
Day by day through someone else’s life
Is the book — the solid, rectangular repository of the whole damn thing, from Chapter 1 to Chapter 32 — always and in principle the superior vehicle for a story? Is the book — the solid, rectangular repository of the whole damn thing, from Chapter 1 to Chapter 32 — always and in principle the superior vehicle for a story? I ask because among readers of a reactionary cast of mind (among whom I sometimes count myself) an assumption has arisen that ‘the book’, the physical book, that satisfying lump of a thing you can hold in your hands, is the ideal, the Platonic ‘form’, the ultimate reality; while all