ago, and agriculture in the last 11,000, human beings have been wandering nomads for most of history. Therefore, if modern nations are relatively new concepts, we have much to learn from traditional cultures. Drawing on his experience of 50 years of field research in New Guinea, Diamond attempts to prove his thesis with a mixture of personal anecdotes and academic research. He claims the way people in traditional societies raise their children, spend their leisure

For the last 40 years it’s been impossible to interview Anthony Hopkins without him doing his Tommy Cooper impression. He’s obsessed with the bloke, constantly interrupting Silence of the Lambs anecdotes to do Cooper’s chuckle and hand flicking and patter. He was, therefore, the absolutely perfect choice to play Alfred Hitchcock. Actually, the new film’s not that bad. It tells a good yarn about the director’s wife Alma rescuing both him and Psycho, not to mention the 800 grand of their own money they’d sunk into the movie. The other actors are so good that most of the time you can almost forget Anthony Hopkins is wandering around in the

Rumer Godden’s prose tugs two ways at once. It is subtle, descriptive, and light, but also direct and unashamed of being turned inside out until darkness consumes it, rendering what was beautiful irrelevant and suddenly opaque. There is also a lot of it. Rumer Godden OBE (1907-1998) wrote over sixty works of fiction and non-fiction over a lifetime divided between England, where she was born, India, where she spent much of her young adulthood, and Scotland, where she lived for the last twenty years of her life. Godden’s three best-known novels, Black Narcissus, Breakfast with the Nikolides, and Kingfishers Catch Fire are set in India. Flickering with the awe and

Tate Modern promises that its forthcoming retrospective will showcase ‘the full scope of Roy Lichtenstein’s artistic explorations’, to which Spectator art critic Andrew Lambirth responded acidly: ‘I look forward to being pleasantly surprised.’ And it’s true that once Lichtenstein perfected his dot patterning technique in the mid-Sixties, he stuck with it until his death more than 30 years later. Alastair Sooke’s How Modern Art Was Saved By Donald Duck is available as a Penguin Specials paperback from Tate Modern; elsewhere, it’s in eBook format only. It won’t convince any sceptics of Lichtenstein’s infinite versatility, but it does make a case for him as a supreme examiner of style. ‘Perfected’ is