Book Reviews

Our reviews of the latest in literature

Old King Noël

What is this I hold in my hands? Is it just a book? It’s quite heavy, but somehow, instinctively, one feels its light heart.  When I eventually prize its even glossier inner core from its glossy padded outer shell, I still ask: what is this? It looks like a book, but its pages don’t shut flat or lie open; they spring apart, gaping enticingly, as if someone had inserted bulky, once-essential memos or long-forgotten mementos between the pages. But shake it, and nothing falls out. No shopping list, no ribbon-tied bundles of unrequited love, no scrunched up scraps of half-remembered receipts. Open it at one of these many inviting gaps.

Of knowledge, life, good and evil

The British Museum contains more about trees than one might expect: trees in paintings, drawings, sculpture, and all kinds of small artefacts of wood and bark. Frances Carey, sometime Deputy Keeper of Prints and Drawings, discusses trees as viewed through the collections. She deals not with trees themselves — for that one goes to the Natural History Museum and Kew Gardens — but with trees as interpreted (or misinterpreted) by botanical illustrators, divines, etchers, literary writers, medallists, metaphorists, mythologists, painters, poets, politicians and sculptors, on a worldwide scale going back to the Neolithic if not beyond. Discussions of people’s varied reactions to trees are followed by an ‘Arboretum’: 24 chapters

A bloody waste

The US invasion of Iraq in 2003 was an act of frivolity without parallel in United States history. The destruction of the Baathist state caused Iraqis to flee into their ancient sectarian and racial communities, and laid out a killing-ground where animosities suppressed in other Muslim countries could be fought out to the last Iraqi. By early 2006, when Sunni extremists (usually called al-Qa’eda) blew up the holy Shia mosque in Samarra, the country was in civil war. The United States kept its nerve. With the dogged support of President George W. Bush in Washington, five additional fighting brigades and uncounted tons of reinforced concrete, Generals David H. Petraeus and

Sam Leith

Doctor in distress | 12 December 2012

The passing of Jonathan Miller’s father Emanuel Miller — a very distinguished psychiatrist — was terrible. ‘His last words, as he reared up on his deathbed, were: “I’m a flop! I’m a flop!” ’ One should be cautious about being Freudian here — Emanuel might approve; his son wouldn’t; his son’s biographer might, slightly — but that is a hell of a sentiment to inherit. As theatre and opera director, author of learned papers in medicine and neuropsychology, TV presenter and public intellectual, quotable crosspatch and lightning-rod for English anti-intellectualism, Jonathan Miller looks like someone for whom not being a flop consumes a lot of anxiety. He came out of

Mo Yan’s malignant apology for ‘necessary’ censorship

The Chinese writer Mo Yan collected the Nobel Prize for Literature last night. In his acceptance lecture, he reiterated his view that a degree of censorship is ‘necessary’ in the world, and compared it to airport security. The comparison is utterly base. Airport security is a fleeting restriction on personal liberty; a social contract entered into freely by making the decision to travel by air. Censorship is a legal mechanism imposed on entire societies by a self-appointed oligarchy that maintains itself by persecuting and prosecuting individual transgressors. Mo Yan’s logic is as flawed as his apology is malignant. Having said that, his enthusiasm for censorship was quite restrained on this occasion: he told Granta recently that

Simin Daneshvar, Persia’s first female novelist and hope for Iran’s future

There is a Persian proverb which states that ‘books are a man’s best friend.’ Persian literature from the kings of antiquity to the last Shah of the Peacock Throne has, for the most part, been dominated by its proverbial male companion. When presented with today’s Islamic Republic, an unfamiliar Western reader can easily believe that a female literary voice cannot possibly exist underneath the seemingly anonymising chador, the Islamic female dress most closely associated with Iran. Instead, all that would appear to emanate from Iran is a male voice: Ahmadinejad defending arms programs; the Mullahs dictating morality; Khomeini, father of the nation, ever-present from beyond the grave, still influencing the

