Book Reviews

Our reviews of the latest in literature

Last rites | 28 August 2012

‘Village’, to most middle-Englanders, conjures up a cosy, living community. Perhaps the post office is threatened with closure or the bus timetable is to be cut, but the hanging baskets continue to be tended, the village green still hosts games of cricket, there are moneyed retirees or commuters eager to buy the houses. It is not like that, of course, in much of Britain’s Celtic fringe, and even less so in Europe’s more remote peasant communities. Political, social and economic change has drained many villages of their people, and only the old remain. Tom Pow visits one in Spain where the youngest inhabitant is seventy, and the sad conclusion of

Isabel Hardman

Bookbenchers: Peter Wishart | 26 August 2012

Over on the books blog, SNP MP Pete Wishart shares his favourite books with Spectator readers. He reveals which tomes he’d save from a burning Scottish – rather than British- Library. There’s plenty more Scots culture on offer, along with a tiger who came to tea, and the more practical reading material he’d set for his son now that he’s a student.

Bookbenchers: Peter Wishart

Peter Wishart is the SNP Member of Parliament for Perth and North Perthshire, and the party’s Westminster spokesman on culture, media and sport, among other areas. He shares his own books choices with Spectator readers this weekend. 1) Which books are on your bedside table at the moment? On my bedside table (or rather bedside ipad) just now is Skagboys by Irvine Welsh, the prequel to Trainspotting, and tributes and selected writings about Douglas Crawford, my SNP predecessor from the 70s. 2) Which book would you read to your children? Given he is now 21, and a student, it would probably be the current condition of the bank of dad.

Are You My Mother, by Alison Bechdel

Alison Bechdel’s first book, Fun Home, enjoyed great acclaim: a memoir presented in comic-strip form, it described her father’s suicide and hidden homosexuality, her childhood visits to the family funeral home and Bechdel’s dawning realisation of her own lesbianism. The comic book does not immediately suggest itself as the ideal format for material of such intimacy and intermittent gruesomeness, but it worked. The dark humour of Charles Addams subverted the misery-memoir: Fun Home was hilarious, fascinating and very clever. Are You My Mother? is made from less gothic material. Where its predecessor brilliantly and unexpectedly wove Proust into the narrative, the current volume quotes a lot from Virginia Woolf and Freud. It

The Heart Broke In, by James Meek

This is a big juicy slab of a book, as thrilling and nourishing as a Victorian three-parter.  It resembles its forebears thematically, too.  It asks a straightforward question: how does one know how to do the right thing when there is no moral foundation for our actions?  Where the Victorians had a forthright Christianity, modern secularism has no such set of rules, and its absence means that our notions of right and wrong have to be more or less made up as we go along. This is particularly true for Richie Shepherd. Formerly lead singer of The Lazygods, and now the producer of a TV show celebrating teen mediocrity, Teen

Philida, by André Brink

The location of Philida is a Cape farm which used to be named Zandvliet and is now the celebrated vineyard Solms Delta, owned jointly by Richard Astor and the eminent neuropsychologist Mark Solms. It was Solms who brought to André Brink the story on which the veteran South African novelist bases his 21st work of fiction, which has been longlisted for the Man Booker prize. The novel’s eponymous heroine is based on a real-life slave who in 1824-32 worked as a knitting-girl at Zandvliet, which then belonged to collateral ancestors of the author. Brink has delved in Solms Delta’s private museum, conned slave registration rolls and mortgage bonds, and perused

Short Walks from Bogota, by Tom Feiling

Ten years ago a cartoon appeared in the Independent showing the New World Order — Bush and Blair peering at a distorted global map with only one entry for South America: over Colombia was written ‘Coke-snorting bolshie gorillas’. Back then the Farc guerrillas were on the edge of the capital Bogotá, the country had the world’s highest kidnap rate and ‘failed state’ was considered its next realistic destination. Then even the title of this book would have been ironic, as to walk anywhere was to risk mugging or murder. Tom Feiling, a British journalist and film-maker who has written a previous book on the cocaine trade, knew Colombia in the

The Roxburghe Club, by Nicolas Barker

Book-collecting fraternities are far from uncommon, but none of them is the equal of their British progenitor, the Roxburghe Club, either in age or exclusivity.  This June the members celebrated its bicentenary, apparently in due style. At the inaugural dinner in 1812, 18 book-collectors, chaired by the Lord Spencer of the day, gathered to celebrate the sale at auction of the 3rd Duke of Roxburghe’s copy of a 1471 edition of Boccaccio, for which Lord Blandford had just paid £2,260, then a record price for a printed book. It was exceeded only in 1884, and meanwhile the antiquarian book market went through periods of despondency. The Roxburghe’s members — soon

Caspar David Friedrich, by Johannes Grave

In October 1810, the poet and dramatist Heinrich von Kleist substantially rewrote a review submitted to a publication he edited, the Berliner Abendblätter. Indeed, as few editors would dare — even in those days — he transformed its tone from critical to positive. The subject was a landscape by Caspar David Friedrich, ‘The Monk by the Sea’ painted c. 1808-10, which was exhibited in Berlin. In the course of his remarks Kleist came up with a startling metaphor: This painting, with its two or three mysterious elements, lies there like the apocalypse … and since, in its monotony and boundlessness, it has nothing, other than the frame, that might serve

Alexander Fiske-Harrison enjoys a ‘story slam’ at the Edinburgh Fringe

The Edinburgh Fringe is a place of youthful hopes, naive dreams and occasional flashes of genuine inspiration. Usually these turn out to be very much flashes in the pan. But not so last Friday night’s ‘story slam’ at the Southall: a contest of storytelling between writers, poets and ne’er-do-wells divided into two teams, representing their home cities of Edinburgh and Chicago. The idea grew out of the ‘poetry slam’ format, invented in Chicago in 1980s, which was itself the child — or rather, the polite third cousin — of the ‘rap battle’ wars of words, in which aspiring hip-hop performers would twist language, rhythm and rhyme into weapons to wound

