Book Reviews

Our reviews of the latest in literature

Nostalgic nationalist piety

Parish churches are the sentinels of England’s past. They soar over every town and village, pinning it to the nation’s soil. The nave may be empty, the graveyard unkempt and the roll-call of the faithful soon to cede primacy to the mosque. But the Church of England guards our rituals and speaks for our communities. The English still want their local spokesmen to be vicars not mayors. Roger Scruton should have been a bishop. He would have gone to the top, and spared Anglicans their present agony over whom to send to Canterbury. Archbishop Scruton would have gathered up the church’s shattered canticles, creeds and conflicts and marched them to

Puffing Pamela: Book hype, 18th-century style

There are quite a few candidates competing for the title of the first novel in English literature. You can make a strong case for Robinson Crusoe, published in 1719, or Gulliver’s Travels of 1726, or even – at a push – argue for Sir Philip Sidney’s Countess of Pembroke’s Arcadia, issued over a hundred years before, but one of the super-heavyweight contenders will always be Samuel Richardson’s 1740 novel-in-letters, Pamela. When it first appeared Pamela was as much of a sensation as the X Factor and Fifty Shades rolled into one, a genuine ‘multi-media event’ more than two hundred years before that phrase was even coined. Part of that impact

Shelf Life: Iain (M) Banks

Scottish novelist Iain (M) Banks is this week’s Shelf Life provocateur. He tells us how he likes to test his potential lovers and what extreme punishments he exacts on books he doesn’t like. 1) What are you reading at the moment? The Hell of it All by Charlie Brooker and Anatomy of the Orchestra by Norman del Mar are by the bedside, but the book I’ve just started is The Believing Brain by Michael Shermer (at only a year old, this is ferociously up-to-date by my standards). 2) As a child, what did you read under the covers? The Beano 3) Has a book ever made you cry, and if

Writing the Tory Wars

On starting a new job at Westminster in the early 2000s, and despondent about my party’s lot, I began to write a political novel. Aspiring writers are told to write about the world around them, and, as an observer on the ‘inside’, there was no shortage of material. Gloom and frustration hung heavily in those days. The standard question was: why the hell aren’t we in government and whose fault is it? The Duncan Smith leadership was evidently doomed from the moment of its conception, but the ‘quiet man’ stumbled on to his inevitable demise. If the party wasn’t going to find a broadly appealing leader, I’d better write one

The Fuhrer was not amused

‘The German sense of humour,’ Mark Twain famously observed, ‘Is no laughing matter.’ Although many Greeks, stretched on the Euro’s rack at Berlin’s behest, may be inclined to agree, Rudolph Herzog’s intriguing study of humour in and against Hitler’s Germany, Dead Funny: Telling Jokes in Hitler’s Germany, proves conclusively that the Teutonic funny bone, while it may be difficult to locate, definitely exists. Herzog, the son of the great German film director Werner Herzog, has written a book that is at once an anthology of German jokes current under the Third Reich, an analysis of their evolution as a weapon of resistance against Nazi rule, an insight into how Europe’s

William Rowley and the death of Prince Henry – poetry

‘To the Grave’ Unclasp thy womb, thou mortuary shrine, And take the worst part of the best we had. Thou hast no harbourage for things divine, That thou had’st any part was yet too bad. Graves, for the grave, are fit, unfit for thee Was our sweet branch of youthful royalty. Thou must restore each atom back again When that day comes that stands beyond all night. His fame (meanwhile) shall here on earth remain, Lo thus we have divided our delight: Heaven keeps his spirit stalled amongst the just, We keep his memory, and thou his dust. Prince Henry was the eldest son of James I and VI (that’s

Interview: Ciaran Carson on translating Rimbaud

Ciaran Carson was born in Belfast in 1948, and published his first book of poetry, The New Estate, in 1976. Fans of Carson had to wait eleven years for his second book, The Irish for No (1987), which earned him the Alice Hunt Barlett Award. Belfast Confetti (1990) won The Irish Times Literature Prize for Poetry. In 1993 Carson won the first ever T.S. Eliot Prize for poetry, for his collection, First Language; while his 2003 collection, Breaking News, won the Forward Poetry Prize. That same year, Carson was appointed Professor of Poetry, and Director of the Seamus Heaney Centre for Poetry, at Queen’s University in Belfast; a position he

Everyone loves a Penguin

Markus Dohle, Chief Executive of Random House, must have had a long hard think about what a booklover could possibly treasure more than a Kindle. The answer is, of course, a Penguin. Everyone loves Penguin. Their paperback covers have become such a design cult that people flock to buy not just their books, but also bags, mugs, postcards, and even deckchairs, trussed up in Penguin livery. If Random House wants to stand up to the mighty Amazon, then this strong brand is a boost to their arsenal. Why else would Random House want to merge with Penguin? Last year Random House reported revenues of 1.7 billion euros, with an operating

Paper talk

The rainforests must be jumping for joy these days. Which is ironic, as they’ve largely got Amazon to thank for it. As the e-book continues its rise, there’ll be less and less demand from publishers for that horrible, immoral, eco-balance-wrecking stuff called ‘paper’. But before the trees get too complacent, they should remember that there’s one group of people who are still curiously insistent that our leafy friends make the ultimate sacrifice: writers. When it comes to one particular stage of the book-writing process, paper remains the only acceptable tool. It’s perfectly possible these days for a book to be conceived, written, edited, published and promoted without a single word

