Book Reviews

Rocco LaGrassa was ‘stout around the middle . . . wee at the ankles, and girlish at his tiny feet, a man in the shape of a lightbulb’. In Salvatore Scibona’s first novel we join this lightbulb of a man on perhaps his darkest day: the day on which the police arrive at his door to tell him his son has just died of tuberculosis in a prisoner-of-war camp in North Korea. Rocco LaGrassa was ‘stout around the middle . . . wee at the ankles, and girlish at his tiny feet, a man in the shape of a lightbulb’. In Salvatore Scibona’s first novel we join this lightbulb of

Melanie McDonagh has written the Bookend column in this week’s issue of the Spectator. Here it is for readers of this blog. In July, the world’s most famous restaurant, elBulli, closes, to reopen in 2014 as a ‘creative centre’. Rough luck on the million-odd people who try for one of 8,000 reservations a year. It’s also a blow for the eponymous young cooks of Lisa Abend’s The Sorcerer’s Apprentices, the 45 stagiaires who labour in Ferran Adria’s kitchen for a season in the hope of sharing in the magic. Ferran, you see, is no mere cook. With him, ‘hot turns into cold, sweet into savoury, solid into liquid or air’.

Jonathan Coe is surprised by his eminence. ‘I’m just a comic Agatha Christie,’ he says. Coe was at the Guardian last night in King’s Cross – the newspaper’s book club has been reading What A Carve Up, Coe’s satire of the Thatcher years. Coe understands the book’s continued popularity and relevance. ‘The political mood has not changed in that time, arguably it’s got worse.’ He welcomes the book’s success; but regrets that society has not rejected the apostles of greed and laments that even the Labour party now dallies with the filthy rich. Coe conceived of writing a political-satire-cum-social-panorama in the mid-eighties, but took several years to complete the project.

Tessa Hadley’s The London Train will feel very much at home in the Paddington branch of W.H. Smith. For like almost all of Dickens’ novels, The London Train involves a series of journeys to and from London. Unlike Dickens, however, Tessa Hadley chooses to subject her characters to repeated trips to South Wales – a part of the world that mostly escaped Dickens’ attention (a paucity of urchins, perhaps?). The London Train differs also from Dickens in that all these journeys add up to less than the sum of their parts. If Dickens’ novels weave new mythologies about how people live together in the modern world, Hadley’s loosely connected stories

The Arts Council (ACE) has not one ounce of sentiment. Faced with a tight spending settlement, ACE has withdrawn £111,000 funding from the Poetry Book Society (PBS), founded by T.S. Eliot to promote poetry. In consequence, the PBS is threatened with closure, along with the prestigious T.S. Eliot prize. This has inspired a furious reaction in the mainstream media and the blogosphere. A petition has been established and PBS board have written to the Times today threatening to challenge ACE’s decision. This follows separate interventions from 9 poets and Carol Ann Duffy, each expressing their concern and, in Duffy’s case, disgust that so much funding is to be withdrawn from

Though not strictly a weekend literary supplement, the Flavorwire has 19 pictures of achingly sharp authors working at their typewriters. They include Tennessee Williams, John Cheevor, Slyvia Plath, Francoise Sagan and William Faulkner.   A.C. Grayling was on the Today programme this morning, debating his secular Bible, The Good Book, with the Canon Chancellor of St. Pauls. Grayling has also given an interview to Decca Aitkenhead in the Guardian, where, among other things, he expands on secular morality, spiritual understanding and the importance of language.    ‘He insists that his new book does not belong in the same canon as Dawkins’s The God Delusion and Hitchens’s God Is Not Great.

Edward King has written the bookend column in this week’s issue of the Spectator. Here it is for readers of this blog. When the Observer critic Philip French started writing on the cinema in the early 1960s, he once explained in an interview, books about film were a rarity. ‘Now I have three book-lined rooms dedicated just to the cinema, including 50 books on Hitchcock and 30 on film noir.’ I Found it at the Movies, a collection of essays and occasional writings about film first published from 1964 up to the present, is intended to ‘throw light’ on the times in which they were written and chart the shifting

The weather for the weekend looks bad, so usually a jaunt to Oxford, the dankest place on earth, would be ill advised. But this weekend is different. The undergraduates are long gone for Easter and the Sunday Times’ literary festival is in town from Saturday 2 April until Sunday 10th April. The headline speakers are King Abudullah of Jordan, Kazuo Ishiguro, A.C. Grayling, Michael Frayn, Karen Armstrong, David Starkey and Gilbert and George. The list of other speakers is equally impressive: Phillip Pullman, David Nicholls, David Lodge, Edna O’Brien, John Julius Norwich, P.D. James, Colin Dexter, Nigel Lawson, Prue Leith and Matthew Parris. Tickets are still available, so click here