Sam Leith

Sweet Tooth, by Ian McEwan

‘I’m trying to help you, Serena. You’re not listening. Let me put it another way. In this work the line between what people imagine and what’s actually the case can get very blurred. In fact that line is a big grey space, big enough to get lost in. You imagine things — and you can make them come true. The ghosts become real. Am I making sense?’ You can’t say the heroine of Ian McEwan’s latest novel wasn’t warned. Serena Frome is a clever, pretty young woman who led a sheltered childhood as the daughter of an Anglican bishop: ‘We grew up inside a walled garden, with all the pleasures

The Hamlet of the trenches: Parade’s End reviewed

Ford Madox Ford’s Parade’s End is being republished as well as adapted for the screen by the BBC.  I first discovered the tetralogy when, in an attempt to improve my chances, I asked my future mother-in-law for a list of must-read novels.  Parade’s End and The Good Soldier featured near the top of the list. The Good Soldier is Ford’s most remembered work and at one time he considered it his first and last novel.  In his memoirs, Return to Yesterday, he recalls that on the 28th of June 1914, ‘there was to be no more writing for me—not even any dabbling in literary affairs.’  But then there was the

Graham Greene, Penguin and an old spelling mistake – Spectator blogs

Mistakes will sometimes happen even in the best-run places. Pictured with this post, by way of proof, is a 1947 Penguin paperback of Graham Greene’s The Lawless Roads, with the author’s name misspelt on the spine. It’s still common to talk of ‘typographical errors’, or typos, but back in 1947 there really was such a thing: it meant a mistake made by compositors at the printer, rather than by editors or designers. Probably this was one; certainly that is what someone will have tried to tell Allen Lane. These days any mistakes are definitely our fault – in the case of the printed Spectator, indeed, they are usually my fault,

A gallimaufry of new words

Walk into a coffee shop on any high street today and you’re confronted by an amazing array of caffeine-connected choices: flat white, red eye and doppio to name a few. We’ve become coffee connoisseurs with our own particular preferences for skinny or full fat, dry or wet. Yet the words we use to describe our favourite latte or cappuccino are fairly recent. We’ve only started to use them in the last five years or so as we’ve embraced the coffee culture of Australia and New Zealand (flat white), New York (red eye) and Italy (doppio). New trends demand new words and these global linguistic influences have quickly percolated into our

GCSE English is failing its pupils

English Literature GCSE isn’t a compulsory qualification, and the number of pupils taking the qualification has been dropping since 2008. With the current state of the course, you can see why. It’s not that the exam boards set awful texts, or that the subject is dull. It’s that the means of testing are inadequate. The course is examined in two ways; the controlled assessment accounts for 25%, and the external exams, which account for the remaining 75%. Everyone knows that GCSEs aren’t ‘what they used to be’ and yes, we all know how terribly lucky we are to get a copy of the text in our exam; but, at the

Nina Bawden dies age 87

Author of classic children’s novel Carrie’s War and the Booker shortlisted Circles of Deceit, Nina Bawden has died today aged 87. Apart from writing over forty novels for adults and children, she campaigned for justice in one of her last books after the 2002 Potter’s Bar railway crash took the life of her second husband Austen Kark. Interspersed with love letters, Dear Austen tells of ‘the lamentable failure of all governments since 1945 to take proper responsibility for the country’s rail infrastructure’ and it was her attempt to do what she could ‘to put that negligence right’. Read an extract here. Bawden also read The Spectator on occasion. In January 1986 she wrote into the

From the archives: The Late Dorothy Parker

In celebration of the birthday of Dorothy Parker (1893 – 1967) today, here’s a review from the archives of her biography The Late Dorothy Parker by Leslie Frewin.   Where be your gibes now?, Victoria Glendinning, 12 Sep 1987 Dorothy Parker was ‘America’s wittiest woman’. Here is an example of her wit. Rising from her chair at the Algonquin, she said: ‘Excuse me, I have to go to the bathroom . . . I really have to telephone but I’m too embarrassed to say so.’ I think that’s funny. Do you think it’s funny? Generally, she was funny at other people’s expense, and it hurt. Born in 1893, she was a Rothschild

Shelf Life: Freddie Fox

Not only will you be able to catch Freddie Fox this month in the BBC’s mega drama Parade’s End (also starring Rebecca Hall and Benedict Cumberbatch) but you can also see him live at the Hampstead Theatre when he appears in David Hare’s  The Judas Kiss with Rupert Everett as Oscar Wilde. His current reading shows he’s been doing his research diligently. 1). What are you reading at the moment? My Friendship With Oscar Wilde by Alfred Douglas. 2). As a child, what did you read under the covers? I read very little as a child owing to severe dyslexia. I was scared to read. So I listened either to audiobooks (The Thorn

South Africa: Mired in corruption?

On the 5th of August Mary Robinson delivered the annual Nelson Mandela lecture in Cape Town. It should have been an occasion when the former Irish President and UN Human Rights Commissioner looked back on South Africa’s achievements since the end of apartheid. Yet her speech will probably be remembered for just one sentence: ‘…the ANC’s moral authority has been eroded, tainted by allegations of corruption; a temporary betrayal of its history.’ From an old friend of the ruling party this was damning indeed, but is she right to refer to corruption as a ‘temporary betrayal?’ The ANC’s history is more complex and more difficult than supporters like Mrs Robinson