Book Reviews

Our reviews of the latest in literature

A waist of shame

Britain has the worst obesity rates in Europe, with one in four adults now clinically obese. A friend who works in orthopaedic surgery tells me that at least 80 per cent of knee replacements are, effectively, self-induced: caused by patients being overweight. Same with hips. Another friend, a consultant, had a complaint lodged against him for describing a 17-year-old girl who weighed almost 20 stone as morbidly obese, on the grounds that it hurt her feelings. Type 2 Diabetes and heart disease are burgeoning. What can be done? According to Calories and Corsets, dieting is not the answer. ‘If you wish to grow thinner diminish your dinner’, announced Punch in

The past is another city

This absorbing book is — in both format and content — a much expanded follow-up to the same author’s very successful pictorial anthology Lost London of 2010. It replicates some of the photographs that appeared there and contains many new ones, all in captivating detail. The photographs are ones of record. There is little sense of artful composition or a striving for special effects. Many are of great beauty in their direct simplicity, as though the images were breathed onto the page with no human intervention. But of course the presence of a photographer with his cumbersome equipment in a slummy alley or dead-end court was bound to attract attention;

A horrid story of intellectual corruption

The death of a great author often causes interminable displays of corrosive envy. Heirs, acolytes, interpreters and academics resent one another’s claims on the literary estate or cultural heritage. They try to engross the dead talent for their own. They claim privileges, and make spiteful stabs at people with whom they have the closest affinities. It was inevitable that this would be the fate of someone of the momentous stature, but sometimes arcane significance, of Henry James. Yet, as Michael Anesko recounts in this reflective and graceful monograph, the problem was aggravated by James’s conduct during the last decade of his life when he doctored family correspondence, made bonfires of

Melanie McDonagh

A real-life whodunnit

The Saville Report into the events of Bloody Sunday is ten volumes or 5,000 pages long and was five years in the writing. The inquiry lasted 12 years, including those five years, and cost the taxpayer £200 million. Some 2,500 people gave evidence, nearly 1,000 of whom gave oral witness. It was set up under one prime minister, Tony Blair, in 1998, and its conclusions were delivered in June 2010 under a different prime minister, David Cameron. It was the lengthiest and costliest inquiry in legal history. The events it was concerned with — the shooting by members of the 1st Parachute Regiment of 13 civilians attending a civil rights

Journal of a disappointed man

Simon Goldhill introduces his new book by recalling a lunch with his editor, who suggested he make a pilgrimage and write about it. Pilgrimages, he reflected, tend to be made alone, but he is gregarious, so decided that he needed to make up, with his wife and another couple, ‘a party of four Jews’, to keep him company and supply comic material. He is a classics don at Cambridge, where he also directs something called the Victorian Studies Group, so his editor suggested he do ‘something Victorian’, and the result is Freud’s Couch, Scott’s Buttocks, Brontë’s Grave. The title does no one any favours, but the book offers a brief

Bookends: The year of living dangerously

Most people who recall 1976 do so for its appallingly hot summer, when parks turned brown and roads melted. Some will also remember that the celebrity culture throve then as now and that none was more celebrated than James Hunt, Formula One world champion. He was even more celebrated than that most famous soap opera, the marriages of Richard Burton and Elizabeth Taylor; Hunt, who had a natural gift for celebrity, contrived to yoke theirs to his by handing his wife to Burton, who divorced Taylor to marry her. The two men remained good friends. A few others will remember 1976 for the nature of Hunt’s triumph that year, his

The art of fiction: Salman Rushdie

Sir Salman Rushdie has been in the news this week, after his proposed appearance at the Jaipur Literary Festival elicited criticism from what the Guardian described as an ‘influential conservative Indian Muslim cleric’, called Maulana Abul Qasim Nomani. A little over a year ago, Rushdie appeared on American TV (above) and said that the world had moved on from furores and fatwahs caused by The Satanic Verses. Now people can read it as a novel, he said, as it was intended. Rushdie is apparently putting the finishing touches to his memoirs, which will be published later this year. It will be interesting to see how much space Rushdie devotes to

Simon Armitage interview: Ancient enmities

When it comes to national stereotypes, the modern mind remains thoroughly medieval. The Death of King Arthur, which Simon Armitage has translated from Middle English, contains two insults that sound down the centuries. An enraged Frenchman says, ‘These Britons were always blusterers and braggarts. Lo, how he swaggers in his shining suit/ As if to brutalise us all with the bright sword he brandishes. But his bark is all boast, that boy who stands there.’ To which King Arthur later retorts: ‘Our Frenchmen are enfeebled, I should have guessed this would follow,/ For these folk are foreigners in these far-flung fields and long for the food and fare of their

The bookshop formerly known as Waterstone’s

There has been much furore this afternoon about the bookshop formerly known as Waterstone’s. The company has decided to drop the apostrophe from its name to make it more ‘versatile and practical’ according to its managing director, James Daunt. The company is also restoring its old branding. The suspicion is that apostrophes are not digital friendly. Waterstones, as we must now call it, is turning its attention to the digital world and this latest change is part of a concerted online push. For example, its recently revamped online book reviews (take this one on Jeffrey Sachs’ The Price of Civilization) are bulkier than those found on Amazon, and they display the

History that’s crying out to be written

It was an abiding moment of the Arab Spring. As Colonel Gaddafi’s mauled corpse was paraded through the streets of Sirte, al-Jazeera cut to what it described as ‘wild street celebrations in Tripoli’. The screen showed a dusty compound, with three blokes lolling around a burned-out car, diffidently firing pistols into the air; a stray dog entered stage right, sloped-off towards the car and then disappeared from view. Chris Morris could not have surpassed the sequence; it was beyond parody. The memory of this scene re-entered my mind yesterday evening, when I visited Sky News’ ‘A Year on the Frontline’ exhibition at Somerset House. No one would doubt the bravery of

