Book Reviews

While the Kindle continues to solve storage problems for the bibliophile on the go, it is the iPad that is actually changing what books are and stretching our definitions of reading. Here is my selection of the ten best iBooks released for it this year:  The Waste Land  To anyone unconvinced about the appeal of iBooks, I can only present this, the greatest edition of T.S. Eliot’s The Waste Land that has ever been published. You can use it to read the poem, with or without notes, or to have the poem read to you by the likes of Eliot and Alec Guinness. You can also watch a peerless performance

Alexander McCall Smith shows no sign of tiring, which will come as good or bad news depending on your view. He has numerous titles out next year. There is yet another instalment of the No. 1 Ladies’ Detection Agency: The Limpopo Agency of Private Detection will be published in hardback on March 1. No further comment is required because McCall Smith’s sleuthing formula is as famous as the Voodoo-Hoodoo. Next, the latest episodes of McCall Smith’s Corduroy Mansions experiment, A Conspiracy of Friends. This was originally an eBook, serialised on the Telegraph’s website. The plan was to revive the episodic form by which Dickens, Thackeray et al wrote. Now, the

The first thing you’ll notice about the Museum of London’s ‘Dickens and London’ exhibition is that it Dickens hardly features. Dickens’ novels and journalism describe the scene, but the man himself is largely unseen — one of many artistic figures in the throng of booming Victorian London. The Spectator’s obituary praised Dickens’ skill in ‘softening the lines of demarcation between the different classes of English Society.’ But he was not alone in this. Robert Dowling’s ‘Breakfasting Out’ is the best example of a trend in Victorian visual art for showing working people rubbing shoulders with the well to-do in everyday life. Several exhibited paintings suggest that some of this class

Snowdrops, A. D. Miller’s literary thriller, has to qualify as the book I was ‘most unable to put down’ this year. It’s set in a contemporary Moscow which I instantly recognised — glamorous, vicious, amoral and terrifying all at once. Miller puts his finger right on what makes modern Russia so compelling to outsiders. When his main character, a bland Englishman, allows himself to be enticed into a scam involving beautiful girls, phony building permits, and enormous amounts of money we intuitively understand why. For those who prefer their scams closer to home, The Big Short: Inside the Doomsday Machine, Michael Lewis’s book on the 2008 sub-prime mortgage crash is

It was an exceptional year for the novel, with impressive books from Adam Mars-Jones, Ali Smith, Edward Docx, Edward St Aubyn, A.S.Byatt, Cressida Connolly, Ross Raisin, Amitav Ghosh, Tim Binding and Jeffrey Eugenides, just to mention a few. Many congratulations to the enterprising Hesperus for bringing a small but enchanting German classic, Hans Keilson’s Komodie in Moll, to English readers for the first time. The three new novels I’d particularly commend are, first, Robert Harris’s superb The Fear Index guaranteed to appeal to anyone who shudders when their laptop unaccountably fails to switch off. Secondly, my friend Alan Hollinghurst’s magnificent The Stranger’s Child, universally acclaimed as the best novel of

What strange persons get themselves chosen to govern us. I have spent quite a bit of the past year reading some brilliant lives of our prime ministers, each of them heavy enough to sprain a wrist but light enough to tickle the imagination: in historical order, David Brown’s Palmerston, D. R. Thorpe’s Supermac: The Life of Harold Macmillan, and Philip Ziegler’s Edward Heath. Pam, Supermac and Ted managed to put across very different images of themselves, but all three were essentially solitary and implacable personalities who kept their enmities in better repair than their friendships, all unpopular in youth and chilly in old age. No coincidence I think that they

Graham Swift is probably still best known for Waterland, published almost 30 years ago. I rather think he is now out of fashion. Certainly Wish You Were Here received less attention that it deserved. Swift has the admirable ability to write literary novels about characters who would never read such books. He presents us with a complete world, one which his inarticulate characters struggle to understand. William Empsom wrote that ‘the central function of imaginative literature is to make you realise that other people act on moral convictions different from your own’. Graham Swift does just that. The Fat Years by Chan Koonchung is a novel that everybody interested in