Book Reviews

Our reviews of the latest in literature

My favourite passage from Dickens…

I have never been more chilled, thrilled, shocked and excited — and from a literary point of view, nothing has made me feel more inadequate as a writer — than when reading the opening to Great Expectations, which is one of the finest passages I’ve ever come across. Screen adaptations can’t quite capture the atmosphere because the writing frees the imagination; it’s terribly difficult to do, and you often lose the beauty of the words. That is the passage for me. Saul David is a military historian of Victorian Britain The entrance of Magwitch Ours was the marsh country, down by the river, within, as the river wound, twenty miles of the

My favourite passage from Dickens… | 7 February 2012

There is one scene that I remember reading, and it often crops up in my mind despite never having gone back to it. There is a character in Bleak House called Mr Vholes. And there is a description of him removing his gloves as if they were a layer of skin. It’s such a brilliant image of meanness, so suggestive of negative traits. Sinister, too. It has always stuck with me. Mr. Vholes and Richard Carstone return to the former’s Chambers Mr. Vholes, quiet and unmoved, as a man of so much respectability ought to be, takes off his close black gloves as if he were skinning his hands, lifts off

My favourite passage from Dickens…

My favourite Dickens passage is, without question, the opening to Bleak House. That astounding description of the fog and mud in the London streets and the possibility of a megalosaurus ‘forty feet long or so, waddling like an elephantine lizard up Holborn Hill’. The manuscript is part of the Dickens exhibition on at the Museum of London at the moment, and while it’s fascinating to watch Dickens adjusting and editing to hone his effect, it was obvious to me that the great rush of words that carries you along in those first pages of Bleak House came rushing from his pen with the same crackle of energy you feel as

Charles Dickens, 1812 – 2012

Finally, after months of fevered preparation, it is Charles Dickens’ bi-centenary. The Prince of Wales will lay a wreath in Westminster Abbey later this morning; and numerous countries from the Commonwealth and the English speaking world have sent wreath-bearing delegations to the abbey. The ceremony is one of hundreds being staged around the world in honour of ‘the Inimitable’. To mark the occasion, we’ve dug up the Spectator’s obituary of Dickens, published two days after his sudden death in 1870 aged 58. The legacy of Charles Dickens, The Spectator, 11 June 1870 The greatest humourist whom England ever produced — Shakespeare himself certainly not excepted — is gone: and though we have no

Unequal library campaigns

It was National Library Day on Saturday, and the Save Kensal Rise Library campaigners continued their vigil, guarding the library from closure. They have been dealt a blow this morning by the Court of Appeal, which has denied them leave to appeal to the Supreme Court following the defeat of their case last December. The Court of Appeal’s original judgment gave the campaigners one glimmer of hope that remains alight. It noted that the local council, Labour controlled Brent, could ‘bear a share’ of keeping Kensal Rise Library open without incurring costs by allowing volunteers to run the library. The campaigners urge the council to ‘preserve this vital local resource’

Discovering poetry: Mankind in Alexander Pope

from ‘Windsor Forest’ See! from the brake the whirring pheasant springs, And mounts exulting on triumphant wings: Short is his joy; he feels the fiery wound, Flutters in blood, and panting beats the ground. Ah! what avail his glossy, varying dyes, His purple crest, and scarlet-circled eyes, The vivid green his shining plumes unfold, His painted wings, and breast that flames with gold? […] In genial spring, beneath the quiv’ring shade, Where cooling vapours breathe along the mead, The patient fisher takes his silent stand, Intent, his angle trembling in his hand; With looks unmov’d, he hopes the scaly breed, And eyes the dancing cork, and bending reed. Our plenteous

Across the literary pages | 6 February 2012

Tomorrow is the bi-centenary of Charles Dickens’s birth, and Fleet Street’s literary editors devoted much of their weekend pages to man who called himself ‘the Inimitable’. Penguin has run a poll on the nation’s favourite Dickens character; the Guardian reports that the winner is Ebenezer Scrooge, who saw off the likes of Pip, Fagin, Sydney Carton and Miss Havisham. Scrooge’s story is one of redemption. I can’t improve on the Spectator’s original review of A Christmas Carol, which said: ‘In short, the grasping, grudging money-muck, is transformed into a merry-faced, open-handed, warm-hearted old fellow.’ You might have expected one of Dickens’s arch-villains to top a public poll — Fagin or Sikes,

‘A world dying of ugliness’

Some writers’ lives are estimable, some enviable, some exemplary. And some send a shudder of gratitude down the spine that this life happened to somebody else. It isn’t necessarily about success or acclaim — most rational people would very much prefer to have had Rimbaud’s life rather than Somerset Maugham’s. But sometimes it is. In the ranks of Mephistophelean terror, there are few more frightening stories than the life of the Austrian novelist Joseph Roth. Everything went wrong for him, and it must have been simply appalling to have had to live within that head, with those thoughts. That he is also a great novelist merely adds to the horror

Talking tough

This thoughtful, challenging and deeply depressing book takes as its launch pad the Nuremberg Trials, in which the author’s father played so prominent a part. Churchill would have executed the Nazi leaders out of hand. Eisenhower wanted to exterminate all the German General Staff as well as all of the Gestapo and all Nazi Party members above the rank of Major. Wiser counsels prevailed. The Nazi leadership must be put on trial, it was agreed, and not in such a way as would rubber-stamp a verdict that had already been tacitly agreed. ‘You must put no man on trial under the forms of judicial proceeding,’ said the distinguished jurist Robert

