Book Reviews

Our reviews of the latest in literature

Melanie McDonagh

The quotable Flann O’Brien

It’s hard to stop quoting Flann O’Brien, once you start. The Irish man of letters was born a hundred years ago and to celebrate the centenary there are at least three conferences in his honour, the latest of which takes place this weekend at the Irish Cultural Centre in Hammersmith, with another in the Irish club in Birmingham. For those of us who are obsessed by Flann O’Brien — otherwise known as Myles na Gcopaleen, or by his own name of Brian O’Nolan or assorted other pseudonyms — this is not an entirely welcome phenomenon. You know what happens when the lit-crit community get hold of an author, don’t you?

Designing the art of writing

Here is A.D. Miller, whose book Snowdrops was shortlisted for this year’s Booker prize, talking about the art of writing fiction. Snowdrops, if you haven’t read it, is very definitely worth reading and not just because it’s “readable”. Charlotte Hobson wrote in her Spectator review that Miller’s book was “a heady noseful of Moscow, an intoxicating perfume that will whirl you off your feet and set your moral compass spinning.”  On a related point, it’s notable that the book has one of the most arresting covers I can remember. It suggests a foreign and perhaps superficially beguiling atmosphere and place; themes with which the book is deeply concerned. The snazzy website for the

Mad world

A certain literary prize announced earlier this week received a lot of flak because the shortlist was deemed too readable. I want to know what books they were reading. The Barnes was as cold as a washed up kipper; the Kelman featured a pigeon as a narrator and most of the praise heaped on deWitt said it would make a good Coen brothers film. I’d rather just wait for the film.  Speaking of which, the film adaptation of We Need to Talk About Kevin is belatedly out today; its original release date delayed after events in Norway. The 2005 Orange Prize winner is perfect example of a page-turner by a

Your Gaddafi reader

The news from Libya is bound to spark a flood of literature about Gaddafi, Libya and the Arab Spring in general. Here is a selection of published books and forthcoming releases on the subject: Gaddafi’s most famous work is The Green Book, which details his political philosophy. Its subjects range from breastfeeding to racial supremacy, and it has been variously described as “insane” and “surreal gibberish”. It may appear to be a psychotic symphony, but, as Andrew Roberts has noted in the Daily Beast, irrationality was Gaddafi’s leitmotif and it became an agency of his power. Christopher Hitchens touches on this theme when discussing the unstable nature of tyranny in his autobiography Hitch-22. 

Interview: A lesson with Michael Morpurgo

Michael Morpurgo became a story-teller when teaching London primary school children in his late twenties. “There were 35 children in the class. I found that using a book [to teach] came between them and me.” He felt he needed to speak to them directly, with tales that grew from the “common ground” of experience between teacher and pupils. This, Morpurgo says, is why he writes as he does. We meet at the National Army Museum for the launch of an exhibition timed to coincide with the release of Steven Spielberg’s adaptation of Morpurgo’s War Horse in the New Year. The exhibition is titled ‘War Horse: Fact & Fiction’ and the

Cheeky Julian

Fleet Street’s reaction to Julian Barnes’ Booker win appears to be one of relief and no small amount of applause: The Times’ literary editor Erica Wagner and the Guardian’s Mark Brown both sound an enormous “phew” in their columns this morning. The dissent about the Booker Prize in general and “readability” seem to have subsided for the moment as Barnes soaks up the praise, which you can see in the video clip above. Mischievously, he said that The Sense of an Ending is the best book he’s written in the last five years. He even declared it to be “readable”. Barnes deserves to have won just for that irresistible cheek. Meanwhile, Random House, Barnes’ publisher, is preparing a new run of 75,000 copies of

Guildford diary: Trade secrets

If you’ve always loved audio books but never stopped to wonder how they are made, then give yourself a slap and continue reading. Maggie Ollerenshaw described her world to a modest audience at the Guildford book festival, revealing the production process with some of the anecdotal colouring-in that makes listening to veterans talking about their particular fields so enlightening. With over 50 audiobooks to her name, she cheerily played down quite what hard work this voice-acting really is. Recording at a rate of a 150 pages a day, each page-turn is meticulously planned to fall into an editable pause. Clunky jewellery is to be avoided and the highly sensitive microphones

And the 2011 Booker goes to: Julian Barnes

It wasn’t a turn up for the books in the end: Julian Barnes, the odds-on favourite, has won this year’s Booker prize for his novel, The Sense of an Ending. The award has been marred by controversy this time round, with a rival prize now expected to be established, one that recognises outstanding literary achievement. The Booker’s self-defence has been supremely confident: Ion Trewin derided his critics as “lovies” and told them to quit bleating until judgment was passed, sure that the result would quell dissent. Apparently, it won’t be enough to call off the dogs because Barnes, in that great Booker fashion, is an overdue winner. Have a quick trawl of Twitter this evening and you’ll find

Briefing note: The Price of Civilization by Jeffrey Sachs

Who’s Jeffrey Sachs? Leading American development economist and United Nations adviser, Sachs is broadly on the left of the political spectrum. His most famous book is The End of Poverty. What’s the book about? Another analysis of the current financial crisis, the book is a mixture of diagnosis and prescription, focusing on America. What are his big ideas? Sachs is no Keynesian, calling the idea to solve the crisis with more government borrowing “a magical argument without any empirical support”. He thinks the US urgently needs to stabilise its national debt, for reasons both economic and moral. In order to do this, he proposes raising taxes sharply, and not just