A mutual minefield

Opening presents is tough: hiding greed, masking disappointment and feigning gratitude. You’re also probably being filmed for the family time capsule and you’ll be on YouTube within hours. That’s what happened to a poor American woman called Emily this Christmas. She’s starting 2012 as the latest social media sensation. The video has been removed, but I can report that on receiving and flicking through Republican candidate Ron Paul’s Liberty Defined, she burst into tears, saying: ‘He just called Israel an apartheid state. I’m not reading this.’ It’s hard to know who comes out worse this time of year; each gift’s a mutual minefield. On coming home from the holidays this

“Page 99” and quiz

‘Open the book to page ninety-nine and the quality of the whole will be revealed to you.’ So said Ford Madox Ford. Whether that applies to any of his own books I don’t know (my shelves seem to be a Ford-free zone — anyone?). But at least one blog applies the test to various tomes, so I thought I’d scan some of my past reading and see whether the rule holds true. Page 99 of Nick Hornby’s About A Boy is a conversation between the two main characters (adult Will and schoolboy Marcus), which features a brilliant example of Hornby getting you straight inside Marcus’s head:  ‘Do people give you

Pigeons, pros and amateurs

A flurry of new reviews of Stephen Kelman’s Pigeon English has landed in recent days, coinciding with a new edition of the book. Kelman’s debut divides opinion. Lewis Jones thinks it ‘miraculous’. Catherine Nixey thinks (£) that it’s ‘exuberant’ but ‘miss-steps’ occasionally. And I found that a pigeon is a less than engaging narrator, even if its appearances are sparse. Reading the book made me recall the story of Kingsley Amis throwing a copy of his son Martin’s book, Money, across the room in frustration, and I wondered how the old devil might have dispatched of Kelman’s opus. All of which brings me to this piece by Alex Gallix about the death of literature.

Nick Cohen

A left-wing writer conservatives should enjoy

I have a review of Pity the Billionaire by Thomas Frank, one of the few left-wing writers I believe conservatives can read with pleasure. He is old fashioned, so old-fashioned indeed that most American leftists would not call him left-wing. He has no time for the culture wars, which still stir the passions of so many on the right and left (and not only in the US). Instead he has concentrated on why ordinary working and middle class Americans do so badly when Wall Street is thriving and have to bail it out when it fails. Since 2008 events have justified him with a vengeance. He is also a dazzling writer: honest,

Shelf Life: Joan Collins

This week’s Shelf Lifer is the indefatigable Joan Collins. She tells us which literary character she’d pick to share a bed with and exactly how many self-help books she’s written. What are you reading at the moment? Frank Sinatra: The Boudoir Singer by Danforth Prince and Darwin Porter As a child, what did you read under the covers? Forever Amber by Kathleen Windsor Has a book ever made you cry, and if so which one? Yes, Charles Dickens’ Oliver Twist when Bill Sikes murders Nancy because it’s the most harrowing description of a murder that I’ve ever read You are about to be put into solitary confinement for a year

Interview: Christopher Reid

Christopher Reid’s A Scattering — a collection of poems written in honour of his dead wife, the actress Lucinda Gane — won the 2009 Costa Award. Reid will be reading selected poems from that collection at the South Bank Centre later this month, as part of the forthcoming exhibition examining attitudes to death and grief. Here, Reid talks to Matthew Richardson about his poetry in general. Looking back over the collections excerpted in your new Selected Poems, has your career panned out as you hoped? I don’t think the younger me had any clear expectations. A few vague hopes, possibly, but nothing so definite as to leave the older me

Hatchet Job of the Year

You may remember that 2012 will see the launch of a new literary award. On Tuesday 7th February, the Coach and Horses in Soho will host our friends The Omnivore’s Hatchet Job of the Year. The aim is to reinvigorate literary criticism by rewarding the ‘angriest, funniest, most trenchant’ book review of 2011. The aim is not to celebrate malice, but to challenge the deference that pollutes so much of Britain’s cultural debate. The shortlist, released today, reflects that objective:   1) Mary Beard on Rome by Robert Hughes, Guardian 2) Geoff Dyer on The Sense of an Ending by Julian Barnes, New York Times 3) Camilla Long on With the Kisses of His

Exemplary popular history

Few non-fiction writers’ books fly off the shelves as fast as Tom Holland’s. He’s a renaissance man — an overused phrase, but merited in his case. He began professional life translating ancient classics for Radio 4 and is best known for his histories of the ancient world: Rubicon, Persian Fire and Millennium. This back catalogue has created the impression that Holland is a classicist; in fact, he studied English as an undergraduate and was studying for a PhD on Byron before leaving for London in his mid twenties. The breadth of his learning and its grounding in literature make his books so accessible — and his after dinner speeches so

The Expenses Scandal: a Morality Play for our time

Morality plays began in the Middle Ages. They were intended to explain Christian precepts and encourage a mostly illiterate audience to lead a Godly life. Typically, they describe the progress of an Everyman who falls into temptation and then is redeemed. In modern times it’s our newspapers who stage our morality plays. The press coverage of the expenses scandal in 2009 and 2010 was certainly strong on MPs falling into temptation. There wasn’t much about redemption, though. I recently wrote a novella about the subject of guilt, and its corrosive effects on memory and personality, and I decided to use the expenses scandal as the locus for these ideas. As