Cosmo Lang, his part in Edward VIII’s downfall

In December 1936, following the Abdication of Edward VIII, a rhyme circulated about the Archbishop of Canterbury, Cosmo Lang: ‘My Lord Archbishop, what a scold you are! And when your man is down, how bold you are! Of Christian charity how scant you are! And, auld Lang swine, how full of cant you are!’ Lang had made a particularly ill-judged broadcast three days after the Abdication, which caused considerable offence. The widespread view of Lang is that he impotently wrung his hands on the sidelines before the Abdication, after which he made his disastrous broadcast. A different view was taken by the Duke of Windsor in his memoirs: ‘Behind [the

Nick Cohen

Tyranny’s fellow travel writers (Part 3)

Earlier this year I noted a piece by Michael Moynihan in Foreign Policy. He looked at how the authors of the Rough Guide and Lonely Planet guide books were producing apologias for tyranny. I argued that the kind words for Assad’s Syria, Gaddafi’s Libya and the Khomeinist Iran, were a result of the capitalist leftism – or politically correct capitalism – of the last decade. The whitewashing of dictatorial crimes could appear left-wing because the regimes opposed the West, or more specifically Bush’s America. But in their efforts to apply a thick covering of masking paint, the fellow travel writers had to brush aside any thought for a regime’s murdered

Barack Obama’s best voice: Michael Grunwald

No Obama policy – not even ‘Obamacare’ – has been derided quite as much as his stimulus package and the $787 billion Recovery Act passed in February 2009. It became a byword for failed big-government liberalism, and the Republicans’ staunch opposition to it underpinned their 63-seat gain in the House of Representatives in 2010. Yet, in this engaging and insightful attack upon the received wisdom of Obama’s failure, Michael Grunwald launches a lucid defence of the Recovery Act. Grunwald’s key argument is that, whatever its imperfections, the US would have been a far worse place without the Recovery Act. Independent analysts agree that it has saved or created over 2.5

Suzanne Collins, J.K. Rowling and the albatross of success

Suzanne Collins, author of The Hunger Games, has announced that her next book will be a picture book. Rather than writing a follow-up dystopian adventure for her teenage readers, she has decided to engage with four-year-olds in Year of the Jungle, a story about how her family coped when her father spent a year serving in Vietnam. Collins is not the only staggeringly successful children’s author who has taken an unexpected step away from her fan base with her writing. Whereas Collins is turning to younger children, J.K. Rowling turned to grown-ups with her recent adult novel about provincial life, The Casual Vacancy. Many Harry Potter fans were disappointed. While

A narrow escape

C.J. Sansom is deservedly famous for his Shardlake crime novels, featuring a 16th-century lawyer on the fringes of the court. But he has also written two successful novels with 20th-century political themes. The first, Winter in Madrid, is a compelling evocation of Spain in 1940. His latest, Dominion (Mantle, £18.99), is set in Britain in 1952. But not the Britain we know; rather, one that made peace with Germany in 1940, with Halifax (pictured) rather than Churchill becoming prime minister, succeeded by the aged Lloyd George (an admirer of Hitler) and then Beaverbrook. By 1952 Britain has fallen increasingly under Nazi dominion, elections have been suspended and the opposition —

Erratic historian of alternative pop

Julian Cope, the well-read jester of English pop, was the founder member of the 1980s art-rock combo The Teardrop Explodes. With his antic appearance (Rommel overcoat, wild tawny hair), he falls into the erratic genius category. Drugs have played their part. By his own account, Cope has undertaken some dangerous chemical expeditions to the mind’s antipodes by means of lysergic acid. Yet he is no tiresome advert for drug-induced excess (still less for English whimsy). He is a recognised authority on the neolithic culture of Britain, for one thing, and has written two winningly eccentric volumes of musicology, Krautrocksampler and Japrock-sampler. Copendium, his humorously titled history of alternative popular music