A ladykiller at large

Ever since Sergeant Cuff appeared in The Moonstone in 1868, we English have loved our detectives. Moody Scandinavian fiction might come and go, but Peter Wimsey, Poirot, Marple and of course Sherlock Holmes continue to delight us. In Simon Serailler, Susan Hill has created a detective that ranks alongside all these greats. Like Cuff, he has his passion (drawing), like Wimsey he has a personal story, which is built up in each successive novel (this is the seventh in the series). A Question of Identity continues the tale of Serailler’s usually doomed love affairs, his ambivalent relationship with his father, his widowed sister’s single motherhood, and his care for her

Exhibitions of narcissism

The summer exhibition at the Royal Academy, with its overstuffed galleries and motley collection of overblown portraits, twee still lifes and garish landscapes has become an event where you go to be seen rather than to see; it’s less about the art than the experience. But the first-ever public show of paintings, sculpture, architectural drawings in London, which opened on 21 April 1760, was a truly artistic sensation. For the first time, it was possible for anyone to see the best of British paintings and sculpture, for the price of a modest entrance fee. Until then, viewing great masters had been strictly limited to those who could afford to travel

Homage to the Goddess Mother

Cometh the hour, cometh the many men (and women). The 2012 centenary of Captain Scott’s death inspired a series of heroic forays into print: glory-hungry (or just plain hungry) authors questing for something new to say about this much-described event. Next year is the 60th anniversary of the first ascent of Everest, and so we might expect more of the same, with an icy blasted peak instead of an icy blasted pole. For those who approach these commemorative sorties with a heavy heart, Mick Conefrey’s Everest 1953 should come as a vertiginous relief.  The book is neither a flimsy reprise, nor a mercenary hatchet job. Instead, Conefrey crafts an exciting,

An exhausting mixture of boredom and concentration

The wartime code-breaking successes of Bletchley Park are deservedly well known.  The story of how they decrypted German and Japanese codes, most famously the Enigma, has been the subject of histories, novels and films, so much so that Bletchley is glamour. Much less well known, however, and much less glamorous — rarely even thought about — is the story of how those clever cryptologists got the coded radio signals they worked on. Where did their daily and nightly fodder come from?  It certainly wasn’t from sticking an aerial in the attic and waiting to see what came out of it. The signals Bletchley decoded came from the Y Service (Y

Slippery slopes | 1 November 2012

Being sent to finishing school in Bavaria in 1936 was a dream for some English girls: there were winter sports and sachertorte, opera and sausages, and troupes of handsome Nazis in shorts. In Rachel Johnson’s new book, Daphne Linden and Betsy Barton-Hill, 18-year-old beauties who’ve never properly met any boys, find themselves at large in Munich. In a museum 70 years later, Daphne’s grand-daughter Francie spots a picture of Hitler with her grandmother. She begins to make enquiries into Daphne’s National Socialist phase. Francie’s life has its own complications (she’s in love with her boss, and wondering whether or not to have children with her husband), and these develop as

The worldling’s pleasure

Two women are the only heroes of this book. One is Princess Margaret, whom the author points out was far more instrumental in the early years of Colin Tennant’s ramshackle creation of Mustique than merely lending it her unparalleled presence. Quite apart from insisting, after Tennant had fallen out with a slew of architects, that Oliver Messel — now synonymous with the island’s building style — become involved, she advised him on possible investors and operators. She also stuck by him through all his quixotic irascibility. For his part, he flattered, feted, and fawned on this major star of his Caribbean fantasy. The other hero — or heroine —is his

The darker side of Dawn

I like Dawn French when she is playing a sinister nurse much more than when she’s a jolly vicar. As her new novel, Oh Dear Silvia (Michael Joseph, £18.99) is set in a hospital, her darker side is gloriously indulged. We are at the bedside of the comatose Silvia, who has fallen off a balcony. Or was she pushed? Siblings and offspring trot to the ward; each chapter offers an internal monologue or confession — a gallimaufry of recriminations, alliances and reconciliations. What complex interactions there are with somebody who doesn’t move or say a word! Nevertheless, ‘somewhere deep inside the brain of this paralysed body there is life.’ New

Getting the knives out

It’s odd that this book should be about a cleaner, because it exactly conjures up the emotions I felt when I worked as a cleaning lady many years ago. Contemplating the grease-encrusted kitchen floor I was about to scrub, I’d cry aloud: ‘How long must I perform this thankless, gruelling task? Why me?’ These agonised expressions were wordlessly repeated as I waded through this dismal novel. The main character is a girl called Agnes, and I spent many hours trying to work out whether she had no personality at all or too many personalities. She is wonderfully adept at managing restaurants, looking after babies and engaging in profound philosophical dialogue;

Divided loyalties

On his first day at boarding school in Kenya in the early 1950s, Ngugi Wa Thiong’o stood to attention as the Union Jack was raised on the school flagpole. Afterwards the boys sang Psalm 51 which contains the line, ‘Wash me Redeemer and I shall be whiter than snow.’ Then came a tour of the headmaster’s house during which they were invited to gaze in wonder at his electric cooker and his gleaming pots and pans. The weirdness of this was not lost on Thiong’o, especially as his brother, Good Wallace, was fighting for the Mau-Mau guerrillas at the time. At the end of his first term, Thiong’o returned home

The plight of the Poles

Was a nation ever so beset by calamity as Poland? During the second world war, Polish cities were bombed, fought over hand-to-hand and crushingly shelled. Beyond their ideological differences, Hitler and Stalin were united in a determination to destroy the country. Without the Nazi-Soviet ‘friendship’ treaty of 1939, Hitler would not have been able to implement the mass killings of Jews in Poland, or Stalin been able to deport thousands of Poles as ‘enemies of the people’ to the frozen immensity of Siberia. Through their opportunist alliance, the dictators worked to undermine Polish statehood. At the war’s end, Poles found themselves dispersed in places as far-flung as India and Soviet