Readers’ review: Darling’s ripping memoir

When Gordon Brown became Prime Minister in 2007, the Labour party was split into three camps: those who genuinely adored Brown, those who believed he could change (elected as New Gordon, govern as New Gordon?) and a deflated Blairite rump that had given up the ghost.  It is not immediately clear which of these camps is most reprehensible. But the most culpable were those who knew that a Brown premiership would be a disaster and still allowed it to happen, including Tony Blair, who, as Alistair Darling reveals in this brilliant autobiography, said at the beginning of his premiership that working with Gordon Brown was “like facing the dentist’s drill

Guildford diary: When spies become authors

‘They were afraid. Brave men are always afraid. Courage isn’t the absence of fear, it’s the willingness to face fear. They faced their fears.’ The words are familiar. Euripides rehearsed them, Seneca upheld them, Mark Twain perpetuated them. But never have they seemed as relevant as when former SOE [Special Operations Executive] agent Noreen Riols spoke them of her former fellow agents in an auditorium of stunned Guildford Book Festival goers last Sunday afternoon. That’s the thing about spies, they’re practical, resourceful people, not idle dreamers. Compare Franklin D. Roosevelt’s “the only thing we have to fear is fear itself”, or the much bandied ‘keep calm and carry on’ of

Alex Massie

This Year’s Booker Rumpus: Just As Ridiculous As Every Other Year’s Booker Rumpus

The annual tiff about the Man Booker Prize is a reassuringly perennial feature of the British autumn. It is also almost always ridiculous. This year, apparently, the prize has been “dumbed down” as the judges (including the Spectator’s Susan Hill) neglected a number of fashionable names in favour of a shortlist that, Julian Barnes excepted, features relatively little-known authors. Worst of all, it seems, the judges are said to have treated “readability” as an important factor when considering their favourites. Crivvens! This, it is further alleged, is part of longer-term trend favouring “accessible” novels above those of so-called genuine literary merit. Some familiar – even trendy – authors now say

Libraries: Stop patronising, start patronising

Be honest, how many times have you used your local library in the past year? If you live in Kensal Rise, the answer is “not enough”. Before it was locked up last week, after the High Court overturned a last-ditch appeal by campaigners, its pretty Victorian library had been getting only 850 visits a week.   With each of these visits costing £4, Brent Council decided this wasn’t sustainable. Kensal, along with five other “under-performing” libraries, would be closed, with some of the £1 million saved going towards the borough’s six remaining libraries. There are also plans underfoot to build a new “super library” near Wembley stadium.   Naturally, the

Across the literary pages: Prizes for all

Andrew Motion has joined the chorus of disapproval against this year’s Booker shortlist, saying that it has created a “false divide” between highbrow literature and accessible books. He went on to describe the split as a “pernicious and dangerous thing”, adding that it was “extraordinary” that authors like Graham Swift, Alan Hollingshurst, Edward St. Aubyn and Philip Hensher had not been shortlisted.    Stern stuff from the former Poet Laureate, who was chief Booker judge last year. His words will further inspire those who think that a new prize should be created, one that recognises an “uncompromising standard of excellence”. Those are the words of Andrew Kidd, the literary agent who is the spokesman

Guildford Diary: Famous friends

As part of the Guildford Book Festival, Lynne Truss spoke last Saturday evening to an audience gathered in Watts Gallery – the spectacular space once owned by the Victorian artist G.F. Watts that now houses the largest collection of his works. Truss was discussing her novel, Tennyson’s Gift, which imagines what it could have been like to belong to Watts’s set at Freshwater Bay on the Isle of Wight in the 1860s. It’s difficult to know what to make of G.F. Watts. As an artist he was, indeed is, much admired. Hope: World Icon (1885-6), a delicate rendering of a blindfolded lyre-player probably remains his best-known work, prized across the

Sam Leith

Masques of beauty and blackness

Sam Leith on the paradoxical nature of Britain’s first literary celebrity What a piece of work was Ben Jonson! If you lived in Elizabethan England and had just narrowly escaped the gallows after stabbing a man to death in an illegal duel, wouldn’t you want to keep your head down for a bit? Not Jonson. He converted to Catholicism. A few months after the bishops of Canterbury and London, in 1599, declared the writing of satire illegal, what did Jonson produce? Every Man out of his Humour, a self-declared ‘comical satire’. The writing of history was also proscribed — Tacitean history being a particular sore point. So in 1603 Jonson

The best and bravest

‘The candle is burning out and I must stop. Darling I wish you the best I can ­— that your anxiety will be at an end before you get this — with the best news, which will also be the quickest. It is 50-to-1 against us but we’ll have a whack yet and do ourselves proud. Great love to you. Ever your loving, George. ‘ Thus wrote the magnificent (and in many ways muddle-headed) mountaineer George Mallory on 27 May 1924. It was his last ever letter to his wife Ruth before he disappeared into the blizzard that swirled around the summit of Mt Everest, never to return. Did he

Not lions, but ostriches

Jeremy Paxman has written an excellent book, but it is not the book that he set out to write. His central argument is that, since the empire had a formative influence on modern India, it must also have had a formative influence on modern Britain. If it influenced the colonised, it must have influenced the colonisers. But that, surely, is a fallacy. For the British empire was, for most of its history, an elite project. There is little evidence that it ever enthused the British people, except perhaps in the decade following Queen Victoria’s Diamond Jubilee in 1897, when Beatrice Webb found ‘all classes’ to be ‘drunk with the sightseeing

Fixing malaria

A book about a campaign to rid the world of malaria may not sound like a riveting read and Lifeblood is an unlikely page-turner. But you are soon caught up in the challenges of the campaign and, along the way, you learn a great deal about the labyrinthine world of aid, Africa, business and politics. Alex Perry is the Africa Bureau Chief of Time magazine and has ten years’ experience of Africa, the Middle East and Asia.  He knows what happens on the ground, how small a fraction of charitable donations ever reaches the people it is intended to help; and he is not a fan of aid agencies, characterised