Book Reviews

Assorted literary grandees will squeeze into their tuxes this evening to compete for the Booker Prize. Of the debut novelists, one previous winner and a brace of old-timers, who stands the best chance of winning? Swimming Home by Deborah Levy This is a coiled, unsettling work. A group arrive at their French villa only to find a woman, Kitty Finch, swimming in the pool. Having nowhere to go, she is invited to stay. The book charts the way Kitty’s mental instability wriggles its way into the fabric of the group’s relations: the poet Joe, Isabel (his war-reporter wife), Nina (his teenage daughter) and tag along friends Mitchell and Laura. Written in

‘The Maidenhead’ Have you not in a chimney seen A sullen faggot wet and green, How coyly it receives the heat, And at both ends does fume and sweat? So fares it with the harmless maid When first upon her back she’s laid; But the well-experienced dame, Cracks and rejoices in the flame. Rochester is a favourite of A-level students because he writes about sex and uses rude words. That in itself would not make him an accomplished poet. Sex is not an obscure subject and there are lots of words which rhyme with ‘prick’. But there are good reasons to read Rochester. One is that he had a knack

‘People begin to feel that… there are bonds of international duty binding all the nations of the earth together.’ This quotation, which resonates so clearly as yet more blood is shed in Syria, belongs to Guiseppe Mazzini, the 19th century Italian nationalist whose vision of a ‘Holy Alliance of peoples’ underscores much of Professor Mark Mazower’s Governing the World: The History of an Idea. Mazower’s book is an account of the ideas and institutions of international relations from the Concert of Vienna in 1814 to the present day United Nations. It is, then, the story of how Western hegemony has shaped the international sphere; this period of hegemony is soon to end

James Naughtie explains why he’d give Scoop to a lover, confesses which books by another BBC luminary he does his best to avoid and finally reassures us, in case you were wondering, that he doesn’t fantasise about Lolita. He will be appearing at the Wimbledon Bookfest on 14th October to talk about his latest book, The New Elizabethans (published by Collins on 11th October, £25). He tweets @naughtiej   1). What are you reading at the moment? The Passage of Power, the fourth volume of Robert A. Caro’s fabulous biography of Lyndon Johnson; and Robert Macfarlane’s The Old Ways, about our ancient pathways, which is blissful. 2). As a child,

‘Should literature be political?’ Njabulo S Ndebele asked Open Book Cape Town the other day. Ndebele, a renowned academic in South Africa, has written a précis of his speech for the Guardian. He draws a distinction between political novels, which dramatise activism, and other forms of literature that ‘politicise’ by deepening awareness. His point is often sunk by his own loquacity (‘These two books [The African Child and God’s Bits of Wood] reveal the continuations between political literature and literary politics. Both achieve transcendence through art that politicises and depoliticises all at once.’); but, that aside, he makes some very compelling proposals about the role that literature can play in

It’s the last day of banned book week but perhaps we should spare a thought for banned editors. An editor at Éditions Gallimard, who worked on Jonathan Littell’s The Kindly Ones, recently published three essays (with another house). The first, an account of his amorous adventures in Amsterdam, and the second, ‘Ghostly Language’, are, according to the author, to be kept in mind when tackling the final essay ‘Antiracism as the Literary Terror’ and the appendage, his pièce de resistance, ‘The Literary Eulogy of Anders Breivik’. That, in sum, is why Richard Millet is – for all the wrong reasons – one of the most famous essayists in France right