Making sense of a cruel world

The actor-biographer Simon Callow has played Dickens, and has created Dickensian characters, in monologues and in a solo bravura rendition of A Christmas Carol. Now he suggests that the theatricality of Dickens’s own life is a subject worthy of exploration in book form. So it is, and if Callow had done so, it might have made a useful addition to what he rightly identifies as the ‘tsuanami’ of books that are appearing for Dickens’ bicentennial. But in this cursory biography, he merely makes token gestures in that direction: we learn rather a lot about Charles Mathews’ one-man shows; and Callow describes the theatrical impulses behind some of the novels. But

Triumph of the redcoats

Given the choice between philosophising in the company of Socrates or fighting in the army of the soldier-monarch Charles XII of Sweden, most men, Dr Johnson observed, would prefer arms to argument. That physical danger should offer a more appealing prospect than logical thought remains one of the Great Cham’s more provocative insights. At one level, it explains why universal peace will not soon arrive, and at another why military history commands a larger readership than philosophy. In recent years, a golden generation has set the bar pretty high in this field. Enthusiasts for vicarious soldiering have grown accustomed to the acute analysis of fighting and tactics provided by eloquent

A choice of first novels | 4 February 2012

Mountains of the Moon is narrated by a woman just released after spending ten years in jail. The reason for her sentence and the details of her previous life are pieced together through disjointed fragments, forming a complex jigsaw. Lulu had a shocking childhood, with a violent stepfather and negligent mother. Her only loving relatives were her grandfather, who fuelled her imagination by conjuring up the Masai Mara in her dreary south-England surroundings, and her two half brothers, from whom she was eventually separated. This account, related in an idiosyncratic patois, with the matter-of-fact innocence of an abused child for whom abnormality is the norm, is quite horrifying. Lulu is

Bookends: Trouble and strife

It isn’t true that Joanna Trollope (pictured above) only produces novels about the kind of people who have an Aga in their kitchen: what she writes about are families. Her books have a knack of chiming with current social concerns, of examining how the family is adapting to changing social mores. She is deservedly a very popular writer, but she isn’t a frivolous one. The Soldier’s Wife (Doubleday, £18.99) is a cracking read and has clearly been thoroughly researched. All the little details which animate a novel ring true. It centres on the homecoming of a Major who has been on a six-month tour of duty in Afghanistan, the effect

The art of fiction: lessons in precise language

Jonathan Franzen has made the news this week, by berating digital media and corporate capitalism. Those were themes of his most recent novel, Freedom. His previous book, The Corrections, played with the fashionable phrase ‘dysfunctional family’, and exposed how the term has been bastardised by misuse. He re-emphasises that final point in the clip above. The abuse of language and the prevalence of bad writing exercises most writers, especially the good ones. VS Naipaul and Martin Amis, for instance, are severe on the subject. Naipaul advises those who misuse words to ‘look for other work’, while the content of Amis’ The War Against Cliché is arch: this sentence on Cervantes is merciless, ‘While clearly an impregnable masterpiece, Don Quixote

A cautionary tale…

Every summer when the exam results come out, besides the obligatory photos of bouncing schoolgirls, there’s a story about a five-year-old who’s become the youngest person ever to pass a GCSE. Little Liam, his parents boast, has been doing sums since before he could talk and is now raking in the dosh from his million-selling iPhone app. His dream is to go to Oxford or, failing that, Cambridge. To stave off the nausea, you imagine Liam’s future — the bullying, the drugs, the gender confusion — until you get to the part where it says what grade he got. Hang on a minute, you think, he only got a D!

If you can survive the lurid cover, Granta is worth reading

The cover of Granta’s latest issue is, without putting too fine a point on it, abominable. See for yourself. It’s a mess of blood orange, purples, pinks, reds and puce. There is no coherence. A picture of what looks like a bullfight competes for prominence with some fleshy swimmers and the front and rear ends of a lumpen American car. This lurid collage is supposed to illustrate the issue’s title: ‘Exit Strategies’. No, me neither. Granta’s surreal covers have had the literati scratching their heads in bemusement. The convoluted sketch that adorned the previous issue seemed to have been pulled out of the On the Origin of the Species, while

The near-death of letter-writing

Video killed the radio star, sang the Buggles in 1979 — assuming the synth-pop Buggles actually sang. In the same year, Mark Amory was putting the finishing touches to a collection of Evelyn Waugh’s letters. He noted in his introduction that letters were an antique curiosity; no one writes them anymore, he wrote. That grave prognosis was a tad premature. Diana Athill’s recent epistlatory memoir, Instead of a Letter, suggests that men of letters still live up to their name. Then again, Athill is 93. The telephone gave letter-writing a nagging cold, which email has turned into pneumonia. The letter’s admirers have leapt to help. The Guardian reports that Dave Eggers has joined

What was the best book you read last year?

In the musty old bookworld, prizes are terribly exciting. Yes, book awards will never reach the world-televised-designer-frock-paraded-on-red-carpet level of the Oscars, but any keen bookish person was waiting with baited breath for the announcement of the Costa Book of the Year last Tuesday night. The Costa Prize was the acme of literary excitement of the year so far. (Granted, we’re only a month in.) It has been the hub of excited discussions both in bookshops and across the literary press. So I thought it only fitting to join the fray. I’ll come right out and say it. I am sick to death of reading the endless whines about the silliness

Shelf Life: Mark Mason

Mark Mason, author of Walk the Lines, is in the hot seat this week. He tells us that no woman is truly attractive unless you can imagine going to the pub with her, and admits to a fear that he may be one of Holden Caulfield’s ‘phonies’. 1) What are you reading at the moment?  Bob Woodward’s biography of John Belushi. Yes, that Bob Woodward. Strange choice of subject for the man who brought down Nixon (as Woodward himself admits) – but it’s a great read. 2) As a child, what did you read under the covers? Agatha Christie. Once boasted to my mother that I’d been awake until 4am