The beating of heavenly wings

How did the cherubim, solemn figures of beaten gold in the Holy of Holies of the Hebrew Temple, become chubby toddlers (such as the pair in Raphael’s Sistine Madonna), popular on greetings cards? It was surprising in the first place that their graven images should be set up at all, with eyes cast down and wings spread out, shielding the cover of the Ark of the Covenant, where the very glory of the Lord, the shekinah, descended with dangerous power. For Philo of Alexandria, a Platonist interpreter of Jewish belief, they were the same cherubim that guarded the gates of Paradise (from which mankind had been banished). Valery Rees does

Sublime port

Ports can challenge national stereotypes: think of the difference between St Petersburg and Russia, or Naples and Italy. Since England is so small, and London so big, few English ports have generated their own identities. In France, however, despite the alleged stranglehold of Paris, ports such as Bordeaux, Nice and Marseille have remained remarkably different in culture and character. Of them all, Marseille is not only the oldest city in France — it was founded by  Greeks in 600 BC — but also the most independent; in 1907 Jules Charles-Roux called it ‘a separate republic, neither national nor French’. Incredibly David Crackanthorpe’s wise, erudite and sensitive book on Marseille is

The land of lost content

Published at the author’s expense in 1896, A.E. Housman’s A Shropshire Lad did not at first attract many readers. It was only after it had been taken up by an ambitious young publisher called Grant Richards that it began to sell. The poems’ popularity increased further when English composers, deciding that they had found their own Heine or Müller, began setting them individually or as song cycles. Between 1906 and 1911 the average annual sale rose to more than 13,500, and by the time the first world war broke out the book was reputed to be ‘in every pocket’. Its themes of love and loss, of nostalgia for a ‘far

Safety in danger

In his book The Black Swan, Nassim Taleb told us that the world is a much weirder place than we can bear to believe. It is full of occult forces and strange events. If we think we can control or predict these forces and events, we’re sorely mistaken. One minute, we think we’ve mastered the business of lending money and hedging our bets; the next, the economy crashes. One minute, we invent a way to send a message on a computer; the next, porn is everywhere and the music business is finished. One minute, we’re a bit plump; the next, we’re obese, and heading for a diabetic meltdown. We always

Agonies and ecstasies

William James considered an hallucination to be ‘as good and true a sensation as if there were a real object there’, except that the ‘object happens to be not there, that is all’ — an admirable definition, and a favourite of Oliver Sacks, the eminent neurologist, who has written what he calls ‘a sort of natural history or anthology of hallucinations’, which he thinks are an essential part of the human condition. He excludes schizophrenic hallucinations, on the grounds that they demand separate consideration, but includes every other kind. Some are induced by sensory deprivation, such as isolation and darkness — ‘the prisoner’s cinema’ — or visual monotony, as experienced

A choice of stocking-fillers

There can be few phrases in the language more debased than ‘Christmas gift book’. (Well, ‘friendly fire’, maybe, or ‘light entertainment’.) Needless to say, every writer worth his overdraft wants to do one, having already spent in his head all the lovely money he is going to earn from it. But you are essentially writing something for people to buy for other people who would rather have been given something else. Having produced one or two of the things myself, I suspect that most Christmas books aren’t even opened, let alone read. And possibly for good reason, because the majority of them are crushingly mediocre. Here, though, are a few

The plot thickens | 6 December 2012

At last! At the age of 80, I have read my first digital book. According to Penguin, these brief ‘Specials’ are written to be read over a long commute or a short journey, in your lunch hour or between dinner and bedtime, a short escape into a fictional world or … as a primer in a particular field, or to provide a new angle on an old subject. You can read on the move or in a spare moment for less than the price of a cup of coffee. So what do you get from this Special? John Garnaut, an Australian journalist who specialises in Chinese affairs, describes here, in